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<oembed><version>1.0</version><provider_name>mdwPress</provider_name><provider_url>https://www.mdw.ac.at/mdwpress/en</provider_url><author_name>Max Bergmann</author_name><author_url>https://www.mdw.ac.at/mdwpress/en/author/bergmann-max/</author_url><title>Chapter 1 | Introduction &#x2013; mdwPress</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="4lBEM2aFab"&gt;&lt;a href="https://www.mdw.ac.at/mdwpress/en/mdwp011-ch1/"&gt;Chapter 1 | Introduction&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/en/mdwp011-ch1/embed/#?secret=4lBEM2aFab" width="600" height="338" title="&#x201C;Chapter 1 | Introduction&#x201D; &#x2014; mdwPress" data-secret="4lBEM2aFab" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>When we talk about the social organization of arts, we are referring to two concepts that are closely linked, order and change. Social order is never static, and it is always complex. Social change is always dynamic, and it has different intensities and efficacies. Together, they are key to theorizing the social organization of arts. &hellip;</description></oembed>
