{"id":1765,"date":"2023-10-13T16:57:44","date_gmt":"2023-10-13T14:57:44","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=1765"},"modified":"2026-03-03T10:43:03","modified_gmt":"2026-03-03T09:43:03","slug":"books-harpsichord","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/en\/books-harpsichord\/","title":{"rendered":"\u203aUniversum rei harmonicae concentum absolvunt.\u2039 The Harpsichord in the Sixteenth Century"},"content":{"rendered":"<style>\n.bdaia-post-title {\ndisplay: none;\n}\nh1 {\n  margin: 12px 0 12px\n}\nh3 {\n  margin: 25px 0 12px\n}\n<\/style>\n<div class=\"one_third\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1958\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2023\/10\/Harpsichord_Cover_v1.3-674x1024.png\" alt=\"book cover, old painting of women playing the harpsichord\" width=\"350\" height=\"532\" \/>&nbsp;<\/div>\n<div class=\"two_third last\">\n<h1>\u203aUniversum rei harmonicae concentum absolvunt\u2039<\/h1>\n<h2>The Harpsichord in the Sixteenth Century<\/h2>\n<h3><em>Augusta Campagne, Markus Grassl (eds.)<\/em><\/h3>\n<p>&nbsp;<br \/>\n<span class='bdaia-btns bdaia-btn-medium' style=\"background:#dcb4aa !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp003-toc\/\" rel=\"nofollow\" style=\"color:#000000 !important;\">READ ONLINE<\/a><\/span><span class='bdaia-btns bdaia-btn-medium' style=\"background:#dcb4aa !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/mdwp003_Harpsichord.pdf\" target=\"_blank\" rel=\"nofollow\" style=\"color:#000000 !important;\">DOWNLOAD PDF<\/a><\/span>\n&nbsp;<\/p>\n<p>The volume deals with various topics related to keyboard music in the sixteenth century. These include aesthetic ideas associated with keyboard playing, the spread of the harpsichord in the sixteenth century, keyboard notation and its specific features, questions of tempo, rhythm and ornamentation, and iconographic sources as a basis for reconstructing playing techniques.<\/p>\n<p><!--more--><\/p>\n<p>It gathers the proceedings of a conference held at the University of Music and Performing Arts in Vienna in 2021. The contributions cover a wide range of aspects of musical style, repertoire and performance practice, as well as the socio-cultural significance of plucked instruments in the sixteenth century. It is aimed at musicologists and musicians.<\/p>\n<\/div><div class=\"clear-fix\"><\/div>\n<div class=\"one_third\">\n<h4>Metadata<\/h4>\n<p><span style=\"display: inline-block; width: 40%;\">Publication:<\/span> June 2024<br \/>\n<span style=\"display: inline-block; width: 40%;\">Print Length:<\/span> 258 pages<br \/>\n<span style=\"display: inline-block; width: 40%;\">License:<\/span><a href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/deed.de\" target=\"_blank\" rel=\"license noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/cc.svg\" style=\"vertical-align: middle\" alt=\"CC-Logo\" width=\"20\" height=\"20\"\/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/by.svg\" style=\"vertical-align: middle\" alt=\"BY-Logo\" width=\"20\" height=\"20\"\/><\/a><br \/>\n<span style=\"display: inline-block; width: 40%;\"><\/span><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/Open_Access_logo.png\" style=\"vertical-align: middle\" alt=\"OA-Logo\" width=\"10\" height=\"10\"\/> <span style=\"color:#f47500\">Open Access<\/span><\/p>\n<p><span style=\"display: inline-block; width: 40%;\">DOI:<\/span><a href=\"https:\/\/dx.doi.org\/10.21939\/harpsichord-16c\" rel=\"noopener\" target=\"_blank\">10.21939\/harpsichord-16c<\/a><br \/>\n<span style=\"display: inline-block; width: 40%;\">PDF-ISBN:<\/span>978-3-9505619-0-6<br \/>\n<\/div>\n<div class=\"two_third last\">\n<h4>About the Editors<\/h4>\n<p><strong>Augusta Campagne<\/strong> <a href=\"https:\/\/orcid.org\/0000-0001-6583-5621\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-600\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2021\/02\/orcid.png\" alt=\"orcid\" width=\"19\" height=\"19\" \/><\/a> taught harpsichord and figured bass at the mdw &#8211; University of Music and Performing Arts in Vienna. Her main research interests are early keyboard accompaniment and harpsichord music of the long 16th century.<\/p>\n<p><strong>Markus Grassl<\/strong> <a href=\"https:\/\/orcid.org\/0000-0003-2080-9264\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-600\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2021\/02\/orcid.png\" alt=\"orcid\" width=\"19\" height=\"19\" \/><\/a> is professor at the Institute of Musicology and Performance Studies at the mdw \u2013 University of Music and Performing Arts in Vienna. His research focuses on early instrumental music, the music of the French Baroque, and the history of performance of early music in the 20th century.