Bibliographischer Nachweis der mdw

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    A

  • Ang, Ai Lynn; Bain, Jennifer; Weigl, David (Hg.): Music Encoding Conference 2022 Proceedings. Music Encoding Conference (MEC'22). Halifax, Canada: Humanities Commons 2022. [online verfügbar: https://doi.org/10.17613/sn48-8932].
  • B

  • Bainbridge, David; Nurmikko-Fuller, Terhi; Weigl, David; Bainbridge, Elizabeth: A Eurovision Digital Library: Let's Open Up with Linked Data. In: Klein, Martin; Anat, Ben-David; Jäschke, Robert; Kelly, Mat (Hg.): Proceedings of the 2023 ACM/IEEE Joint Conference on Digital Libraries (JCDL). Santa Fe, NM, USA: IEEE 2023, S. 301-302 [online verfügbar: https://doi.org/10.1109/jcdl57899.2023.00068].
  • Bishop, Laura; Bailes, Canciona-Chacón; Goebl, Werner: Beyond synchronization: Body gestures and gaze direction in duo performance. In: Timmers, Renee; Bailes, Freya; Daffern, Helena (Hg.): Together in Music. Coordination, expression, participation. Oxford: Oxford University Press 2021, S. 182-190.
  • Bishop, Laura; Goebl, Werner; Cancino-Chacón, Carlos E.: Eye gaze as a means of giving and seeking information during musical interaction. In: Consciousness and Cognition 68. H. 1, S. 73-96 [online verfügbar: https://doi.org/10.1016/j.concog.2019.01.002].
  • C

  • Cancino-Chacón, Carlos E.; Grachten, Maarten; Goebl, Werner; Widmer, Gerhard: Computational Models of Expressive Music Performance: A Comprehensive and Critical Review. In: Frontiers in Digital Humanities. Digital Musicology 5, S. 1-23 [online verfügbar: https://doi.org/10.3389/fdigh.2018.00025].
  • Cancino-Chacòn, Carlos; Bonev, Martin; Durand, Amaury; Grachten, Maarten; Arzt, Andreas; Bishop, Laura; Goebl, Werner; Widmer, Gerhard: The ACCompanion v0.1: An Expressive Accompaniment System. In: Cunningham, Sally Jo; Turnbull, Douglas; Hu, Xiao; Duan, Zhiyao (Hg.): Proceedings of the 18th International Society for Music Information Retrieval Conference. Late Breaking/Demo. International Society on Music Information Retrieval Conference. Souzhou: International Society for Music Information Retrieval 2017, S. 175-175.
  • Chatziioannou, Vasileios; Schmutzhard, Sebastian; Hofmann, Alex: A real-time physical model to simulate player control in woodwind instruments. In: ISMA19, Detmold (Hg.): Proceedings of the International Symposium on Musical Acoustics. Berlin: German Acoustical Society (DEGA) 2019, S. 1-5.
  • Corcuera Marruffo, Andrea; Chatziioannou, Vasileios: A Pilot Study on Tone-Dependent Directivity Patterns of Musical Instruments. In: Audio Engineering Society, US (Hg.): Audio Engineering Society Conference: AES 2022 International Audio for Virtual and Augmented Reality Conference. Seattle: Audio Engineering Society 2022, S. 1-9.
  • Corcuera Marruffo, Andrea; Thilakan, J.; Hofmann, Alex; Chatziioannou, Vasileios; Kob, M.: Analysing musicians’ acoustic shadowing on the directivity of the trumpet. In: Deutsche Gesellschaft für Akustik e.V., (DEGA) (Hg.): Proceedings of the DAGA 2022. Stuttgart: Deutsche Gesellschaft für Akustik (DEGA) 2022, S. 131-133.
  • D

  • D'Amario, Sara; Goebl, Werner; Bishop, Laura: Judgment of togetherness in performances by musical duos. In: Frontiers in Psychology 13 (2022), S. 1-19 [online verfügbar: https://doi.org/10.3389/fpsyg.2022.997752].
  • D'Amario, Sara; Schmidbauer, Harald; Roesch, Angi; Goebl, Werner; Niemand, Anna-Maria; Bishop, Laura: Interperformer coordination in piano-singing duo performances: phrase structure and empathy impact. In: Psychological Research 87, S. 2559-2582 [online verfügbar: https://doi.org/10.1007/s00426-023-01818-8].
