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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▼ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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2238 | Buch | I-150527 | B-310-01 | Die 70er, Der Sound eines Jahrzehns | Ernst Hofacker | Reclam | Stuttgart | 2020 | 2022-01-20 09:20:44 | |||||||||||||
2151 | Buch | B-300-04 | 0-145976 | Blue Lines | Bourland, Ian | Bloomsburry Academy | New York | 2020 | 2021-10-11 09:51:15 | |||||||||||||
2159 | Buch | B-870-05 | I-144765 | kick it, a social history of the Drum Kit | Brennan, Matt | Oxford University Press | Oxford | 2020 | 2021-10-11 10:10:37 | |||||||||||||
2307 | Buch | II-151043 | B-890-17 | Recording Analysis. How the Record Shapes the Song. | Moylan, William | Routledge | New York | 2020 | 2022-03-28 17:53:45 | |||||||||||||
2276 | Buch | I-151001 | B-320-12 | Rhymes in the Flow. How Rappers flip the Beat | Smith, Macklin; Joshi, Aurko | University of Michigan Press | Michigan | 2020 | 2022-03-22 16:13:09 | |||||||||||||
2122 | Buch | I-146255 | B-800-39 | Made in Poland, Studies in Popular Music | Galuszka, Patryk (Hrsg.) | Routledge | New York | 2020 | 2021-01-26 14:01:39 | |||||||||||||
2113 | Buch | I-146026 | B-200-31 | Beggars Banquet and the Rolling Stones' Rock and Roll Revolution, "They Call My Name Disturbance" | Russel Reising (Hrsg.) | New York | 2020 | 2020-12-10 11:26:56 | ||||||||||||||
2126 | Buch | I-146150 | B-320-09 | Bring That Beat Back, How Sampling built Hip-Hop | Patrin, Nate | University of Minnesota Press | 2020 | 2021-01-26 14:22:01 | ||||||||||||||
2121 | Buch | I-146043 | B-300-03 | Analog Synthesizers: understanding, performing, buying, From the Legacy of Moog to Software Synthesis | Jenkins, Mark | 2 | Routledge | New York | 2020 | 2020-12-10 12:12:10 | ||||||||||||
2275 | Buch | I-150967 | B-890-13 | Such & Selbstkonzepte. Biographische Studien zur Heroinabhängigkeit von Musikern in Los Angeles | Ptatscheck, Melanie | transcript | Bielefeld | 2020 | 2022-03-22 16:11:38 | |||||||||||||
2160 | Buch | B-800-52 | I-144729 | Switched on Pop, how Popular Music works, and why it matters | Sloan, Nate; Harding, Charlie | Oxford University Press | Oxford | 2020 | 2021-10-11 10:12:57 | |||||||||||||
2311 | Buch | I-151384 | B-200-70 | New and concise history of Rock and R&B. Through the early 1990s | Charry, Eric | Wesleyan University Press | Middletown | 2020 | 2022-04-11 14:26:33 | |||||||||||||
2111 | Buch | I-146049 | B-800-37 | The Routledge Companion to Popular Music and Humor | Kitts, Thomas M.; Baxter-Moore, Nick (Hrsg.) | New York | 2020 | 2020-12-10 11:12:36 | ||||||||||||||
2135 | Buch | I-145936 | B-800-45 | Crossover als Inszenierungsstrategie, Doing Pop, Doing Classical Music, Doing Mixed Genres | Petry, Clara-Franziska | transcript | Bielefeld | 2020 | 2021-01-26 14:52:37 | |||||||||||||
2244 | Buch | I-150639 | B-800-64 | Made in Yugoslavia, Studies in Popular Music | Beard, Danijela Š; Rasmussen, Ljerka V. (Hrsg.) | Routledge | New York | 2020 | 2022-01-20 09:44:37 | |||||||||||||
2308 | Buch | I-151045 | B-400-28 | Latin Jazz. The Other Jazz. | Washburne, Christopher | Oxford University Press | Oxford | 2020 | 2022-03-28 17:56:32 | |||||||||||||
2060 | Buch | I-143906 | B-320-06 | Könnt ihr uns hören? Eine Oral History des deutschen Rap | Wehn, Jan; Bortot, Davide | Ullstein | Berlin | 2019 | 320 | HipHop | Rap, HipHop, deutscher HipHop, Sido, Beginner, Kool Savas, Samy Deluxe | 2020-06-09 13:03:38 | ||||||||||
2063 | Buch | B-227-03 | This Thing Called Life; Prince, Race, Sex, Religion, and Music | Vogel, Joseph | Bloomsbury | New York | 2019 | 227 | Funk | Biographie | 2020-06-10 09:36:51 | |||||||||||
2059 | Buch | I-144085 | B-800-32 | On Popular Music and Its Unruly Entanglements | Braae, Nick; Hansen, Kai Arne(Hrsg.) | palgrave macmillan | Cham | 2019 | 800 | Theorie | Pop Music, Culture and Identity, Sammelband, Essays, Musicology | 2020-06-09 12:44:27 | ||||||||||
2062 | Buch | I-143032 | B-400-20 | Jazzforschung heute; Themen, Methoden, Perspektiven | Pfleiderer, Martin; Zaddach, Wolf-Georg (Hrsg.) | sounding heritage | 4 | Edition Emvas | Berlin | 2019 | 400 | Jazz | Sammelband, Musicology | 2020-06-10 09:28:24 |