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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | ▼ Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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1992 | Buch | I-136714 | B-830-07 | Atlas der additiven Rhythmik | Hendler, Maximilian | 2015 | 2015 | 830 | Rhythmik, Musikpädagogik | 2018-06-15 10:25:39 | ||||||||||||
1993 | Buch | I-136819 | B-800-28 | Song Interpretation in 21st-Century Pop Music | Von Appen, Ralf; Doehring, André; Helms, Dietrich; Moore, Allan F. (Hg.) | 2016 | 2015 | 800 | Theorie, Interpretation, Pop | 2018-06-15 10:28:42 | ||||||||||||
1994 | Buch | I-136781 | B-430-05 | The Birth of Bepop - a social and musical history | DeVeaux, Scott | 1997 | 430 | Bepop, Jazz | 2018-06-15 10:31:29 | |||||||||||||
1995 | Buch | I-136817 | B-800-29 | Blackness in Britain | Andrews, Kehinde; Palmer, Lisa Amanda | 2016 | 2016 | 800 | Theorie | 2018-06-15 10:33:26 | ||||||||||||
1996 | Buch | I-137267 | B-320-05 | Die Poetik des deutschsprachigen Rap | Wolbring, Fabian | 2015 | 2015 | 320 | Rap, HipHop | 2018-06-22 10:44:33 | ||||||||||||
2035 | Buch | 0-139836 | B-233-04 | Peepshow | Bennett, Samantha | 233 | Punk, New Wave | 2019-01-25 09:52:57 | ||||||||||||||
2036 | Buch | I-139927 | B-800-30 | Diseusen in der Weimarer Republik - Imagekonstruktionen im Kabarett am Beispiel von Margo Lion und Blandine Ebinger | Danielczyk, Sandra | 800 | Kabarett, Image | 2019-01-25 09:56:32 | ||||||||||||||
2043 | Buch | I-141067 | B-800-31 | Music´s Meanings a modern musicology for non-musos | Tagg, Philipp | 2019-04-26 10:02:32 | ||||||||||||||||
2077 | Buch | I-143180 | B-850-10 | Soundtracking Germany; Popular Music and National Identity | Schiller, Melanie | Rowman & Littlefield | London | 2018 | Nationalität, Deutschland, Popmusik, Musicology | 2020-06-10 11:06:21 | ||||||||||||
2078 | Buch | I-143201 | B-800-33 | Popular Music, Stars and Stardom | Loy, Stephen; Rickwood, Julie, Bennett, Samantha (Hrsg.) | Australian National University Press | 2018 | Essays, Sammelband, Musicology | 2020-06-10 11:10:45 | |||||||||||||
2079 | Buch | I-142141 | B-840-11 | Critical Approaches to the Production of Music and Sound | Bennett, Samantha; Bates, Eliot (Hrsg.) | Bloomsbury | New York | 2018 | Musikproduktion, Sammelband, Essays, Musicology | 2020-06-10 11:17:05 | ||||||||||||
2099 | Buch | I-144561 | B-203-05 | The New Blue Music; Changes in Rhythm & Blues, 1950-1999 | Ripani, Richard J. | University Press of Mississippi | Jackson | 2006 | 2020-09-16 13:32:01 | |||||||||||||
2100 | Buch | I-144567 | B-800-35 | Queer Phenomenology, orientations, objects, others | Ahmed, Sara | Duke University Press | Durham | 2006 | 2020-09-16 14:07:53 | |||||||||||||
2101 | Buch | I-143170 | B-800-36 | (Dis-)Orienting Sounds, Machtkritische Perspektiven auf Populäre Musik | von Appen, Ralf; Dunkel, Mario | Beiträge zur Popularmusikforschung | 45 | transcript | Bielefeld | 2019 | 2020-09-16 14:10:48 | |||||||||||
2102 | Buch | I-145076 | B-227-04 | Motown, music, money, sex, and power | Posner, Gerald | Random House Trade Paperbacks | New York | 2005 | 2020-09-16 14:24:15 | |||||||||||||
2103 | Buch | I-78169 | B-880-06 | Viseueller Sound, Musikvideos zwischen Avantgarde und Populärkultur | Hausheer, Cecilia; Schönholzer, Annette | Zyklop Verlag | Luzern | 1994 | 2020-09-16 14:26:54 | |||||||||||||
2104 | Buch | I-134675 | B-710-01 | Jazz, Geschichte und Persönlihckeiten der afro-amerikanischen Musik | Polillo, Arrigo | Herbig | München | 1978 | 2020-09-16 14:33:15 | |||||||||||||
2105 | Buch | I-145174 | B-227-05 | The Story of Motown | Benjaminson, Peter | Barnacle Book | Los Angeles | 2018 | 2020-09-16 14:36:22 | |||||||||||||
2106 | Buch | I-145098 | B-227-06 | The Rise and Fall of the Motown Sound, Where Did Our Love Go? | George, Nelson | University of Illinoise Press | Urbana, Chicago | 2007 | 2020-09-16 14:40:27 | |||||||||||||
2111 | Buch | I-146049 | B-800-37 | The Routledge Companion to Popular Music and Humor | Kitts, Thomas M.; Baxter-Moore, Nick (Hrsg.) | New York | 2020 | 2020-12-10 11:12:36 |