  • D'Amario, Sara; Ternström, Sten; Goebl, Werner; Bishop, Laura: Body motion of choral singers. In: Frontiers in Psychology 14, S. 1-19 [online verfügbar: https://doi.org/10.3389/fpsyg.2023.1220904].
  • D'Amario, Sara; Ternström, Sten; Goebl, Werner; Bishop, Laura: Impact of singing togetherness and task complexity on choristers’ body motion. In: D'Amario, Sara; Ternström, Sten; Friberg, Anders (Hg.): Proceedings of the Stockholm Music Acoustics Conference 2023 (SMAC'23). Stockholm Music Acoustics Conference 2023. Stockholm, Sweden: Royal Institute of Technology 2023, S. 146-150 [online verfügbar: https://smcnetwork.org/smc2023/SMAC_2023_All_papers.pdf].
  • De Roure, David; Klyne, Graham; Pybus, John; Weigl, David; Page, Kevin: Music SOFA: An architecture for semantically informed recomposition of Digital Music Objects. In: Bechhofer, Sean; Fazekas, George; Page, Kevin; Ceriani, Miguel; Weigl, David M. (Hg.): Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music (SAAM '18). Monterey, CA, USA: ACM 2018, S. 33-41 [online verfügbar: https://doi.org/10.1145/3243907.3243912].
  • de Valk, Reinier; Schöning, Kateryna; Weigl, David; Lewis, David; Crawford, Tim; Lewon, Marc; Overell, Paul: “Ain schone kunstliche Underweisung”: Modelling German lute tablature in MEI. In: Viglianti, Raffaele (Hg.): "Encoding Cultures" Joint MEC TEI conference 2023 – Book of Abstracts. Paderborn: Universität Paderborn/Zenodo 2023, S. 36-37 [online verfügbar: https://doi.org/10.5281/zenodo.10427826].
  • E

  • Evangelista, Gianpaolo (Hg.): Proceedings of the 24-th International Conference on Digital Audio Effects DAFx-21 (DAFx20in21). Wien: DAFx 2021 [online verfügbar: https://dafx2020.mdw.ac.at/proceedings/DAFx20in21Proceedings...].
  • Evangelista, Gianpaolo (Hg.): Proceedings of the 25-th International Conference on Digital Audio Effects. Wien: im Eigenverlag 2022.
  • Evangelista, Gianpaolo (Hg.): Special Issue on Advancements in Digital Audio Effects. (Journal of the Audio Engineering Society (JAES 69). New York: AES 2021. [online verfügbar: https://www.aes.org/journal/online/JAES_V69/7_8/].
  • Evangelista, Gianpaolo (Hg.): Special Issue on New Trends in Audio Effects. (Journal of the Audio Engineering Society (JAES 70). New York: AES 2022. [online verfügbar: https://www.aes.org/journal/online/JAES_V70/9/].
  • Evangelista, Gianpaolo: Approximations for online computation of redresses frequency warped vocoders. In: Evangelista, Gianpaolo (Hg.): Proceedings of Digital Audio Effects Conference (DAFx-14). Erlangen: DAFx 2014, S. 1-7 [online verfügbar: http://www.dafx14.fau.de/papers/dafx14_gianpaolo_evangelista...].
  • Evangelista, Gianpaolo: Redressing Warped Wavelets and Other Similar Warped Time-Something Representations. In: Bilbao, Stefan (Hg.): Proceedings of the 20-th Digital Audio Effects (DAFx-17). Edinburgh, U.K.: DAFx 2017, S. 260-267 [online verfügbar: http://www.dafx17.eca.ed.ac.uk/papers/DAFx17_paper_65.pdf].
  • Evangelista, Gianpaolo: Time Warping in Digital Audio Effects. In: Ferreira, Annibal (Hg.): Proceedings of the 21-st Digital Audio Effects (DAFx-18). DAFx-18 Conference. Aveiro, Portugal: DAFx 2018, S. 149-156 [online verfügbar: http://dafx2018.web.ua.pt/papers/DAFx18_Proceedings_Final.pd...].
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  • Giordano, Nicholas; Chatziioannou, Vasileios: Status and future of modeling of musical instruments: Introduction to the JASA special issue. In: Journal of the Acoustical Society of America 150 (2021) H. 3, S. 2294-2301 [online verfügbar: https://asa.scitation.org/doi/full/10.1121/10.0006439].
