1.0mdwPresshttps://www.mdw.ac.at/mdwpress/enJana Diewaldhttps://www.mdw.ac.at/mdwpress/en/author/diewald/rich600338<blockquote class="wp-embedded-content" data-secret="8mgttgyILH"><a href="https://www.mdw.ac.at/mdwpress/en/mdwp017-012/">Bassi ostinati and Ornamental Formulas in the Intabolatura nova di varie sorte de balli, Venice 1551 (I-Bc R.178), and in Similar Contemporary Sources for the Lute</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/en/mdwp017-012/embed/#?secret=8mgttgyILH" width="600" height="338" title="“Bassi ostinati and Ornamental Formulas in the Intabolatura nova di varie sorte de balli, Venice 1551 (I-Bc R.178), and in Similar Contemporary Sources for the Lute” — mdwPress" data-secret="8mgttgyILH" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Vania Dal Maso   Introduction The history of Italian keyboard instrument literature is initially linked to tablatures of vocal pieces. This music was conceived and created with different sound destinations in mind than those typically associated with instrumental music. The first autonomous pieces in Italian keyboard music sources that were not derived from pre-existing models …https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/download-1459070_1280.png