1.0mdwPresshttps://www.mdw.ac.at/mdwpress/enMax Bergmannhttps://www.mdw.ac.at/mdwpress/en/author/bergmann-max/rich600338<blockquote class="wp-embedded-content" data-secret="zYMhBRi91q"><a href="https://www.mdw.ac.at/mdwpress/en/mdwp003-le-mani-di-cecilia/">Le mani di Cecilia</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/en/mdwp003-le-mani-di-cecilia/embed/#?secret=zYMhBRi91q" width="600" height="338" title="“Le mani di Cecilia” — mdwPress" data-secret="zYMhBRi91q" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Hand Position and Fingering on Keyboards in Italian Iconographical Sources of the Renaissance Maria Luisa Baldassari (Musical examples by Maria Luisa Baldassari and Augusta Campagne) The subject of fingering and hand position in Renaissance and Baroque keyboard music has been debated for many years, and the few extant theoretical and practical sources have been thoroughly …https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/2024/05/Baldassari_fig.1_.jpg