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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | ▲ StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2132 | Buch | I-146274 | B-320-10 | God Save The Queen, The Essential History of Women in Hip-Hop | Iandoli, Kathy | Bey Street | New York | 2019 | 2021-01-26 14:40:29 | |||||||||||||
| 2133 | Buch | 0-146518 | B-200-35 | Idole 7 Superstars | Schmidt-Joos, Sigfried (Hrsg.) | Ullstein Sachbuch | Berlin | 1985 | 2021-01-26 14:46:56 | |||||||||||||
| 2134 | Buch | I-146521 | B-200-36 | Global Pop, World Music, World Markets | Taylor, Timothy D. | Routledge | New York | 1997 | 2021-01-26 14:50:47 | |||||||||||||
| 2135 | Buch | I-145936 | B-800-45 | Crossover als Inszenierungsstrategie, Doing Pop, Doing Classical Music, Doing Mixed Genres | Petry, Clara-Franziska | transcript | Bielefeld | 2020 | 2021-01-26 14:52:37 | |||||||||||||
| 2136 | Buch | II-146522 | B-209-04 | Rock 'n' Roll | Stallings, Penny | Vermilion | London | 1984 | 2021-01-26 14:55:20 | |||||||||||||
| 2137 | Buch | I-146532 | B-200-37 | Lost in Music | Smith, Giles | Picador | London | 1995 | 2021-01-26 14:56:58 | |||||||||||||
| 2138 | Buch | 0-146534 | B-212-02 | Bob Dylan. Ein Kongreß | Honneth, Axel; Kemper, Peter; Klein, Richard (Hrsg.) | Suhrkamp | Frankfurt | 2007 | 2021-01-26 14:59:28 | |||||||||||||
| 2139 | Buch | 0-146531 | B-800-46 | Swinging Benjamin | Salzinger, Helmut | Fischer | Frankfurt | 1973 | 2021-01-26 15:02:53 | |||||||||||||
| 2140 | Buch | I-146535 | B-200-38 | Rock-Hymnen, Das Lexikon | Benzinger, Olaf | Bärenreiter | Kassel | 2002 | 2021-01-26 15:04:06 | |||||||||||||
| 2141 | Buch | I-146533 | B-800-47 | Pop. Geschichte eines Konzepts 1955-2009 | Hecken, Thomas | transcript | Bielefeld | 2009 | 2021-01-26 15:06:09 | |||||||||||||
| 2142 | Buch | 0-146520 | B-800-48 | Modernisierungstheorie | Degele, Nina; Dries, Christian | Wilhelm Fink Verlag | München | 2005 | 2021-01-26 15:07:57 | |||||||||||||
| 2143 | Buch | I-146519 | B- 400-22 | Miles Davis, Round About Midnight, Ein Portrait | Nisenson, Eric | Piper-Schott | München | 1982 | 2021-01-26 15:10:00 | |||||||||||||
| 2144 | Buch | B-200-39 | I-146629 | Queen - In Zusammenarbeit mit der Band entstanden | Gunn, Jacky; Jenkins, Jim | Goldmann Verlag | München | 1992 | 2021-05-10 15:47:38 | |||||||||||||
| 2264 | Buch | I-146623 | B-20054 | David Bowie, Ein Mythos will nicht müde werden | Sandford, Christopher | Hannibal | St. Andrä-Wördern | 1997 | 2022-03-22 14:14:43 | |||||||||||||
| 2314 | Buch | I-146554 | B-206-04 | Are you ready for the Country. Elvis, Dylan, Parsons and the Roots of Country Rock | Diggett, Peter | Penguin Books | London | 2000 | 2022-04-13 09:33:58 | |||||||||||||
| 2147 | Buch | B-880-07 | I-148863 | The Oxford Handbook of New Audiovisual Aesthetics | Richardson, John; Gorbman, Claudia; Vernallis, Carol | Oxford University Press | Oxford | 2013 | 2021-10-11 09:39:27 | |||||||||||||
| 2148 | Buch | B-140-07 | I-148847 | Showtime, A history of the Broadway Musical Theater | Stempel. Larry | W. W. Norton & Norton Company | New York | 2010 | 2021-10-11 09:41:59 | |||||||||||||
| 2149 | Buch | B-320-11 | I-145979 | Dead Precedents, how Hip-Hop defines the future | Christopher, Roy | Repeater Books | London | 2018 | 2021-10-11 09:46:51 | |||||||||||||
| 2150 | Buch | B-227-10 | I-145980 | Detroit 67, The Year That Changed Soul | Cosgrove, Stuart | Polygon | Edinburgh | 2016 | 2021-10-11 09:49:13 | |||||||||||||
| 2151 | Buch | B-300-04 | 0-145976 | Blue Lines | Bourland, Ian | Bloomsburry Academy | New York | 2020 | 2021-10-11 09:51:15 |