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<oembed><version>1.0</version><provider_name>mdwPress</provider_name><provider_url>https://www.mdw.ac.at/mdwpress/en</provider_url><author_name>Max Bergmann</author_name><author_url>https://www.mdw.ac.at/mdwpress/en/author/bergmann-max/</author_url><title>Chion: Why Did I Decide to Erase All Production Tapes?</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="krjmnwaexh"&gt;&lt;a href="https://www.mdw.ac.at/mdwpress/en/mdwp013-012/"&gt;Why Did I Decide to Erase all Production Tapes of&#xA0;my Musique Concr&#xE8;te Except for the Final Compositions?&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/en/mdwp013-012/embed/#?secret=krjmnwaexh" width="600" height="338" title="&#x201C;Why Did I Decide to Erase all Production Tapes of&#xA0;my Musique Concr&#xE8;te Except for the Final Compositions?&#x201D; &#x2014; mdwPress" data-secret="krjmnwaexh" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>A Clarification Michel Chion This text aims to explain why it is difficult for me to consider the musical elements of my concrete music production for magnetic tape (composed between 1970 and 2000&#xA0;&#x2013; thereafter I increasingly used digital media) as archives or documents to be preserved for history and why, while preciously preserving the original &hellip;</description><thumbnail_url>https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/download-1459070_1280.png</thumbnail_url></oembed>
