1.0mdwPresshttps://www.mdw.ac.at/mdwpress/enJana Diewaldhttps://www.mdw.ac.at/mdwpress/en/author/diewald/rich600338<blockquote class="wp-embedded-content" data-secret="yEpJHn3ohw"><a href="https://www.mdw.ac.at/mdwpress/en/mdwp017-019/">List of Figures and Examples</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/en/mdwp017-019/embed/#?secret=yEpJHn3ohw" width="600" height="338" title="“List of Figures and Examples” — mdwPress" data-secret="yEpJHn3ohw" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script>   Further Notions of Notation: Performance Practice, Composition, and Notational Formats in Neapolitan Keyboard Music ca. 1600 Ex. 1a–d: Passages in early Neapolitan keyboard music that are difficult to play with two hands. The music, originally printed in open score, has been transcribed into modern keyboard notation, with stem directions reflective of the parts in the open …https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/download-1459070_1280.png