{"id":1947,"date":"2024-02-05T15:23:07","date_gmt":"2024-02-05T14:23:07","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=1947"},"modified":"2026-01-26T11:48:22","modified_gmt":"2026-01-26T10:48:22","slug":"books-politik-des-kritischen-komponierens","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/en\/books-politik-des-kritischen-komponierens\/","title":{"rendered":"Die Politik des Kritischen Komponierens. Diskursive Verflechtungen um Helmut Lachenmann"},"content":{"rendered":"<style>\n.bdaia-post-title {\ndisplay: none;\n}\nh1 {\n  margin: 12px 0 12px\n}\nh3 {\n  margin: 25px 0 12px\n}\n<\/style>\n<div class=\"one_third\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1958\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/02\/Drazic-Cover-final-U1-R.png\" alt=\"book cover, portrait of Helmut Lachenmann, stylized in pink\" width=\"350\" height=\"532\" \/>&nbsp;<\/div>\n<div class=\"two_third last\">\n<h1>Die Politik des Kritischen Komponierens<\/h1>\n<h2>Diskursive Verflechtungen um Helmut Lachenmann<\/h2>\n<h3><em>Lena Dra\u017ei\u0107<\/em><\/h3>\n<p>&nbsp;<br \/>\n<span class='bdaia-btns bdaia-btn-medium' style=\"background:#e191be !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp005-toc\/\" rel=\"nofollow\" style=\"color:#000000 !important;\">READ ONLINE<\/a><\/span><span class='bdaia-btns bdaia-btn-medium' style=\"background:#e191be !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/mdwp005_drazic-politik.pdf\" target=\"_blank\" rel=\"nofollow\" style=\"color:#000000 !important;\">DOWNLOAD PDF<\/a><\/span><span class='bdaia-btns bdaia-btn-medium' style=\"background:#e191be !important;color:#000000 !important;\"><a href=\"https:\/\/www.transcript-verlag.de\/media\/unknown\/ed\/43\/5a\/oa9783732867011.epub\" target=\"_blank\" rel=\"nofollow\" style=\"color:#000000 !important;\">DOWNLOAD EPUB<\/a><\/span><span class='bdaia-btns bdaia-btn-medium' style=\"background:#e191be !important;color:#000000 !important;\"><a href=\"https:\/\/www.transcript-verlag.de\/978-3-8376-6701-1\/die-politik-des-kritischen-komponierens\/\" target=\"_blank\" rel=\"nofollow\" style=\"color:#000000 !important;\">PRINT EDITION &nbsp;|&nbsp; \u20ac40.00<\/a><\/span>\n<p>Neue Musik konfrontiert uns mit ungewohnten Kl\u00e4ngen und zwingt uns so, unser Verh\u00e4ltnis zur Welt zu hinterfragen. Sie r\u00fcttelt auf und ist somit immer auch politisch, so die g\u00e4ngige These. Am Beispiel von Helmut Lachenmann, einem der prominentesten Komponisten der Gegenwart, macht Lena Drazic Texte \u00fcber Neue Musik zur Grundlage einer Diskursanalyse, die deren politischen Versprechungen auf den Grund geht.<!--more--> Daran zeigt sie, dass insbesondere in der Str\u00f6mung des \u00bbKritischen Komponierens\u00ab Werte wie Demokratie, Niederschwelligkeit oder Herrschaftskritik beschworen werden, der Zugang zum Neue-Musik-Betrieb hingegen ma\u00dfgeblich von Bildungs- und Klassenprivilegien abh\u00e4ngt.<\/p>\n<p><em>The book is published in German.<\/em><br \/>\n<\/div><div class=\"clear-fix\"><\/div>\n<div class=\"one_third\">\n<h4>Metadata<\/h4>\n<p><span style=\"display: inline-block; width: 40%;\">Publication:<\/span>June 2024<br \/>\n<span style=\"display: inline-block; width: 40%;\">Print Length:<\/span>316 pages<br \/>\n<span style=\"display: inline-block; width: 40%;\">License:<\/span><a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/deed.de\" target=\"_blank\" rel=\"license noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/cc.svg\" style=\"vertical-align: middle\" alt=\"CC-Logo\" width=\"20\" height=\"20\"\/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/by.svg\" style=\"vertical-align: middle\" alt=\"BY-Logo\" width=\"20\" height=\"20\"\/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/nc.svg\" style=\"vertical-align: middle\" alt=\"NC-Logo\" width=\"20\" height=\"20\"\/><\/a><br \/>\n<span style=\"display: inline-block; width: 40%;\"><\/span><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/Open_Access_logo.png\" style=\"vertical-align: middle\" alt=\"OA-Logo\" width=\"10\" height=\"10\"\/> <span style=\"color:#f47500\">Open Access<\/span><\/p>\n<p><span style=\"display: inline-block; width: 