<\/p>\n<h4>Citation<\/h4>\n<div id=\"zotpress-ecd24eae2ffa6d1e4290cc582b9b3548\" class=\"zp-Zotpress zp-Zotpress-Bib wp-block-group\">\n\n\t\t<span class=\"ZP_API_USER_ID ZP_ATTR\">4511395<\/span>\n\t\t<span class=\"ZP_ITEM_KEY ZP_ATTR\">{4511395:KHXQ6EID}<\/span>\n\t\t<span class=\"ZP_COLLECTION_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TAG_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_AUTHOR ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_YEAR ZP_ATTR\"><\/span>\n        <span class=\"ZP_ITEMTYPE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_INCLUSIVE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_STYLE ZP_ATTR\">chicago-author-date<\/span>\n\t\t<span class=\"ZP_LIMIT ZP_ATTR\">50<\/span>\n\t\t<span class=\"ZP_SORTBY ZP_ATTR\">default<\/span>\n\t\t<span class=\"ZP_ORDER ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TITLE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_SHOWIMAGE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_SHOWTAGS ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_DOWNLOADABLE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_NOTES ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_ABSTRACT ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_CITEABLE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_TARGET ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_URLWRAP ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_FORCENUM ZP_ATTR\"><\/span>\n        <span class=\"ZP_HIGHLIGHT ZP_ATTR\"><\/span>\n        <span class=\"ZP_POSTID ZP_ATTR\">1765<\/span>\n\t\t<span class=\"ZOTPRESS_PLUGIN_URL ZP_ATTR\">https:\/\/www.mdw.ac.at\/mdwpress\/wp-content\/plugins\/zotpress\/<\/span>\n\n\t\t<div class=\"zp-List loading\">\n\t\t\t<div class=\"zp-SEO-Content\">\n\t\t\t\t<span class=\"ZP_JSON ZP_ATTR\">%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3Afalse%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%22KHXQ6EID%22%2C%22library%22%3A%7B%22id%22%3A4511395%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Campagne%20and%20Grassl%22%2C%22parsedDate%22%3A%222024%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BCampagne%2C%20Augusta%2C%20and%20Markus%20Grassl%2C%20eds.%202024.%20%26lt%3Bi%26gt%3B%26%23x2018%3BUniversum%20Rei%20Harmonicae%20Concentum%20Absolvunt%26%23x2019%3B.%20The%20Harpsichord%20in%20the%20Sixteenth%20Century%26lt%3B%5C%2Fi%26gt%3B.%20mdwPress.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.21939%5C%2Fharpsichord-16c%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.21939%5C%2Fharpsichord-16c%26lt%3B%5C%2Fa%26gt%3B.%20%26lt%3Ba%20title%3D%26%23039%3BCite%20in%20RIS%20Format%26%23039%3B%20class%3D%26%23039%3Bzp-CiteRIS%26%23039%3B%20data-zp-cite%3D%26%23039%3Bapi_user_id%3D4511395%26amp%3Bitem_key%3DKHXQ6EID%26%23039%3B%20href%3D%26%23039%3Bjavascript%3Avoid%280%29%3B%26%23039%3B%26gt%3BCite%26lt%3B%5C%2Fa%26gt%3B%20%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22%5Cu2018Universum%20rei%20harmonicae%20concentum%20absolvunt%5Cu2019.%20The%20Harpsichord%20in%20the%20Sixteenth%20Century%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Augusta%22%2C%22lastName%22%3A%22Campagne%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Markus%22%2C%22lastName%22%3A%22Grassl%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222024%22%2C%22originalDate%22%3A%22%22%2C%22originalPublisher%22%3A%22%22%2C%22originalPlace%22%3A%22%22%2C%22format%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22citationKey%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.21939%5C%2Fharpsichord-16c%22%2C%22ISSN%22%3A%22%22%2C%22language%22%3A%22en-GB%22%2C%22collections%22%3A%5B%22RJ2DWDIJ%22%5D%2C%22dateModified%22%3A%222025-03-07T15%3A26%3A44Z%22%7D%7D%5D%7D<\/span>\n\n\t\t\t\t<div id=\"zp-ID-1765-4511395-KHXQ6EID\" data-zp-author-date='Campagne-and-Grassl-2024' data-zp-date-author='2024-Campagne-and-Grassl' data-zp-date='2024' data-zp-year='2024' data-zp-itemtype='book' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Campagne, Augusta, and Markus Grassl, eds. 2024. <i>\u2018Universum Rei Harmonicae Concentum Absolvunt\u2019. The Harpsichord in the Sixteenth Century<\/i>. mdwPress. <a class='zp-ItemURL' href='https:\/\/doi.org\/10.21939\/harpsichord-16c'>https:\/\/doi.org\/10.21939\/harpsichord-16c<\/a>. <a title='Cite in RIS Format' class='zp-CiteRIS' data-zp-cite='api_user_id=4511395&item_key=KHXQ6EID' href='javascript:void(0);'>Cite<\/a> <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\n\t\t\t<\/div><!-- .zp-zp-SEO-Content -->\n\t\t<\/div><!-- .zp-List -->\n\t<\/div><!--.zp-Zotpress-->\n\n\n<\/div><div class=\"clear-fix\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Deutsch. \u203aUniversum rei harmonicae concentum absolvunt\u2039 The Harpsichord in the Sixteenth Century Augusta Campagne, Markus Grassl (eds.) &nbsp; Der Band befasst sich mit verschiedenen Themen der Tastenmusik des 16. Jahrhunderts. Dazu geh\u00f6ren \u00e4sthetische Vorstellungen des Tastenspiels, die Verbreitung des Cembalos im 16. Jahrhundert, die Tastennotation und ihre Besonderheiten, &hellip;<\/p>\n","protected":false},"author":5,"featured_media":1772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Campagne, Grassl (eds.): The Harpsichord in the Sixteenth Century<\/title>\n<meta name=\"description\" content=\"The volume deals with various topics related to keyboard music and the harpsichord in the 16th century.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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