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| ID | Medium | ▲ SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2111 | Buch | I-146049 | B-800-37 | The Routledge Companion to Popular Music and Humor | Kitts, Thomas M.; Baxter-Moore, Nick (Hrsg.) | New York | 2020 | 2020-12-10 11:12:36 | ||||||||||||||
| 2115 | Buch | I-146053 | B-200-32 | The Songs of Joni Mitchell, Gender, Performance and Agency | Karppinen, Anne | Ashgate | New York | 2016 | 2020-12-10 11:50:33 | |||||||||||||
| 2119 | Buch | I-146057 | B-227-08 | Memphis 68, The Tragedy of Northern Soul | Crossgrove, Stuart | Polygon | Edinburgh | 2018 | 2020-12-10 12:07:17 | |||||||||||||
| 2120 | Buch | I-146058 | B-400-21 | Analysis of Jazz, A comprehensive Approach | Gugny, Laurent | University Press of Mississippi | 2019 | 2020-12-10 12:09:37 | ||||||||||||||
| 2129 | Buch | I-146119 | B-800-43 | The politics of Authenticity, Countercultures and Radical Movements across the Iron Curtain, 1968-1989 | Häberlen, Joachim C.; Keck-Szajbel, Mark; Mahoney, Kate (Hrsg.) | Berghan | New York | 2019 | 2021-01-26 14:30:15 | |||||||||||||
| 2125 | Buch | I-146146 | B-242-06 | Heavy Metal, Gender and Sexuality | Heesch, Florian; Scott, Niall (Hrsg.) | Routledge | New York | 2016 | 2021-01-26 14:17:34 | |||||||||||||
| 2124 | Buch | I-146149 | B-800-40 | Queer Times, Black Futures | Keeling, Kara | New York University Press | New York | 2019 | 2021-01-26 14:15:48 | |||||||||||||
| 2126 | Buch | I-146150 | B-320-09 | Bring That Beat Back, How Sampling built Hip-Hop | Patrin, Nate | University of Minnesota Press | 2020 | 2021-01-26 14:22:01 | ||||||||||||||
| 2123 | Buch | I-146151 | B-200-33 | The Lemonade Reader | Brooks, Kinitra D.; Martin, Kameelah L. | Routledge | New York | 2019 | 2021-01-26 14:04:32 | |||||||||||||
| 2127 | Buch | I-146201 | B-800-41 | Performing Popular Music, The Art of Creating Memorable and Successful Performances | Cashman, David | Routledge | New York | 2020 | 2021-01-26 14:25:32 | |||||||||||||
| 2128 | Buch | I-146210 | B-800-42 | Popular Music in Contemporary Bulgaria | Draganova, Asya | Birmingham University Press | Birmingham | 2019 | 2021-01-26 14:27:20 | |||||||||||||
| 2130 | Buch | I-146248 | B-200-34 | Rockin' Out, Popular Music in the USA | Garofalo, Reebee | University of Massachusetts Boston Press | Boston | 1997 | 2021-01-26 14:32:01 | |||||||||||||
| 2122 | Buch | I-146255 | B-800-39 | Made in Poland, Studies in Popular Music | Galuszka, Patryk (Hrsg.) | Routledge | New York | 2020 | 2021-01-26 14:01:39 | |||||||||||||
| 2132 | Buch | I-146274 | B-320-10 | God Save The Queen, The Essential History of Women in Hip-Hop | Iandoli, Kathy | Bey Street | New York | 2019 | 2021-01-26 14:40:29 | |||||||||||||
| 2131 | Buch | I-146328 | B-800-44 | One Nation under a Groove, "Nation" als Kategorie Populärer Musik | von Appen, Ralf; Hindrichs, Thorsten (Hrsg.) | transcript | Bielefeld | 2020 | 2021-01-26 14:36:39 | |||||||||||||
| 2261 | Buch | I-146349/1 | B-200-53 | The Beatles - Tune in | Lewisohn, Mark | Little, Brown | London | 2013 | 2022-03-22 14:08:48 | |||||||||||||
| 2143 | Buch | I-146519 | B- 400-22 | Miles Davis, Round About Midnight, Ein Portrait | Nisenson, Eric | Piper-Schott | München | 1982 | 2021-01-26 15:10:00 | |||||||||||||
| 2134 | Buch | I-146521 | B-200-36 | Global Pop, World Music, World Markets | Taylor, Timothy D. | Routledge | New York | 1997 | 2021-01-26 14:50:47 | |||||||||||||
| 2137 | Buch | I-146532 | B-200-37 | Lost in Music | Smith, Giles | Picador | London | 1995 | 2021-01-26 14:56:58 | |||||||||||||
| 2141 | Buch | I-146533 | B-800-47 | Pop. Geschichte eines Konzepts 1955-2009 | Hecken, Thomas | transcript | Bielefeld | 2009 | 2021-01-26 15:06:09 |