40%;\">DOI:<\/span>10.14361\/9783839467015<br \/>\n<span style=\"display: inline-block; width: 40%;\">Print-ISBN:<\/span>978-3-8376-6701-1<br \/>\n<span style=\"display: inline-block; width: 40%;\">PDF-ISBN:<\/span>978-3-8394-6701-5<br \/>\n<span style=\"display: inline-block; width: 40%;\">EPUB-ISBN:<\/span>78-3-7328-6701-1<br \/>\n<\/div>\n<div class=\"two_third last\">\n<h4>About the Author<\/h4>\n<p>Lena Dra\u017ei\u0107 <a href=\"https:\/\/orcid.org\/0000-0002-1530-4715\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-600\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2021\/02\/orcid.png\" alt=\"orcid\" width=\"19\" height=\"19\" \/><\/a> obtained her PhD at the University of Music and Performing Arts Vienna in 2021. In 2022 she was a research fellow at the International Research Center for Cultural Studies in Vienna. Her project on attributions of meaning to the migrant genre turbo-folk music was funded by the Austrian Academy of Science and Vienna City Council. Her research focuses on questions of nationalism and politics in relation to contemporary music.<\/p>\n<h4>Reviews<\/h4>\n<p>Reviewed in <a href=\"https:\/\/mf.journals.qucosa.de\/mf\/article\/view\/3593\" target=\"_blank\" rel=\"noopener\"><em>Die Musikforschung<\/em> 77(4)<\/a><br \/>\nReviewed in <a href=\"https:\/\/musikderzeit.de\/artikel\/die-politik-des-kritischen-komponierens\/\" target=\"_blank\" rel=\"noopener\"><em>Neue Zeitschrift f\u00fcr Musik<\/em> 1\/2025<\/a><\/p>\n<h4>Citation<\/h4>\n<div id=\"zotpress-fdee3c91776657a3482d1e85eb9a8dce\" class=\"zp-Zotpress zp-Zotpress-Bib wp-block-group\">\n\n\t\t<span class=\"ZP_API_USER_ID ZP_ATTR\">4511395<\/span>\n\t\t<span class=\"ZP_ITEM_KEY ZP_ATTR\">{4511395:ZDDXSD35}<\/span>\n\t\t<span class=\"ZP_COLLECTION_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TAG_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_AUTHOR ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_YEAR ZP_ATTR\"><\/span>\n        <span class=\"ZP_ITEMTYPE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_INCLUSIVE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_STYLE ZP_ATTR\">chicago-author-date<\/span>\n\t\t<span class=\"ZP_LIMIT ZP_ATTR\">50<\/span>\n\t\t<span class=\"ZP_SORTBY ZP_ATTR\">default<\/span>\n\t\t<span class=\"ZP_ORDER ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TITLE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_SHOWIMAGE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_SHOWTAGS ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_DOWNLOADABLE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_NOTES ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_ABSTRACT ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_CITEABLE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_TARGET ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_URLWRAP ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_FORCENUM ZP_ATTR\"><\/span>\n        <span class=\"ZP_HIGHLIGHT ZP_ATTR\"><\/span>\n        <span class=\"ZP_POSTID ZP_ATTR\">1947<\/span>\n\t\t<span class=\"ZOTPRESS_PLUGIN_URL ZP_ATTR\">https:\/\/www.mdw.ac.at\/mdwpress\/wp-content\/plugins\/zotpress\/<\/span>\n\n\t\t<div class=\"zp-List loading\">\n\t\t\t<div class=\"zp-SEO-Content\">\n\t\t\t\t<span class=\"ZP_JSON ZP_ATTR\">%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3Afalse%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%22ZDDXSD35%22%2C%22library%22%3A%7B%22id%22%3A4511395%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Dra%5Cu017ei%5Cu0107%22%2C%22parsedDate%22%3A%222024%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BDra%26%23x17E%3Bi%26%23x107%3B%2C%20Lena.%202024.%20%26lt%3Bi%26gt%3BDie%20Politik%20des%20Kritischen%20Komponierens.%20Diskursive%20Verflechtungen%20um%20Helmut%20Lachenmann%26lt%3B%5C%2Fi%26gt%3B.%20mdwPress.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14361%5C%2F9783839467015%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14361%5C%2F9783839467015%26lt%3B%5C%2Fa%26gt%3B.%20%26lt%3Ba%20title%3D%26%23039%3BCite%20in%20RIS%20Format%26%23039%3B%20class%3D%26%23039%3Bzp-CiteRIS%26%23039%3B%20data-zp-cite%3D%26%23039%3Bapi_user_id%3D4511395%26amp%3Bitem_key%3DZDDXSD35%26%23039%3B%20href%3D%26%23039%3Bjavascript%3Avoid%280%29%3B%26%23039%3B%26gt%3BCite%26lt%3B%5C%2Fa%26gt%3B%20%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Die%20Politik%20des%20Kritischen%20Komponierens.