Turning Social

The Social-Transformative Potential of Music Mediation

Axel Petri-Preis, Annette Ziegenmeyer (eds.)


Foreword

Acknowledgements

Doing Music = Doing Society. The Social-Transformative Potential of Music Mediation

Axel Petri-Preis, Sarah Chaker, and Annette Ziegenmeyer
 

I CULTURAL DEMOCRACY


From Us & Them to We. Some Thoughts on Co-Creation, Cultural Democracy, and a Human Rights Approach to Music Inclusion

François Matarasso

Change of Perspective as a Starting Point for Social Transformation? Relevance and Design of Music-Related Activities with Delinquent Youth

Annette Ziegenmeyer

From the Bottom Up. On the Potential of a Festival’s Music Mediation Programme in Innovating the Music Education Ecosystem in Croatia

Ana Čorić
 

II DECOLONISING MUSIC MEDIATION


Othering versus Empowerment. Decolonial Approaches in Music Mediation

Lisa Gaupp

The project Villagio Culturale. Intercultural Co-Creation in Times of Uncertainty

Barbara Balba Weber
 

III ARTISTIC CITIZENSHIP


Accessibility and Sustainability in Higher Music Education through Artistic Citizenship

Maria Westvall and Charles Carson

New Concert Formats and Music Mediation at Stegreif – The Improvising Symphony Orchestra

Immanuel de Gilde and Lorenz Blaumer

The Chewing Gum Goddess in the Opera Lab. On Participatory Devising Processes in Opera and the Courage to Fill Gaps

Krysztina Winkel

“Musethica Brings Us to the Core of our Vocation”. A Conversation with Djanay Tulenova, Avri Levitan, and Johannes Meissl

Axel Petri-Preis
 

IV MUSIC MEDIATION IN HIGHER MUSIC EDUCATION


Transforming Higher Music Education. Systems Learning through Counter-Stories of Finnish Socially Engaged Musicians

Heidi Westerlund and Sari Karttunen

Educating Musicians in Times of Transformation. A Conversation with Lydia Grün, Ulrike Sych, and Sean Gregory

Sarah Chaker and Axel Petri-Preis

Towards Community Engagement in Music Curricula.
Students’ Perspectives on the Master’s Programme Contemporary Arts Practice (CAP)

Axel Petri-Preis

Doing Music Difference, or: What do we do with Other Musics?

Shanti Suki Osman
 

V TOWARDS POSSIBLE FUTURES


We Urgently Need a Social Turn

Sabine Reiter

Why Don’t We Discuss it? How to Get the Evaluation of Music Mediation Activities out of its Procrustean Bed?

Irina Kirchberg

Music Mediators as Builders of a Public Culture Based upon Love? Philosophical Concepts of Love as a Compass for Music Mediation Practice

Daniela Bartels

Music Mediation and the Potential for Change. An Approach via Convention Theory

Anke Schad-Spindler
 

APPENDIX


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This publication received financial support from the Open Access Fund of mdw – University of Music and Performing Arts Vienna and from the University of Music Luebeck.