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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▲ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2245 | Buch | II-141992 | B-670-02 | Ein Deka Pop, Alle Artists Popfest Wien 2010-2019 | Rotifer, Robert; Popfest Wien (Hrsg.) | Falter Verlag | Wien | 2019 | 2022-01-20 09:46:45 | |||||||||||||
| 2111 | Buch | I-146049 | B-800-37 | The Routledge Companion to Popular Music and Humor | Kitts, Thomas M.; Baxter-Moore, Nick (Hrsg.) | New York | 2020 | 2020-12-10 11:12:36 | ||||||||||||||
| 2113 | Buch | I-146026 | B-200-31 | Beggars Banquet and the Rolling Stones' Rock and Roll Revolution, "They Call My Name Disturbance" | Russel Reising (Hrsg.) | New York | 2020 | 2020-12-10 11:26:56 | ||||||||||||||
| 2118 | Buch | I-146044 | B-400-20 | Jazz Diaspora, Music and Globalisation, Transnational Studies in Jazz | Johnson, Bruce | Routledge | New York | 2020 | 2020-12-10 12:04:15 | |||||||||||||
| 2121 | Buch | I-146043 | B-300-03 | Analog Synthesizers: understanding, performing, buying, From the Legacy of Moog to Software Synthesis | Jenkins, Mark | 2 | Routledge | New York | 2020 | 2020-12-10 12:12:10 | ||||||||||||
| 2122 | Buch | I-146255 | B-800-39 | Made in Poland, Studies in Popular Music | Galuszka, Patryk (Hrsg.) | Routledge | New York | 2020 | 2021-01-26 14:01:39 | |||||||||||||
| 2126 | Buch | I-146150 | B-320-09 | Bring That Beat Back, How Sampling built Hip-Hop | Patrin, Nate | University of Minnesota Press | 2020 | 2021-01-26 14:22:01 | ||||||||||||||
| 2127 | Buch | I-146201 | B-800-41 | Performing Popular Music, The Art of Creating Memorable and Successful Performances | Cashman, David | Routledge | New York | 2020 | 2021-01-26 14:25:32 | |||||||||||||
| 2131 | Buch | I-146328 | B-800-44 | One Nation under a Groove, "Nation" als Kategorie Populärer Musik | von Appen, Ralf; Hindrichs, Thorsten (Hrsg.) | transcript | Bielefeld | 2020 | 2021-01-26 14:36:39 | |||||||||||||
| 2135 | Buch | I-145936 | B-800-45 | Crossover als Inszenierungsstrategie, Doing Pop, Doing Classical Music, Doing Mixed Genres | Petry, Clara-Franziska | transcript | Bielefeld | 2020 | 2021-01-26 14:52:37 | |||||||||||||
| 2151 | Buch | B-300-04 | 0-145976 | Blue Lines | Bourland, Ian | Bloomsburry Academy | New York | 2020 | 2021-10-11 09:51:15 | |||||||||||||
| 2159 | Buch | B-870-05 | I-144765 | kick it, a social history of the Drum Kit | Brennan, Matt | Oxford University Press | Oxford | 2020 | 2021-10-11 10:10:37 | |||||||||||||
| 2160 | Buch | B-800-52 | I-144729 | Switched on Pop, how Popular Music works, and why it matters | Sloan, Nate; Harding, Charlie | Oxford University Press | Oxford | 2020 | 2021-10-11 10:12:57 | |||||||||||||
| 2238 | Buch | I-150527 | B-310-01 | Die 70er, Der Sound eines Jahrzehns | Ernst Hofacker | Reclam | Stuttgart | 2020 | 2022-01-20 09:20:44 | |||||||||||||
| 2244 | Buch | I-150639 | B-800-64 | Made in Yugoslavia, Studies in Popular Music | Beard, Danijela Š; Rasmussen, Ljerka V. (Hrsg.) | Routledge | New York | 2020 | 2022-01-20 09:44:37 | |||||||||||||
| 2267 | Buch | II-145966 | B-800-69 | Pop Music Production, Manufactured Pop and BoyBands of the 1990s | Harding, Phil; Collins, Mike (Hrsg.) | Routledge | New York | 2020 | 2022-03-22 14:20:58 | |||||||||||||
| 2275 | Buch | I-150967 | B-890-13 | Such & Selbstkonzepte. Biographische Studien zur Heroinabhängigkeit von Musikern in Los Angeles | Ptatscheck, Melanie | transcript | Bielefeld | 2020 | 2022-03-22 16:11:38 | |||||||||||||
| 2276 | Buch | I-151001 | B-320-12 | Rhymes in the Flow. How Rappers flip the Beat | Smith, Macklin; Joshi, Aurko | University of Michigan Press | Michigan | 2020 | 2022-03-22 16:13:09 | |||||||||||||
| 2293 | Buch | I-151246 | B-890-16 | Glitter up the dark. How Pop Music broke the binary | Geffen, Sasha | University of Texas Press | Austin | 2020 | 2022-03-28 15:44:47 | |||||||||||||
| 2307 | Buch | II-151043 | B-890-17 | Recording Analysis. How the Record Shapes the Song. | Moylan, William | Routledge | New York | 2020 | 2022-03-28 17:53:45 |