%20Diskursive%20Verflechtungen%20um%20Helmut%20Lachenmann%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Lena%22%2C%22lastName%22%3A%22Dra%5Cu017ei%5Cu0107%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222024%22%2C%22originalDate%22%3A%22%22%2C%22originalPublisher%22%3A%22%22%2C%22originalPlace%22%3A%22%22%2C%22format%22%3A%22%22%2C%22ISBN%22%3A%229783839467015%22%2C%22DOI%22%3A%22%22%2C%22citationKey%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14361%5C%2F9783839467015%22%2C%22ISSN%22%3A%22%22%2C%22language%22%3A%22ger%22%2C%22collections%22%3A%5B%22RJ2DWDIJ%22%5D%2C%22dateModified%22%3A%222025-03-10T12%3A39%3A24Z%22%7D%7D%5D%7D<\/span>\n\n\t\t\t\t<div id=\"zp-ID-1947-4511395-ZDDXSD35\" data-zp-author-date='Dra\u017ei\u0107-2024' data-zp-date-author='2024-Dra\u017ei\u0107' data-zp-date='2024' data-zp-year='2024' data-zp-itemtype='book' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Dra\u017ei\u0107, Lena. 2024. <i>Die Politik des Kritischen Komponierens. Diskursive Verflechtungen um Helmut Lachenmann<\/i>. mdwPress. <a class='zp-ItemURL' href='https:\/\/doi.org\/10.14361\/9783839467015'>https:\/\/doi.org\/10.14361\/9783839467015<\/a>. <a title='Cite in RIS Format' class='zp-CiteRIS' data-zp-cite='api_user_id=4511395&item_key=ZDDXSD35' href='javascript:void(0);'>Cite<\/a> <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\n\t\t\t<\/div><!-- .zp-zp-SEO-Content -->\n\t\t<\/div><!-- .zp-List -->\n\t<\/div><!--.zp-Zotpress-->\n\n\n<\/div><div class=\"clear-fix\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Deutsch. Die Politik des Kritischen Komponierens Diskursive Verflechtungen um Helmut Lachenmann Lena Dra\u017ei\u0107 &nbsp; Neue Musik konfrontiert uns mit ungewohnten Kl\u00e4ngen und zwingt uns so, unser Verh\u00e4ltnis zur Welt zu hinterfragen. Sie r\u00fcttelt auf und ist somit immer auch politisch, so die g\u00e4ngige These. Am Beispiel von Helmut &hellip;<\/p>\n","protected":false},"author":5,"featured_media":2473,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lena Dra\u017ei\u0107: Die Politik des kritischen Komponierens<\/title>\n<meta name=\"description\" content=\"Am Beispiel von Helmut Lachenmann \u2013 einem der prominentesten Komponisten der Gegenwart \u2013 macht Lena Dra\u017ei\u0107 Texte \u00fcber Neue Musik zur Grundlage einer Diskursanalyse, die deren politischen Versprechungen auf den Grund geht.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/books-politik-des-kritischen-komponierens\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lena Dra\u017ei\u0107: Die Politik des kritischen Komponierens\" \/>\n<meta property=\"og:description\" content=\"Am Beispiel von Helmut Lachenmann \u2013 einem der prominentesten Komponisten der Gegenwart \u2013 macht Lena Dra\u017ei\u0107 Texte \u00fcber Neue Musik zur Grundlage einer Diskursanalyse, die deren politischen Versprechungen auf den Grund geht.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/books-politik-des-kritischen-komponierens\/\" \/>\n<meta property=\"og:site_name\" content=\"mdwPress\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-05T14:23:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-26T10:48:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.mdw.ac.at\/mdwpress\/wp-content\/uploads\/2024\/02\/Drazic-Cover-final-U1-R.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1167\" \/>\n\t<meta property=\"og:image:height\" content=\"1774\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Max Bergmann\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Max Bergmann\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/books-politik-des-kritischen-komponierens\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/books-politik-des-kritischen-komponierens\/\"},\"author\":{\"name\":\"Max Bergmann\",\"@id\":\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/#\/schema\/person\/baeca6376964344151955aa663964c9c\"},\"headline\":\"Die Politik des Kritischen Komponierens. 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