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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | ▲ KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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2101 | Buch | I-143170 | B-800-36 | (Dis-)Orienting Sounds, Machtkritische Perspektiven auf Populäre Musik | von Appen, Ralf; Dunkel, Mario | Beiträge zur Popularmusikforschung | 45 | transcript | Bielefeld | 2019 | 2020-09-16 14:10:48 | |||||||||||
626 | Buch | HH | B-140-03 | Broadways Greatest Musicals | Laufe, Abe | David&Charles | 0 7153 7712 4 | London | 1977 | 1969 | 140 | Unterhaltungsmu | Musical | Musical, USA, Bühnenwerke, Geschichte, Entwicklung, Musical | 2008-04-18 11:41:05 | |||||||
161 | Buch | HH privat | B-200-01 | Get On Down. A Decade of Rock and Roll Posters | Farren, Mick (Ed.) | Futura Publications | 0 8600 7458 7 | London | 1976 | Pop/Rock | Esthetik, Jugendkultur, Vermittlung, Medien | Posterbook | 2003-01-22 13:18:17 | |||||||||
614 | Buch | HH | B-420-08 | The Big Bands | Simon, George T. | Schirmer | 0-02-872430-5 | New York | 1981 | 1967 | 420 | Jazz | Swing | Musiker, Swing, Tin Pan Alley, USA, Geschichte, Entwicklung | 2007-08-24 11:56:43 | |||||||
613 | Buch | AI 68114 | B-820-07 | Stiffed. A True Story of MCA, the Music Business and the Mafia | Knoedelseder, William | HarperCollins | 0-06-016745-9 | New York | 1993 | Musikmarkt, Kulturindustrie, Tonträger, USA, Institution, Kritik, Politik | 2005-11-18 15:45:37 | |||||||||||
616 | Buch | AI 68446 | B-215-01 | Rock Culture in Liverpool. Popular Music in the Making | Cohen, Sara | Clarendon | 0-19-816178-6 | Oxford | 1991 | Musikleben, Großbritannien, 1980er, Rock, Musiker, empirisch, Soziologie | 2005-09-30 14:10:30 | |||||||||||
693 | Buch | AI 69225 | B-820-02 | Producing Pop. Culture and Conflict in the Popular Music Industry | Negus, Keith | Arnold | 0-340-57512-3 | London u.a. | 1992 | 200 | Pop/Rock | Beruf, international, Kririk, Kulturindustrie, Medien, Musikmarkt, Produktion, Sound, Vermittlung, Wirtschaft, Wissenschaft | 2005-10-21 12:54:46 | |||||||||
1049 | Buch | B-320-04 | the new Beats. Exploring the Music, Culture and Attitudes of Hip-Hop | S.H. Fernando Jr. | Anchor | 0-385-47119-X | New York | 1994 | 320 | Dance | HipHop | 2008-08-22 11:20:54 | ||||||||||
715 | Buch | AI 86150 | B-800-01 | Popular Music. The Key Concepts | Shuker, Roy | Routledge | 0-415-28425-2 | New York | 2002 (1998) | Bestandsaufnahm | 2005-09-09 11:18:54 | |||||||||||
669 | Buch | AII 82926 iPOP | B-320-03GF | The Vibe History of HipHop | Light, Alan (Ed.) | Vibe | 0-609-80503-7 | New York u.a. | 1999 | 320 | Dance | HipHop | 1970er, 1980er, 1990er, Ästhetik, Biographie, Entwicklung, Frau, Freizeit, Geschichte, Hip Hop, Rap, Stars, Tanz, Tonträger | Großformat | 2008-06-13 12:00:12 | |||||||
610 | Buch | AI 68115 | B-200-11 | The Penguin Book of Rock & Roll Writing | Heylin, Clinton (Ed.) | Viking | 0-670-845590 | London | 1992 | Rock, Geschichte, Entwicklung, USA | 2005-09-30 14:04:22 | |||||||||||
1050 | Buch | B-420-09 | Fats Waller. His Life & Times | Shipton, Alyn | Omnibus | 0-7119-1440-0 | London | 1988 | 420 | Jazz | Swing | Jazz, Musiker, Werk, Biographie, USA | 2008-08-22 11:24:47 | |||||||||
1051 | Buch | B-430-04 | Dizzy Gillespie. His Life & Times | McRae, Barry | Omnibus | 0-7119-1441-9 | London | 1988 | 430 | Jazz | Bebop | Musiker, Werk, Biographie, Jazz, USA | 2008-08-22 11:28:01 | |||||||||
574 | Buch | AI 68448 | B-242-01 | Running with the Devil. Power, Gender, and Madness in Heavy Metal Music | Walser, Robert | Wesleyan University Press | 0-8195-6260-2 | Hanover & London | 1993 | Metal, USA, Szene, Analyse, Frau, Spieltechnik, empirisch | 2005-09-30 14:07:50 | |||||||||||
299 | Buch | AI 68116 | B-700-01 | Pungent Sounds. Constructing Identity with Popular Music in Austria | Larkey, Edward | Austrian Culture | Austrian Culture | Peter Lang | 0-8204-2170-7 | New York u.a. | 1993 | Pop/Rock | Austropop | Ethnologie, Österreich, Pop, Musiker, Rezeption, Wirkung, Soziologie, Theorie, empirisch | 2005-11-18 15:51:01 | |||||||
828 | Buch | AI 68346/1 | B-000-08a | The Guinness Encyclopedia of Popular Music. Volume 1, Aacm-Fargo | Larkin, Colin (Ed.) | 1 | Guinness | 0-85112-939-0 | Enfield | 1992 | Pop/Rock | Bestandsaufnahme, Biographie, Musiker, Geschichte, Entwicklung, Stil, Werk | Standort: Lexika | 2008-05-09 12:58:39 | ||||||||
829 | Buch | AI 68346/2 | B-000-08b | The Guinness Encyclopedia of Popular Music. Vol. 2: Farian-Menza | Larkin, Colin (Ed.) | Guinness | 0-85112-939-0 | Enfield | 1992 | 000 | Bestandsaufnahme, Biographie, Musiker, Geschichte, Entwicklung, Stil, Werk | Standort: Lexika | 2008-05-09 12:59:15 | |||||||||
830 | Buch | AI 68346/3 | B-000-08c | The Guinness Encyclopedia of Popular Music. Vol. 3: Mercer-Tillman | Larkin, Colin (Ed.) | Guinness | 0-85112-939-0 | Enfield | 1992 | 000 | Bestandsaufnahme, Biographie, Musiker, Geschichte, Entwicklung, Stil, Werk | Lexikon, im Schuber | 2008-04-18 11:36:33 | |||||||||
831 | Buch | AI 68346/4 | B-000-08d | The Guinness Encyclopedia of Popular Music. Vol. 4: Tillotson-Z.Z.Top | Larkin, Colin (Ed.) | Guinness | 0-85112-939-0 | Enfield | 1992 | 000 | Bestandsaufnahme, Biographie, Musiker, Geschichte, Entwicklung, Stil, Werk | Standort: Lexika | 2008-05-09 12:59:44 | |||||||||
674 | Buch | AI 83063 iPOP | B-820-06 | Confessions of a Record Producer. How to Survive the Scams and Shams of the Music Business | Avalon, Moses | Backbeat | 0-87930-660-2 | San Francisco | 2002 | 2000er, Beruf, international, Kulturindustrie, Musikmarkt, Produktion, Tonträger, Wirtschaft | 2005-11-18 15:43:49 |