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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▲ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2077 | Buch | I-143180 | B-850-10 | Soundtracking Germany; Popular Music and National Identity | Schiller, Melanie | Rowman & Littlefield | London | 2018 | Nationalität, Deutschland, Popmusik, Musicology | 2020-06-10 11:06:21 | ||||||||||||
| 2078 | Buch | I-143201 | B-800-33 | Popular Music, Stars and Stardom | Loy, Stephen; Rickwood, Julie, Bennett, Samantha (Hrsg.) | Australian National University Press | 2018 | Essays, Sammelband, Musicology | 2020-06-10 11:10:45 | |||||||||||||
| 2079 | Buch | I-142141 | B-840-11 | Critical Approaches to the Production of Music and Sound | Bennett, Samantha; Bates, Eliot (Hrsg.) | Bloomsbury | New York | 2018 | Musikproduktion, Sammelband, Essays, Musicology | 2020-06-10 11:17:05 | ||||||||||||
| 2098 | Buch | I-144932 | B-800-34 | Music Theory for Electronic Music Producers - The producer's guide to harmony, chord progressions, and song structure in the MIDI grid | Allen, Anthony J. | Slam Academy | Minneapolis | 2018 | 800 | Theorie | 2020-09-16 13:23:36 | |||||||||||
| 2105 | Buch | I-145174 | B-227-05 | The Story of Motown | Benjaminson, Peter | Barnacle Book | Los Angeles | 2018 | 2020-09-16 14:36:22 | |||||||||||||
| 2119 | Buch | I-146057 | B-227-08 | Memphis 68, The Tragedy of Northern Soul | Crossgrove, Stuart | Polygon | Edinburgh | 2018 | 2020-12-10 12:07:17 | |||||||||||||
| 2145 | Buch | B-227-09 | I-147528 | Harlem 69, The Future of Soul | Stuart Grossrove | Polygon | Edinborough | 2018 | 227 | 2021-10-11 09:14:16 | ||||||||||||
| 2149 | Buch | B-320-11 | I-145979 | Dead Precedents, how Hip-Hop defines the future | Christopher, Roy | Repeater Books | London | 2018 | 2021-10-11 09:46:51 | |||||||||||||
| 2161 | Buch | B-400-22 | II-149000 | The History of European Jazz, The Music, Musicians and Audience in Context | Martinelli, Francesco | Equinox | Sheffield | 2018 | 2021-10-11 10:15:19 | |||||||||||||
| 2059 | Buch | I-144085 | B-800-32 | On Popular Music and Its Unruly Entanglements | Braae, Nick; Hansen, Kai Arne(Hrsg.) | palgrave macmillan | Cham | 2019 | 800 | Theorie | Pop Music, Culture and Identity, Sammelband, Essays, Musicology | 2020-06-09 12:44:27 | ||||||||||
| 2060 | Buch | I-143906 | B-320-06 | Könnt ihr uns hören? Eine Oral History des deutschen Rap | Wehn, Jan; Bortot, Davide | Ullstein | Berlin | 2019 | 320 | HipHop | Rap, HipHop, deutscher HipHop, Sido, Beginner, Kool Savas, Samy Deluxe | 2020-06-09 13:03:38 | ||||||||||
| 2062 | Buch | I-143032 | B-400-20 | Jazzforschung heute; Themen, Methoden, Perspektiven | Pfleiderer, Martin; Zaddach, Wolf-Georg (Hrsg.) | sounding heritage | 4 | Edition Emvas | Berlin | 2019 | 400 | Jazz | Sammelband, Musicology | 2020-06-10 09:28:24 | ||||||||
| 2063 | Buch | B-227-03 | This Thing Called Life; Prince, Race, Sex, Religion, and Music | Vogel, Joseph | Bloomsbury | New York | 2019 | 227 | Funk | Biographie | 2020-06-10 09:36:51 | |||||||||||
| 2064 | Buch | I-143188 | B-000-13 | Rock: The Primary Text; Developing a musicology of Rock | Moore, Allan F.; Remy, Martin | Ashgate Popular and Folk Music Series | 3 | Routledge | Abingdon, New York | 2019 | 000 | Rock | Musicology | 2020-06-10 09:43:36 | ||||||||
| 2065 | Buch | I-143225 | B-200-30 | Ashes To Ashes - The Songs Of David Bowie 1976-2016 | O'Leary, Chris | Repeater | London | 2019 | 200 | Pop | Songbook, History | 2020-06-10 09:51:02 | ||||||||||
| 2069 | Buch | II-144162/1 | B-130-02 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 1 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2070 | Buch | II-144162/2 | B-130-03 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 2 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2072 | Buch | II-144162/3 | B-130-04 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 3 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2073 | Buch | II-144162/4 | B-130-05 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 4 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2074 | Buch | II-144162/5 | B-130-06 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 5 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 |