  • Goebl, Werner; Bishop, Laura: Beyond Synchronization: How and Why do Ensemble Performers Communicate? In: Timmers, Renee (Hg.): Together in Music: Expression, Performance and Communication in Ensembles (TIM-18). York U.K.: Universities of Leeds, Sheffield & York 2018, S. 76-76.
  • Goebl, Werner; Bishop, Laura: Context-specific effects of musical expertise on audiovisual integration. In: Frontiers in Psychology. 5 (2014). H. 1123. S. 1-14 [online verfügbar: http://dx.doi.org/10.3389/fpsyg.2014.01123].
  • Goebl, Werner; Bishop, Laura: Coordinating Piece Onsets: How Gesture Kinematics Affect Cue Clarity. In: Iversen, John; Creel, Sarah C. (Hg.): Society for Music Perception and Cognition Meeting. San Diego: University of San Diego Publications 2017, S. 48-49.
  • Goebl, Werner; Bishop, Laura: Effects of musical expertise on audiovisual integration: Instrument-specific or generalisable? In: Song, Moo Kyoung (Hg.): Proceedings of the ICMPC-APSCOM 2014 Joint Conference: 13th International Conference on Music Perception and Cognition and 5th Conference of Asia-Pacific Society for the Cognitive Sciences of Music. Seoul, Korea: College of Music, Yonsei University 2014, S. 64-64.
  • Goebl, Werner; Bishop, Laura: Joint shaping of musical time: How togetherness emerges in music ensemble performance. In: Wöllner, Clemens; London, Justin (Hg.): Performing Time: Synchrony and Temporal Flow in Music and Dance. Oxford, UK: Oxford University Press 2023, S. 179-196 [online verfügbar: https://global.oup.com/academic/product/performing-time-9780...].
  • Goebl, Werner; Bishop, Laura: Mapping visual attention of duo musicians during rehearsal of temporally-ambiguous music. In: Williamon, Aaron; Jónasson, Pétur (Hg.): Abstracts of the International Symposium on Performance Science 2017. International Symposium on Performance Science (ISPS). Reykjavik: Iceland Academy of the Arts 2017, S. 175-175.
  • Goebl, Werner; Bishop, Laura: Music and movement: Musical instruments and performers. In: Timmers, Renee; Ashley, Richard (Hg.): Routledge Companion to Music Cognition. New York: Routledge 2017, S. 349-361.
  • Goebl, Werner; Bishop, Laura: Negotiating a Shared Interpretation During Piano Duo Performance. In: Music & Science 3 (2019), S. 1-18 [online verfügbar: https://doi.org/10.1177/2059204319896152].
  • Goebl, Werner; Bishop, Laura: Visual Signals between Improvisers Indicate Attention rather than Intentions. In: Sattmann, Sabrina; Parncutt, Richard (Hg.): 15th International Conference on Music Perception and Cognition 10th triennial conference of the European Society for the Cognitive Sciences of Music. La Plata, Montreal, Sydney, Graz: University of Graz 2018, S. 456-456 [online verfügbar: https://music-psychology-conference2018.uni-graz.at/en/abstr...].
  • Goebl, Werner; Bishop, Laura: When they listen and when they watch: Pianists’ use of nonverbal audio and visual cues during duet performance. In: Musicae Scientiae 19 (2015). H. 4, steht noch nicht fest, S. 366-388 [online verfügbar: http://msx.sagepub.com/content/19/4/366.full.pdf+html].
  • Goebl, Werner; Bresin, Roberto; Fujinaga, Ichiro: Perception of touch quality in piano tones. In: Journal of the Acoustical Society of America. 136. H. 5/2014. S. 2839-2850 [online verfügbar: http://dx.doi.org/10.1121/1.4896461].
  • Goebl, Werner; Dixon, Simon; Schubert, Emery: Quantitative methods: Motion analysis, audio analysis, and continuous response techniques. In: Fabian, Dorottya; Timmers, Renee; Schubert, Emery (Hg.): Expressiveness in Music Performance – Empirical Approaches across Styles and Cultures. Oxford: Oxford University Press 2014, S. 221-239.
