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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | ▲ Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2151 | Buch | B-300-04 | 0-145976 | Blue Lines | Bourland, Ian | Bloomsburry Academy | New York | 2020 | 2021-10-11 09:51:15 | |||||||||||||
| 2173 | Buch | I-147173 | B-800-54 | PopScriptum 2, Beiträge zur populären Musik | Forschungszentrum Populäre Musik der Humboldt-Universität zu Berlin | Zyankrise | Berlin | 1994 | 2021-10-11 11:20:58 | |||||||||||||
| 2174 | Buch | 0-147167 | B-810-06 | Verborgenes im Licht, Neues zur Jugendfrage | Cohen; Baethge; McRobbie; Burder; Seidenspinner; Becker; May; Hebdige; Lindner; Wiebke | Taschenbcher Syndikat | Frankfurt/Main | 1985 | 2021-10-11 11:23:41 | |||||||||||||
| 2159 | Buch | B-870-05 | I-144765 | kick it, a social history of the Drum Kit | Brennan, Matt | Oxford University Press | Oxford | 2020 | 2021-10-11 10:10:37 | |||||||||||||
| 2160 | Buch | B-800-52 | I-144729 | Switched on Pop, how Popular Music works, and why it matters | Sloan, Nate; Harding, Charlie | Oxford University Press | Oxford | 2020 | 2021-10-11 10:12:57 | |||||||||||||
| 2158 | Buch | B-820-20 | I-144771 | All you need to know about the Music Business | Passman, Donald S. | Simon & Schuster | New York | 2019 | 1991 | 2021-10-11 10:06:47 | ||||||||||||
| 2157 | Buch | B-209-05 | I-145991 | Just Around Midnight, Rock and Roll and the racial imagination | Hamilton, Jack | Harvard University Press | Harvard | 2016 | 2021-10-11 10:04:22 | |||||||||||||
| 2172 | Buch | I-147157 | B-810-05 | Taboo Tunes, a history of banned Bands & censored Songs | Blecha, Peter | Backbeat Books | San Francisci | 2004 | 2021-10-11 11:17:34 | |||||||||||||
| 2171 | Buch | I-147161 | B-000-17 | Beiträge zur Popgeschichte, Zukunftsmusik | testcard #10 | Ventil | 2001 | 2021-10-11 11:15:19 | ||||||||||||||
| 2169 | Buch | I-147168 | B-890-02 | Die Erlebnis-Gesellschaft, Kultursoziologie der Gegenwart | Schulze, Gerhard | campus Verlag | Frankfurt am Main | 1993 | 2021-10-11 11:09:15 | |||||||||||||
| 2170 | Buch | II-147174/1 | B-212-03 | Bob Dylan, Chronicles, Volume One | Passig, Kathrin; Henschel, Gerhard | Hoffmann und Campe | Hamburg | 2004 | 2004 | 2021-10-11 11:13:14 | ||||||||||||
| 2246 | Buch | I-135212 | B-203-07 | Blues People, Schwarze und ihre Musik im weißen Amerika | Jones, LeRoi | Melzer | Darmstadt | 1963 | 2022-01-20 09:52:26 | |||||||||||||
| 2043 | Buch | I-141067 | B-800-31 | Music´s Meanings a modern musicology for non-musos | Tagg, Philipp | 2019-04-26 10:02:32 | ||||||||||||||||
| 2206 | Buch | I-146976 | B-890-07 | Cultures of Popular Music | Bennet, Andy | Open University Press | Buckingham | 2001 | 2021-10-11 13:33:35 | |||||||||||||
| 2125 | Buch | I-146146 | B-242-06 | Heavy Metal, Gender and Sexuality | Heesch, Florian; Scott, Niall (Hrsg.) | Routledge | New York | 2016 | 2021-01-26 14:17:34 | |||||||||||||
| 2200 | Buch | I-146985 | B-800-55 | Pop & Kino, Von Elvis zu Eminem | Kiefer, Bernd; Stiglegger, Marcus | Bender | Mainz | 2004 | 2021-10-11 13:15:17 | |||||||||||||
| 2237 | Buch | I-146703 | B-227-13 | Mowtown - Artist by Artist. A compilation of the 100 greatest Mowtown Artists | Morgan, Pat | Entertainment Ltd | UK | 2013 | 2022-01-17 11:21:02 | |||||||||||||
| 2142 | Buch | 0-146520 | B-800-48 | Modernisierungstheorie | Degele, Nina; Dries, Christian | Wilhelm Fink Verlag | München | 2005 | 2021-01-26 15:07:57 | |||||||||||||
| 2163 | Buch | B-227-11 | I-135030 | Gospel, Musik der Guten Nachricht und Musik der Hoffnung | Doering, Teddy | Aussaat | Neunkirchen-Vluyn | 1999 | 2021-10-11 10:31:47 | |||||||||||||
| 2251 | Buch | I-146775 | B-000-33 | Beiträge zur Popgeschichte, Extremismus | testcard #16 | Ventil | Mainz | 2022-01-20 10:07:19 |