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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | ▼ VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 | ||||||||||
| 1182 | Diplomarbeit | D-239-06 | Bruce Springsteen. Eine Reise nach nirgendwo auf der Suche nach Erlösung. | Prinz, Peter | iPop Wien | 2009 | 239 | Pop/Rock | Mainstream-Rock, Americana | Musiker, Analyse, USA, Biographie, Werk | 2009-08-21 12:30:35 | |||||||||||
| 1184 | Textbeitrag | T-820-05 | Home on the page: a virtual place of music community | Kibby, Marjorie D. | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Singer/Songwriter | Kommunikation, Publikum, Wirkung, 1990er, USA, Medien | S. 91-100 | 2009-08-27 11:42:54 | |||||||||
| 1188 | Textbeitrag | T-870-10 | Hybridity and national musics: the case of irish rock music | McLaughlin, Noel / McLoone, Martin | Popular Music | 19/2 | 2000 | 200 | Pop/Rock | Irische Rockmusik | Rockmusik, Europa, Analyse | S. 181-200 | 2009-08-27 12:13:58 | |||||||||
| 1189 | Textbeitrag | T-820-08 | String musicians in the recording studios of Memphis, Tennessee | Brewer, Roy | Popular Music | 19/2 | 2000 | 227 | Pop/Rock | Memphis Soul | Musiker, Instrument, Soul, Analyse, Tonträger, 1960er, USA | S. 201-216 | 2009-08-27 12:17:51 | |||||||||
| 1190 | Textbeitrag | T-820-09 | Music and the Internet | Jones, Steve | Popular Music | 19/2 | 2000 | 000 | Pop/Rock | 2000er, Alltag, Analyse, Internet, Medien, Musikindustrie, Tonträger, Vermittlung, Wirkung | S. 217-230 | 2009-09-03 12:50:42 | ||||||||||
| 1206 | Textbeitrag | T-880-01 | Sex, Pulp and critique | Clarke, Eric F. / Dibben, Nicola | Popular Music | 19/2 | 2000 | 245 | Pop/Rock | Britpop, Alternative Rock | 1990er, Aesthetik, Großbritannien, Kritik, Medien, Tonträger, Wirkung | S. 231-242 | 2009-10-15 11:32:57 | |||||||||
| 1209 | Textbeitrag | T-227-02 | "Funky Drummer": New Orleans, James Brown and the rhythmic transformation of American popular music | Stewart, Alexander | Popular Music | 19/3 | 2000 | 227 | Pop/Rock | Soul, Funk | 1960er, Analyse, Soul, Funk, Rhythmus, Musiker | S. 293-318 | 2009-10-15 12:38:41 | |||||||||
| 1212 | Textbeitrag | T-245-02 | Exploring modal subversions in the alternative music | McDonald, Chris | Popular Music | 19/3 | 2000 | 245 | Pop/Rock | Alternative Rock | 1990er, Alternative Rock, Analyse, Musikwissenschaft | 2009-10-15 13:28:49 | ||||||||||
| 1213 | Textbeitrag | T-850-06 | "I'd sell you suicide": pop music and moral panic in the age of Marilyn Manson | Wright, Robert | Popular Music | 19/3 | 2000 | 242 | Pop/Rock | Metal, Schock-Rock, Alternative Rock | Politik, Rezeption, Schock-Rock, Alternative Rock, Publikum, Soziologie | 2009-10-15 13:49:20 | ||||||||||
| 1214 | Textbeitrag | T-870-11 | Yaogun Yinyue: rethinking mainland Chinese rock'n'roll | Hao Huang | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Yaogun Yinyue (Rockmusik der Festland-Chinesen) | Politik, Stil, Ethnologie, Asien, 2000er, Entwicklung | 2009-10-22 13:02:10 | ||||||||||
| 1215 | Textbeitrag | T-870-12 | Music, radio and teh record business in Zimbabwe today | Scannell, Paddy | Popular Music | 20/1 | 2001 | 000 | Pop/Rock, World | 2000er, Afrika, Musikindustrie, Produktion, Tonträger | 2009-10-22 13:16:19 | |||||||||||
| 1216 | Textbeitrag | T-221-02 | "Living in the Past"?: value discourses in progressive rock fanzines | Atton, Chris | Popular Music | 20/1 | 2001 | 221 | Pop/Rock | Progressive Rock | 2000er, Progressive Rock, Analyse, Medien, Kritik, Theorie | 2009-10-22 13:26:42 | ||||||||||
| 1217 | Textbeitrag | T-800-19 | "* 1/2: a critique of rock criticism in North America | McLeod, Kembrew | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Medien, Kritik, Tonträger, Theorie | 2009-10-22 13:44:10 | |||||||||||
| 1219 | Textbeitrag | T-880-02 | "Nothing You Can See That Isn't Shown": the album covers of the Beatles | Inglis, Ian | Popular Music | 20/1 | 2001 | 215 | Pop/Rock | Beat | Aesthetic, 1960er, Musiker, Werk, Tonträger | 2009-10-22 13:52:44 | ||||||||||
| 1220 | Textbeitrag | T-800-20 | Is there such a thing as the "blue note"? | Weisethaunet, Hans | Popular Music | 20/1 | 2001 | 000 | Jazz, Pop/Rock | Jazz, Blues, Soul, Rock | Analyse, Theorie | 2009-10-22 13:55:23 | ||||||||||
| 1221 | Textbeitrag | T-239-03 | Vicars of "Wannabe": authenticity and the Spice Girls | Leach, Elizabeth Eva | Popular Music | 20/2 | 2001 | 239 | Pop/Rock | Video-Pop, Girl-Groups | Analyse, Musiker, Frau, Video Pop, Großbritannien, 1990er, Kritik, Soziologie | 2009-10-29 11:39:27 | ||||||||||
| 1222 | Textbeitrag | T-870-13 | Mixes mesages: unsettled cosmopolitanisms in Nepali pop | Greene, Paul | Popular Music | 20/2 | 2001 | Pop/Rock, Dance | Rock, HipHop | Text, Sprache, Asien, 1990er | 2009-10-29 11:46:05 | |||||||||||
| 1223 | Textbeitrag | T-840-09 | Bohemian rhapsodies: operatic influences on rock music | McLeod, Ken | Popular Music | 20/2 | 2001 | 224 | Pop/Rock, Klass | Glamrock, Prog Rock, New Wave | Stil, Pop/Rock, Klassik, Analyse | 2009-10-29 11:54:04 | ||||||||||
| 1224 | Textbeitrag | T-218-02 | "Or any art at all?" Frank Zappa meets critical theory | Wragg, David | Popular Music | 20/2 | 2001 | 218 | Pop/Rock | Rock USA 1960er | Rock USA 1960er, Musiker, Kritik, Theorie, Soziologie | 2009-10-29 12:01:15 |