  • Goebl, Werner; Weigl, David: mei-friend v1.0: Music Encoding in the Browser (abstract). In: Viglianti, Raffaele (Hg.): "Encoding Cultures" Joint MEC TEI conference 2023 – Book of Abstracts. Paderborn: Universität Paderborn/Zenodo 2023, S. 159-160 [online verfügbar: https://doi.org/10.5281/zenodo.10427826].
  • Goebl, Werner; Weigl, David: The mei-friend Web Application: Editing MEI in the Browser. In: Ang, Ai Lynn; Bain, Jennifer; Weigl, David (Hg.): Music Encoding Conference Proceedings 2022. Music Encoding Conference (MEC'22). Halifax, Canada: Humanities Commons 2022, S. 176-178.
  • Goebl, Werner: Empirically assessing rhythmic entrainment: a re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas”. In: Empirical Musicology Review. 9 (2014). H. 2. S. 133-140 [online verfügbar: http://emusicology.org/article/view/4485/3819].
  • Goebl, Werner: Movement and touch in piano performance. In: Wolf, Sebastian I.; Müller, Bertram (Hg.): Springer Handbook of Human Motion. Berlin: Springer 2017, S. 1-18 [online verfügbar: http://dx.doi.org/10.1007/978-3-319-30808-1_109-1].
  • Goebl, Werner: The Bösendorfer CEUS system as a research tool for performance science. In: Williamon, Aaron; Jónasson, Pétur (Hg.): Abstracts of the International Symposium on Performance Science 2017. International Symposium on Performance Science (ISPS). Reykjavik: Iceland Academy of the Arts 2017, S. 193-193.
  • Golka, Gerald; Goebl, Werner: Tracking expressive performances with linear and non-linear timing models. In: Song, Moo Kyoung (Hg.): Proceedings of the ICMPC-APSCOM 2014 Joint Conference: 13th International Conference on Music Perception and Cognition and 5th Conference of Asia-Pacific Society for the Cognitive Sciences of Music. Seoul, Korea: College of Music, Yonsei University 2014, S. 164-165.
  • Guggenberger, Dominikus; Goebl, Werner: TappingFriend – An interactive science exhibit for experiencing synchronicity with real and artificial partners. In: Mayer, Alexander; Chatziioannou, Vasileios; Goebl, Werner (Hg.): Proceedings of the 3rd Vienna Talk on Music Acoustics. 3rd Vienna Talk on Music Acoustics. Wien: Institute of Music Acoustics, University of Music and Performing Arts Vienna 2015, S. 127-130 [online verfügbar: https://resolver.obvsg.at/urn:nbn:at:at-ubmw-201510221126556...].
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  • Hawley, Scott; Chatziioannou, Vasileios; Morrison, Andrew: Synthesis of Musical Instrument Sounds: Physics-Based Modeling or Machine Learning? In: Acoustics Today 16, S. 20-28 [online verfügbar: https://acousticstoday.org/wp-content/uploads/2020/02/Synthe...].
  • Hofmann, Alex; Chatziioannou, Vasileios; Schmutzhard, Sebastian; Erdogan, Goekberg; Mayer, Alexander: The Half-Physler: An oscillating real-time interface to a tube resonator model. In: Sedó, Anna; Queiroz, Marcelo (Hg.): Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) 2019. Porto Allegre: Federal University of Rio Grande do Sul 2019, S. 130-133.
  • Hofmann, Alex; Miksa, Tomasz; Knees, Peter; Bakos, Asztrik; Saglam, Hande; Ahmedaja, Ardian; Yimwadsana, Boonsit; Chan, Clare; Rauber, Andreas: Enabling FAIR use of Ethnomusicology Data - through Distributed Repositories, Linked Data and Music Information Retrieval. In: Empirical Musicology Review 16 (2021) H. 1, S. 47-64.
  • Hofmann, Alex; Schmutzhard, Sebastian; Pamies Vila, Montserrat; Erdogan, Goekberg; Chatziioannou, Vasileios: An opcode implementation of a finite difference viscothermal time-domain model of a tube resonator for wind instrument simulations. In: Petrolati, Alessandro; Di Furia, Anthony (Hg.): Proceedings of the Fifth International Csound Conference. Cagli: Theater Academy of Cagli 2019, S. 109-115.
