{"version":"1.0","provider_name":"mdwPress","provider_url":"https:\/\/www.mdw.ac.at\/mdwpress\/en","author_name":"Max Bergmann","author_url":"https:\/\/www.mdw.ac.at\/mdwpress\/en\/author\/bergmann-max\/","title":"Storf et al.: Zur Rolle der Musik in der Netflix-Serie Tote\u00a0M\u00e4dchen\u00a0l\u00fcgen\u00a0nicht","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YL0pBS0nUD\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp010-011\/\">Zur Rolle der Musik in der Netflix-Serie Tote\u00a0M\u00e4dchen\u00a0l\u00fcgen\u00a0nicht<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp010-011\/embed\/#?secret=YL0pBS0nUD\" width=\"600\" height=\"338\" title=\"&#8220;Zur Rolle der Musik in der Netflix-Serie Tote\u00a0M\u00e4dchen\u00a0l\u00fcgen\u00a0nicht&#8221; &#8212; mdwPress\" data-secret=\"YL0pBS0nUD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.mdw.ac.at\/mdwpress\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Markus Storf, Rita\u00a0Becker, R\u00e9ka\u00a0B\u00e9g\u00e1ny, Giovanni\u00a0Luca\u00a0Campagna, Nina\u00a0Fried, Teresa\u00a0Heugl, Bogl\u00e1rka\u00a0Horv\u00e1th, Jelena\u00a0Petener und Tanja\u00a0Wimmeder Einleitung Im Wintersemester 2021\/22 fand an der mdw \u2014 Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien erstmalig eine gemeinsam vom Institut f\u00fcr Musikwissenschaft und Interpretationsforschung und vom Institut f\u00fcr Musiktherapie organisierte Lehrveranstaltung statt. Das Seminar \u00bbZur Rolle der Musik in der Netflix-Serie Tote M\u00e4dchen &hellip;","thumbnail_url":"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/download-1459070_1280.png"}