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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | ▲ Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1104 | Textbeitrag | T-530-03 | Guns and Roses: bossa nova and Brazil's music of popular protest, 1958-68 | Treece, David | Popular Music | 16/1 | 1997 | Worldmusic | Bossa Nova | Musik, Stil, Politik, 1950er, 1960er | S. 1-30 | 2009-04-30 12:41:07 | ||||||||||
| 1142 | Textbeitrag | T-531-01 | The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity | Román-Velázquez, Patria | Popular Music | 18/1 | 1999 | Worldmusic | Salsa | Salsa, Stil, Entwicklung, Spieltechnik, Instrument, Analyse | S. 115-132 | 2009-06-25 13:52:55 | ||||||||||
| 1113 | Textbeitrag | T-870-02 | Music and national identity in Scotland:a study of Jock Tamison's Bairns | Symon, Peter | Popular Music | 16/2 | 1997 | Worldmusic | Großbritannien, Geschichte, Ethnologie | S. 203-216 | 2009-04-30 11:48:28 | |||||||||||
| 1147 | Textbeitrag | T-560-02 | Minotaurs or musonauts?: "world music" and Cretan music | Dawe, Kevin | Popular Music | 18/2 | 1999 | 560 | Worldmusic | Worldmusic, Europa, Analyse | S. 209-226 | 2009-06-25 13:47:03 | ||||||||||
| 1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 | ||||||||||
| 1085 | Textbeitrag | T-550-01 | Yothu Yindi's "Treaty": ganma in music | Stubington, Jill / Dunbar-Hall, Peter | Popular Music | 13 | 1994 | 550 | Worldmusic | Worldmusic Australien | Musik, Stil, Australien | S. 243-260 | 2009-03-26 12:23:44 | |||||||||
| 1208 | Textbeitrag | T-531-02 | Making modernity in the hinterlands: new Maroon musics in the Black Atlantic | Bilby, Kenneth | Popular Music | 19/3 | 2000 | 531 | Worldmusic | Salsa, Music im "Black Atlantic" | 19. Jh., Jazz, Entwicklung, Politik, Forschung, Geschichte | S. 265-292 | 2009-10-15 12:00:10 | |||||||||
| 1151 | Textbeitrag | T-870-08 | The articulation of soul: gypsy musicians and the Serbian Other | Van de Port, Mattijs | Popular Music | 18/3 | 1999 | 560 | Worldmusic | Worldmusic Europa | Ethnologie, Stil, Politik, Europa | S. 291-308 | 2009-07-02 12:14:26 | |||||||||
| 1152 | Textbeitrag | T-530-04 | Adoptin imports: new images and alliances in Brazilian popular music of the 1990s | Magaldi, Cristina | Popular Music | 18/3 | 1999 | 530 | Worldmusic | Worldmusic Lateinamerika | Worldmuaic Lateinamerika, Stil, Entwicklung, 1990er | S. 309-330 | 2009-07-02 12:15:02 | |||||||||
| 1105 | Textbeitrag | T-500-01 | Interpreting world music: a challence in theory and practice | Guilbault, Jocelyne | Popular Music | 16/1 | 1997 | Worldmusic | Musik, Stil, Analyse, Wissenschaft | S. 31-44 | 2009-04-30 12:41:22 | |||||||||||
| 1210 | Textbeitrag | T-560-04 | Popular music in the Welsh language and the affirmation of youth identities | Llewellyn, Meic | Popular Music | 19/3 | 2000 | 560 | Worldmusic | Welsh music | Sprache, Großbritannien, Jugendkultur, Ethnologie, Soziologie, 1960er, 1970er, 1980er | S. 319-340 | 2009-10-15 13:03:15 | |||||||||
| 1139 | Textbeitrag | T-560-01 | Ethics and aesthetics: the social theory of barbershop harmony | Garnett, Liz | Popular Music | 18/1 | 1999 | Worldmusic | Barbershop | Worldmusic, Großbritannien, Stil, Singen | S. 43-62 | 2009-06-25 13:45:12 | ||||||||||
| 1102 | Textbeitrag | T-530-02 | Wit and popular music: the calypso and the blues | Mahabir, Cynthia | Popular Music | 15 | 1996 | Worldmusic | Calypso | Musik, Stil, Analyse | S. 55-82 | 2009-04-23 13:25:53 | ||||||||||
| 1140 | Textbeitrag | T-540-01 | His Master's Voice? Exploring Qawwali and "Grammophone Culture" in South Asia | Burckhardt Qureshi, Regula | Popular Music | 18/1 | 1999 | Worldmusic | Worldmusic Asien | Worldmusic, Asien, Stil | S. 63-98 | 2009-06-25 13:49:12 | ||||||||||
| 1075 | Textbeitrag | T-840-04 | The flamenco body | Washabaugh, william | Popular Music | 13 | 1994 | 560 | Worldmusic | Flamenco | Film, Video, Frau, Forschung | S. 75-90 | 2009-07-02 12:18:56 | |||||||||
| 1103 | Textbeitrag | T-800-11 | "Cookin' on the West Coast": a contribution from the Swedish West Coast to contemporary composition practice | Edström, Olle | Popular Music | 15 | 1996 | Worldmusic, Pop | Musik, Stil, Analyse | S. 83-104 | 2009-04-23 13:31:22 | |||||||||||
| 205 | CD | C-530-01 | jou a rive | Boukan Ginen | Xenophile | 4024 | 1995 | 530 | Worldmusic | Worldmusic Lateinamerika | Schenkung Wolfgang Puschnig | 2006-06-16 14:34:14 | ||||||||||
| 468 | CD | CD 6661 | C-510-04 | Wapi Yo | Kanza, Lokua | BMG | 74321311982 | 1995 | 510 | Worldmusic | Worldmusic Afrika | Schenkung Wolfgang Puschnig | 2006-06-16 15:00:16 | |||||||||
| 410 | CD | WP | C-510-05 | The Fire Within. Gnawa Music of Morocco | Hakmoun, Hasan | World Music Institute | 135 | 1995 | 510 | Worldmusic | Worldmusic Afrika | Schenkung WP | 2006-06-16 15:02:38 | |||||||||
| 1522 | Buch | B-850-09 | Music on troubled soils | European Music Council (Hg.) | EMC | Bonn | 2009 | 500 | Worldmusic | Musik in Krisengebieten der Welt | Politik, Weltmusik, 2000er | Tagungsband zur IMC-Konferenz in Israel | 2011-04-07 11:49:33 |