  • Hofmann, Alex; Waerstad, Bernt; Koch, Kristoffer; Balasubramanian, Saranya: From interface design to the software instrument - Mapping as an approach to FX-instrument building. In: Jensenius, Alexander Refsum (Hg.): Proceedings of the NIME 2017. New Interfaces for Musical Expression. Copenhagen: New Interfaces for Musical Expression 2017, S. 133-138 [online verfügbar: nime.org].
  • Hofmann, Alex; Wesolowski, Brian; Goebl, Werner: The tight-interlocked rhythm section: Production and perception of synchronisation in Jazz Trio Performance. In: Journal of new music research 46 (2017). H. 4, S. 329-341.
  • Hu, Yuerong; Weigl, David; Page, Kevin R.; Dubnicek, Ryan; Downie, J. Stephen: Bridging the information gap between structural and note-level musical datasets. In: University of Illinois (Hg.): iConference 2019 Proceedings: iConference 2019 Poster Descriptions. Urbana-Champaign: University of Illinois 2019, S. 1-5 [online verfügbar: http://hdl.handle.net/2142/103320].
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  • Jiang, Yucong: Expert and Novice Evaluations of Piano Performances: Criteria for ComputerAided Feedback. In: International Society for Music Information Retrieval, WITHOUT COUNTRIES (Hg.): Proceedings of the International Society for Music Information Retrieval (ISMIR 2023). Mailand 2023, S. 367-374 [online verfügbar: https://zenodo.org/records/10265301].
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  • Kariũki, Nyokabi; Hofmann, Alex: Workshop on Body Percussion and Live Electronics. In: Yaseen, Azeema; Bridges, Brian; Messina, Marcello; Keller, Damián (Hg.): Proceedings of UbiMus2023 - International Symposium on Ubiquitous Music. Derry, Northern Ireland, UK: Ulster University 2023, S. 138-140.
  • Kausel, Wilfried; Chatziioannou, Vasileios; Moore, Thomas; Gorman, Britta; Rokni, Michelle: Axial vibrations of brass wind instrument bells and their acoustical influence: Theory and simulations. In: Journal of the Acoustical Society of America 137 (2015). H. 6, S. 3149-3162 [online verfügbar: http://dx.doi.org/10.1121/1.4921270].
  • Kausel, Wilfried; Mayer, Alexander: Brass instruments as a cascade of two-port networks: Transfer functions, chain parameters, and power efficiency in theory and practice. In: Journal of the Acoustical Society of America 149 (2021) H. 4, S. 2698-2710 [online verfügbar: https://asa.scitation.org/doi/pdf/10.1121/10.0004303].
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  • Lasickas, Titas: Investigating the Effect of Woodwind Instrument Tone Hole Size Using Particle Image Velocimetry. In: Proceedings of the 10th Convention of the European Acoustics Association, Forum Acusticum. Torino, Italien: European Acoustics Association 2023, S. 4461-4468.
  • Lewis, David; Weigl, David; Page, Kevin R.: Musicological Observations During Rehearsal and Performance: a Linked Data Digital Library for Annotations. In: Association for Computing Machinery (ACM) (Hg.): DLfM '19: Proceedings of the 6th International Conference on Digital Libraries for Musicology. New York: Association for Computing Machinery (ACM) 2019, S. 1-8 [online verfügbar: https://doi.org/10.1145/3358664.3358669].
  • Lluis Salvadó, Francesc; Chatziioannou, Vasileios; Hofmann, Alex: A Deep Learning Approach for Angle Specific Source Separation from Raw Ambisonics Signals. In: Deutsche Gesellschaft für Akustik e.V., (DEGA) (Hg.): Proceedings of the DAGA 2022. Stuttgart: Deutsche Gesellschaft für Akustik (DEGA) 2022, S. 150-153.
  • Lluis Salvadó, Francesc; Chatziioannou, Vasileios; Hofmann, Alex: Points2Sound: from mono to binaural audio using 3D point cloud scenes. In: EURASIP Journal on Audio, Speech, and Music Processing 2022. H. 33, S. 1-15 [online verfügbar: https://asmp-eurasipjournals.springeropen.com/articles/10.11...].
  • Lluis Salvadó, Francesc; Meyer-Kahlen, Nils; Chatziioannou, Vasileios; Hofmann, Alex: Direction Specific Ambisonics Source Separation with End-To-End Deep Learning. In: Acta Acustica 2023. H. 7, S. 1-12 [online verfügbar: 10.1051/aacus/2023020].
