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</html><description>Echoes and Anticipations Stephanie Jordan &nbsp; &#x201C;How I Learned to Stop Worrying and Love Mickey Mouse&#x201D; must be one of the most unforgettable sub-titles in dance scholarship. It appears in 2006 in The Opera Quarterly dance issue, heading an article by American composer Barbara White.1 Meanwhile, the term music visualization rings familiar to dance theorists &hellip;</description><thumbnail_url>https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/2021/02/orcid.png</thumbnail_url></oembed>
