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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | ▲ KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1063 | CD | C-540-05 | Busy man | An object what can burned | 540 | Worldmusic | Worldmusic China | 2008-10-17 12:39:21 | ||||||||||||||
| 1137 | Textbeitrag | T-510-01 | Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s | Ballantine, Christopher | Popular Music | 18/1 | 1999 | 510 | Worldmusic | Worldmusic Afrika | Worldmusic Afrika, Singen, 1940er, 1950er, Stil | S. 1-18 | 2009-06-25 13:39:37 | |||||||||
| 1104 | Textbeitrag | T-530-03 | Guns and Roses: bossa nova and Brazil's music of popular protest, 1958-68 | Treece, David | Popular Music | 16/1 | 1997 | Worldmusic | Bossa Nova | Musik, Stil, Politik, 1950er, 1960er | S. 1-30 | 2009-04-30 12:41:07 | ||||||||||
| 1067 | CD | C-540-09 | Shining Energy | 12 Girls Band | Push Sound Music | 2004 | 540 | Worldmusic | Worldmusic China | 2008-10-17 12:54:16 | ||||||||||||
| 1151 | Textbeitrag | T-870-08 | The articulation of soul: gypsy musicians and the Serbian Other | Van de Port, Mattijs | Popular Music | 18/3 | 1999 | 560 | Worldmusic | Worldmusic Europa | Ethnologie, Stil, Politik, Europa | S. 291-308 | 2009-07-02 12:14:26 | |||||||||
| 181 | Diplomarbeit | D-530-01 | Historischer Überblick der Musik Lateinamerikas und Musica popular Brasileira. Samba- und Bossa Nova-Bearbeitungen für Gitarre. | Brandhuber, Paul | IMP Wien | 1987 | 20 | Worldmusic | Worldmusic Lateinamerika, Samba, Bossa Nova | Lateinamerika, Entwicklung, Stil, Instrument | Diplomarbeit im FBPM | 2009-11-26 12:42:48 | ||||||||||
| 1113 | Textbeitrag | T-870-02 | Music and national identity in Scotland:a study of Jock Tamison's Bairns | Symon, Peter | Popular Music | 16/2 | 1997 | Worldmusic | Großbritannien, Geschichte, Ethnologie | S. 203-216 | 2009-04-30 11:48:28 | |||||||||||
| 1140 | Textbeitrag | T-540-01 | His Master's Voice? Exploring Qawwali and "Grammophone Culture" in South Asia | Burckhardt Qureshi, Regula | Popular Music | 18/1 | 1999 | Worldmusic | Worldmusic Asien | Worldmusic, Asien, Stil | S. 63-98 | 2009-06-25 13:49:12 | ||||||||||
| 1103 | Textbeitrag | T-800-11 | "Cookin' on the West Coast": a contribution from the Swedish West Coast to contemporary composition practice | Edström, Olle | Popular Music | 15 | 1996 | Worldmusic, Pop | Musik, Stil, Analyse | S. 83-104 | 2009-04-23 13:31:22 | |||||||||||
| 501 | Diplomarbeit | D-560-02 | Rebètiko. Basis der neugriechischen Popularmusik | Karagiannis, Rigas | IMG Wien | 1997 | Worldmusic | Rebétiko | Stil, Europa, Instrument, Musiker, Ethnologie | 2009-11-26 12:43:11 | ||||||||||||
| 511 | Diplomarbeit | D-530-03 | Die populäre Musik in Mexiko | Unterberger, Julia | ipop Wien | 2002 | Worldmusic | Lateinamerika, Volksmusik, Geschichte, Entwicklung, Stil, Rezeption, empirisch | 2009-11-26 12:42:54 | |||||||||||||
| 108 | Diplomarbeit | D-750-01 | Das neue Wienerlied anhand zweier Protagonisten: Karl Hodina & Roland J. L. Neuwirth | Kaspar, Martin | IMP Wien | 1996 | 750 | Worldmusic | Wiener Lied | Stil, Österreich, Geschichte, Entwicklung, Musiker, Wiener Music | Diplomarbeit im FBPM | 2009-11-26 12:44:11 | ||||||||||
| 1147 | Textbeitrag | T-560-02 | Minotaurs or musonauts?: "world music" and Cretan music | Dawe, Kevin | Popular Music | 18/2 | 1999 | 560 | Worldmusic | Worldmusic, Europa, Analyse | S. 209-226 | 2009-06-25 13:47:03 | ||||||||||
| 645 | Noten | AII 82862 iPOP | N-530-04 | Latin. Improvise with today's top artists. | Steve Houghton, Tom Warrington | Alfred | Van Nuys | 1994 | 530 | Worldmusic | Worldmusic Lateinamerika | HAPP Langer | 2007-10-12 11:25:13 | |||||||||
| 1142 | Textbeitrag | T-531-01 | The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity | Román-Velázquez, Patria | Popular Music | 18/1 | 1999 | Worldmusic | Salsa | Salsa, Stil, Entwicklung, Spieltechnik, Instrument, Analyse | S. 115-132 | 2009-06-25 13:52:55 | ||||||||||
| 1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 | ||||||||||
| 660 | Noten | AII 82980 iPOP | N-560-01 | De Colores Eclipse El Rastrillo. Guitarra Flamenca Paso a Paso. | Oscar Herrero | RGB Arte Visual | 1999 | 560 | Worldmusic | Worldmusic Europa | HAPP Kelner | 2007-10-12 11:29:14 | ||||||||||
| 704 | Noten | AII 70842 | N-530-01 | The Best of Latin Music. Lo Mejor De La Musica Latina | Cuellar, Carol (Ed.) | CPP/Belwin | Miami | 1990 | 530 | Worldmusic | Latin | Lateinamerika, Werk | HApp Huber | 2005-06-10 14:09:35 | ||||||||
| 710 | Diplomarbeit | D-531-02 | El Tres Cubano. Ein Saiteninstrument, seine Protagonisten und seine Verwendung in der kubanischen Musik | Molisch, Christian | iPOP Wien | 2005 | Worldmusic | Latin | Ethnologie, Instrument, Lateinamerika, Musiker, Spieltechnik | 2005-09-02 11:47:33 | ||||||||||||
| 1065 | CD | C-540-07 | Intoxicated in pure singing | 2006 | 540 | Worldmusic | Worldmusic China | 2008-10-17 12:44:51 |