  • Lluis Salvadó, Francesc: Sound field reconstruction in rooms: Inpainting meets super-resolution. In: Journal of the Acoustical Society of America 148 (2020). H. 2, S. 649-659.
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  • Mayer, Alexander; Chatziioannou, Vasileios; Pamies Vila, Montserrat: The Universal Robots Real-Time Data Exchange (RTDE) and LabVIEW. In: IWK Tech Reports 2022, S. 1-12.
  • Mayer, Alexander; Pamies Vila, Montserrat: RIAM 2.0 - Reed Instrument Artificial Mouth. A Blowing and Tonguing Device for Artificial Excitation of Single-Reed Woodwind Instruments. In: IWK Tech Reports 2023, S. 1-10 [online verfügbar: https://pub.mdw.ac.at/publications/ec09cf8a-7dfe-4b03-875b-2...].
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  • Page, Kevin R.; Lewis, David; Weigl, David: MELD: A Linked Data Framework for Multimedia Access to Music Digital Libraries. In: Association for Computing Machinery (ACM) (Hg.): DLfM '19: Proceedings of the 6th International Conference on Digital Libraries for Musicology. New York: Association for Computing Machinery (ACM) 2019, S. 434-435 [online verfügbar: https://doi.org/10.1109/JCDL.2019.00106].
  • Pamies Vila, Montserrat; Mayer, Alexander; Goebl, Werner; Widholm, Gregor: Repetitionsverhalten beim Pianino: Spielbarkeit nach Einbau unterstützender Federmechanik. In: Waubke, Holger; Balazs, Peter (Hg.): Fortschritte der Akustik - DAGA 2021. 47. Jahrestagung für Akustik. Wien: DAGA 2021, S. 504-507.
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  • Sales, Caitlin; Wang, Peiyi; Jiang, Yucong: An Interactive Tool for Exploring Score-Aligned Performances: Opportunities for Enhanced Music Engagement. In: Audio Mostly (Hg.): Proceedings of Audio Mostly 2023. Embodied Sound in the Virtual. New York: ACM Digital Library 2023, S. 30-33.
  • Schmutzhard, Sebastian; Pamies Vila, Montserrat; Hofmann, Alex; Chatziioannou, Vasileios: Numerical simulation of transients in single reed woodwind instruments. In: German Acoustical Society (DEGA) (Hg.): Proceedings of the 2019 International Congress on Acoustics. Berlin: German Acoustical Society (DEGA) 2019, S. 5515-5521.
  • Serafin, Stefania; Lasickas, Titas; Willemsen, Silvin: Modular Physical Models in a Real-Time Interactive Application. In: Michon, Romain; Pottier, Laurent; Orlarey, Yann (Hg.): Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France). Saint-Étienne: Zenodo 2022, S. 17-24.
  • Statsenko, Tatiana; Chatziioannou, Vasileios; Moore, Thomas; Kausel, Wilfried: Deformation reconstruction by means of surface optimization. Part I: Time-averaged electronic speckle pattern interferometry. In: Applied Optics 56 (2017). H. 3, S. 654-661.
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  • van Walstijn, Maarten; Chatziioannou, Vasileios: Numerical Simulation of Tanpura String Vibrations. In: ISMA 2014, Le Mans (Hg.): International Symposium on Music Acoustics. Le Mans, France: ISMA 2014 2014, S. 609-614.
  • van Walstijn, Marten; Chatziioannou, Vasileios; Bhanuprakash, Abhiram: Tunable collisions: hammer-string simulation with time-variant parameters. In: Serafin, Stefania; Fontana, Federico; Willemsen, Silvin (Hg.): Digital Audio Effects 2023 proceedings. Kopenhagen: DAFx 2023, S. 61-68.
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  • Weigl, David (Hg.): Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music. 1st International Workshop on Semantic Applications for Audio and Music. Monterey, CA, USA: ACM Digital Library 2018. [online verfügbar: https://dl.acm.org/citation.cfm?id=3243907].
  • Weigl, David M.; Goebl, Werner; Baker, David J.; Crawford, Tim; Zubani, Federico; Gkiokas, Aggelos; Gutierrez, Nicolas F.; Porter, Alastair; Santos, Patricia: Notes on the Music: A social data infrastructure for music annotation. In: 8th International Conference on Digital Libraries for Musicology (DLfM2021), July 28–30, 2021, Virtual Conference, GA, USA. New York: ACM, S. 23-31. [online verfügbar: https://doi.org/10.1145/3469013.3469017202].
