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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | ▼ Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2124 | Buch | I-146149 | B-800-40 | Queer Times, Black Futures | Keeling, Kara | New York University Press | New York | 2019 | 2021-01-26 14:15:48 | |||||||||||||
| 2102 | Buch | I-145076 | B-227-04 | Motown, music, money, sex, and power | Posner, Gerald | Random House Trade Paperbacks | New York | 2005 | 2020-09-16 14:24:15 | |||||||||||||
| 2189 | Buch | I-146912 | B-000-22 | The Grammys | O'Neil, Thomas | The Berkley Publishing Group | New York | 1993 | 2021-10-11 12:36:22 | |||||||||||||
| 613 | Buch | AI 68114 | B-820-07 | Stiffed. A True Story of MCA, the Music Business and the Mafia | Knoedelseder, William | HarperCollins | 0-06-016745-9 | New York | 1993 | Musikmarkt, Kulturindustrie, Tonträger, USA, Institution, Kritik, Politik | 2005-11-18 15:45:37 | |||||||||||
| 614 | Buch | HH | B-420-08 | The Big Bands | Simon, George T. | Schirmer | 0-02-872430-5 | New York | 1981 | 1967 | 420 | Jazz | Swing | Musiker, Swing, Tin Pan Alley, USA, Geschichte, Entwicklung | 2007-08-24 11:56:43 | |||||||
| 2061 | Buch | I-144564 | B-227-02 | Soulsville USA, Story of STAX RECORDS | Bowman, Rob | Schirmer Trade Books | New York | 2003 | 1997 | 227 | Soul | Soul, Geschichte, Musicology | 2020-06-10 09:20:35 | |||||||||
| 2123 | Buch | I-146151 | B-200-33 | The Lemonade Reader | Brooks, Kinitra D.; Martin, Kameelah L. | Routledge | New York | 2019 | 2021-01-26 14:04:32 | |||||||||||||
| 2122 | Buch | I-146255 | B-800-39 | Made in Poland, Studies in Popular Music | Galuszka, Patryk (Hrsg.) | Routledge | New York | 2020 | 2021-01-26 14:01:39 | |||||||||||||
| 2121 | Buch | I-146043 | B-300-03 | Analog Synthesizers: understanding, performing, buying, From the Legacy of Moog to Software Synthesis | Jenkins, Mark | 2 | Routledge | New York | 2020 | 2020-12-10 12:12:10 | ||||||||||||
| 2129 | Buch | I-146119 | B-800-43 | The politics of Authenticity, Countercultures and Radical Movements across the Iron Curtain, 1968-1989 | Häberlen, Joachim C.; Keck-Szajbel, Mark; Mahoney, Kate (Hrsg.) | Berghan | New York | 2019 | 2021-01-26 14:30:15 | |||||||||||||
| 2079 | Buch | I-142141 | B-840-11 | Critical Approaches to the Production of Music and Sound | Bennett, Samantha; Bates, Eliot (Hrsg.) | Bloomsbury | New York | 2018 | Musikproduktion, Sammelband, Essays, Musicology | 2020-06-10 11:17:05 | ||||||||||||
| 2063 | Buch | B-227-03 | This Thing Called Life; Prince, Race, Sex, Religion, and Music | Vogel, Joseph | Bloomsbury | New York | 2019 | 227 | Funk | Biographie | 2020-06-10 09:36:51 | |||||||||||
| 2118 | Buch | I-146044 | B-400-20 | Jazz Diaspora, Music and Globalisation, Transnational Studies in Jazz | Johnson, Bruce | Routledge | New York | 2020 | 2020-12-10 12:04:15 | |||||||||||||
| 2148 | Buch | B-140-07 | I-148847 | Showtime, A history of the Broadway Musical Theater | Stempel. Larry | W. W. Norton & Norton Company | New York | 2010 | 2021-10-11 09:41:59 | |||||||||||||
| 715 | Buch | AI 86150 | B-800-01 | Popular Music. The Key Concepts | Shuker, Roy | Routledge | 0-415-28425-2 | New York | 2002 (1998) | Bestandsaufnahm | 2005-09-09 11:18:54 | |||||||||||
| 730 | Buch | AI 86141 | B-000-02 | Rock & Roll at 50 | Sullivan, Robert (Ed.) | LIFE Books | 1-929049-49-8 | New York | o.J. (2002) | 000 | Bestandsaufnahme, empirisch, Entwicklung, Geschichte, international, Jugendkultur, Musiker, Produktion, Publikum, Tonträger | 2008-04-18 10:16:52 | ||||||||||
| 2116 | Buch | I-146040 | B-100-01 | Everybody's Doin' It, Sex, Music, and Dance in New York, 1840-1917 | Cornell, Dale | Norton & Company | New York | 2019 | 2020-12-10 11:53:38 | |||||||||||||
| 2111 | Buch | I-146049 | B-800-37 | The Routledge Companion to Popular Music and Humor | Kitts, Thomas M.; Baxter-Moore, Nick (Hrsg.) | New York | 2020 | 2020-12-10 11:12:36 | ||||||||||||||
| 2152 | Buch | B-800-49 | I-145967 | Curating Pop, Exhibiting Popular Music in the Museum | Baker, Sarah; Istvandity, Lauren; Nowak, Rapaël | Bloomsburry Academy | New York | 2019 | 2021-10-11 09:53:20 | |||||||||||||
| 2151 | Buch | B-300-04 | 0-145976 | Blue Lines | Bourland, Ian | Bloomsburry Academy | New York | 2020 | 2021-10-11 09:51:15 |