1.0mdwPresshttps://www.mdw.ac.at/mdwpress/enJana Diewaldhttps://www.mdw.ac.at/mdwpress/en/author/diewald/rich600338<blockquote class="wp-embedded-content" data-secret="b7iGiJduHl"><a href="https://www.mdw.ac.at/mdwpress/en/mdwp004-004/">Forced Freedom</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/en/mdwp004-004/embed/#?secret=b7iGiJduHl" width="600" height="338" title="“Forced Freedom” — mdwPress" data-secret="b7iGiJduHl" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Choreography and Music in Igor Stravinsky’s Early Ballet Compositions Christoph Flamm   There is no question that Igor Stravinsky not only significantly enriched the dance theater of the twentieth century, but also fundamentally transformed it. However, as his fame grew, he increasingly absolutized the importance of the music in his ballets, and at the same time …https://www.mdw.ac.at/mdwpress/wp-content/uploads/2021/02/orcid.png6464