  • Weigl, David; Cancino-Chacón, Carlos Eduardo; Bonev, Martin; Goebl, Werner: Linking and Visualising Performance Data and Semantic Music Encodings in Real-time. In: International Society for Music Information Retrieval (ISMIR) (Hg.): International Society for Music Information Retrieval Conference 2019: Late-breaking / Demo session (ISMIR LBD). Montreal: International Society for Music Information Retrieval (ISMIR) 2019, S. 1-2 [online verfügbar: http://archives.ismir.net/ismir2019/latebreaking/000049.pdf].
  • Weigl, David; Gkiokas, Aggelos; Santos, Patrizia; Gomez, Emilia; Gutierrez, Nicolas F; Liem, Cynthia; Crawford, Tim; Goebl, Werner: FAIR Interconnection and Enrichment of Public-Domain Music Resources on the Web. In: Empirical Musicology Review 16 (2021) H. 1, S. 16-33 [online verfügbar: https://doi.org/10.18061/emr.v16i1.7643].
  • Weigl, David; Goebl, Werner; Crawford, Tim; Gkiokas, Aggelos; Gutierrez, Nicolas F.; Porter, Alastair; Santos, Patricia; Karreman, Casper; Vroomen, Ingmar; Liem, Cynthia C. S.; Sarasúa, Álvaro; Van Tilburg, Marcel: Interweaving and enriching digital music collections for scholarship, performance, and enjoyment. In: Association for Computing Machinery (ACM) (Hg.): DLfM '19: Proceedings of the 6th International Conference on Digital Libraries for Musicology. New York: Association for Computing Machinery (ACM) 2019, S. 84-88 [online verfügbar: https://doi.org/10.1145/3358664.3358666].
  • Weigl, David; Goebl, Werner; Hofmann, Alex; Crawford, Tim; Zubani, Federico; Liem, Cynthia C. S.; Porter, Alastair: Read/Write Digital Libraries for Musicology. In: Association for Computing Machinery (ACM), New York, USA (Hg.): DLfM '20: Proceedings of the 7th International Conference on Digital Libraries for Musicology. 7th International Conference on Digital Libraries for Musicology. Den Haag: Association for Computing Machinery (ACM), New York, USA 2020, S. 84-88 [online verfügbar: https://doi.org/10.1145/3424911.3425519].
  • Weigl, David; Goebl, Werner: Alleviating the last mile of encoding: The mei-friend package for the Atom text editor. In: Rizo, David; Münich, Stefan (Hg.): Music Encoding Conference Proceedings 2021. Alicante, Spain: Music Encoding Initiative 2022, S. 31-39 [online verfügbar: https://doi.org/10.17613/fc1c-mx52].
  • Weigl, David; Goebl, Werner: Playing with a Web of Music: Connecting and enriching online music repositories. In: Santi, Matej; Berner, Elias (Hg.): Music - Media - History: Re-Thinking Musicology in an Age of Digital Media. Bielefeld: transcript Verlag 2021, S. 263-282.
  • Weigl, David; Goebl, Werner: Rehearsal encodings with a social life. In: De Luca, Elsa; Flanders, Julia (Hg.): Music Encoding Conference Proceedings 2020. Music Encoding Conference. Boston: Humanities Commons 2020, S. 51-53 [online verfügbar: https://hcommons.org/deposits/item/hc:31983].
  • Weigl, David; Kudeki, Deren; Cole, Timothy W.; Downie, J. Stephen; Jett, Jacob; Page, Kevin R.: Combine or connect: Practical experiences querying library linked data. In: Association for Information Science and Technology (Hg.): Proceedings of the Association for Information Science and Technology Annual Meeting. Silver Spring: Association for Information Science and Technology 2019, S. 296-305 [online verfügbar: https://doi.org/10.1002/pra2.24].
  • Weigl, David; Lewis, David; Crawford, Tim; Knopke, Ian; Page, Kevin R.: On providing semantic alignment and unified access to music library metadata. In: International Journal on Digital Libraries 20 (2019). H. 1, S. 25-47 [online verfügbar: https://doi.org/10.1007/s00799-017-0223-9].
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