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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | ▼ VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1376 | Bak-Arbeit | BA-245-04 | Wege zur Beschreibung von Pop- und Rockmusik. Analyse des Albums Nevermind von Nirvana anhand 13 Kategorien deskritiver Ästhetik | Heidenbauer, Christian | iPOP Wien | 245 | Pop/Rock | Alternative Rock | 2010-08-26 12:37:21 | |||||||||||||
| 1377 | Bak-Arbeit | BA-200-03 | Mozartjahr 2006 - Ein Versuch. 12/5 - Mozart goes Pop | Enzmann, Martin | iPOP Wien | 2006 | 200 | Pop/Rock, Klass | Klassik-Pop-Crossover | 2010-08-26 11:20:15 | ||||||||||||
| 1378 | Bak-Arbeit | BA-245-05 | Dave Matthews Band. Song #36 | Först, Stephan | iPOP Wien | 245 | Pop/Rock | Alternative Rock | 2010-08-26 12:37:43 | |||||||||||||
| 1382 | Bak-Arbeit | BA-227-06 | Motown - Ein Sound erobert die Welt | Bauer, Daniela | iPOP Wien | 2010 | 227 | Pop/Rock | Soul | 2010-08-26 11:56:04 | ||||||||||||
| 1385 | Bak-Arbeit | BA-840-07 | minimal music und Film in Europa. Wechselbeziehungen und Einflüsse, Komponisten und Filmbeispiele | Eder, Philipp | iPOP Wien | 2010 | 236 | Pop/Rock | Minimal Music | BETREUT VON HERBERT PICHLER | 2011-03-24 11:45:47 | |||||||||||
| 1388 | Bak-Arbeit | BA-230-02 | Vom Ska zum Reggae. Anhand von Desmond Dekker: "The Israelites" | Buchegger, Gerhard | iPOP Wien | 2010 | 230 | Pop/Rock | Ska, Reggae | 2010-08-26 11:59:45 | ||||||||||||
| 1393 | Textbeitrag | T-000-01 | National music to national redeemer: the consolidation of a "folk-song" construct in Edwardian England | Francmanis, John | Popular Music | 21/1 | 2002 | 000 | Pop/Rock | Frühe englische Volksmusik | Geschichte, Entwicklung, Europa, Stil | 2010-09-09 12:18:09 | ||||||||||
| 1394 | Textbeitrag | T-850-07 | Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression | Cloonan, Martin / Johnson, Bruce | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:22:00 | |||||||||||
| 1395 | Textbeitrag | T-850-08 | Voices of peace and the legacy of reconciliation: popular music, nationalism, and the quest for peace in the Middle East | Al-Taee, Nasser | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:24:09 | |||||||||||
| 1396 | Textbeitrag | T-860-03 | Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group. | Bradby, Barbara | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Analyse, Psychologie | 2010-09-09 12:28:43 | |||||||||||
| 1397 | Textbeitrag | T-206-02 | "Redneck religion and shitkickin' saviours?": Gram Parsons, theology and country music | Grimshaw, Michael | Popular Music | 21/1 | 2002 | 206 | Pop/Rock | Country, Politik, Religion, Musiker, Text | 2010-09-09 12:35:46 | |||||||||||
| 1398 | Textbeitrag | T-870-14 | Populr music, gender and high school pupils in Japan: personal music in school and leisure sites | Koizumi, Kyoko | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Soziologie, Asien, Ethnologie, Alltag, Jugend | 2010-09-09 12:39:04 | |||||||||||
| 1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
| 1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
| 1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 | |||||||||||
| 1404 | Textbeitrag | T-233-03 | Local scenes and dangerous crossroads: punk and theories of cultural hybridity | O'Connor, Alan | Popular Music | 21/2 | 2002 | 233 | Pop/Rock | Punk | Stil, Großbritannien, Entwicklung | 2010-09-09 13:32:32 | ||||||||||
| 1414 | Textbeitrag | T-239-04 | Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys | Butler, Mark | Popular Music | 22/1 | 2003 | 239 | Pop/Rock | Video Pop | Musiker, Werk, Text | 2010-09-16 13:50:31 | ||||||||||
| 1418 | Bakk-Arbeit | BA-540-04 | J-Pop und die japanische Band "Judy and Mary" | Kageyama, Mika | iPOP Wien | 2010 | 540 | Worldmusic, Pop | Japan-Pop | Stil, Asien, Musiker, Analyse | 2010-09-23 13:19:07 | |||||||||||
| 1419 | Bakk-Arbeit | BA-200-04 | Auf Spurensuche: Die Blockflöte in der Popularmusik | Racz, Sabine | iPOP Wien | 2010 | 200 | Pop/Rock | Instrument, Geschichte, Tonträger | 2010-09-23 13:18:32 | ||||||||||||
| 1420 | Bakk-Arbeit | BA-540-05 | Koreanische Pop-Geschichte der letzten 20 Jahre | Park, Soyeon | iPOP Wien | 2010 | 540 | Worldmusic, Pop | Korea-Pop | Stil, Asien, Musiker, Geschichte, Analyse | 2010-09-23 13:20:40 |