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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | ▼ Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1375 | Bak-Arbeit | BA-870-05 | Rockmusik in Frankreich von 1975 bis heute | Holzer-Söllner, Beate | iPOP Wien | 2009 | 200 | Pop/Rock | 2010-09-02 12:32:42 | |||||||||||||
| 1394 | Textbeitrag | T-850-07 | Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression | Cloonan, Martin / Johnson, Bruce | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:22:00 | |||||||||||
| 1395 | Textbeitrag | T-850-08 | Voices of peace and the legacy of reconciliation: popular music, nationalism, and the quest for peace in the Middle East | Al-Taee, Nasser | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:24:09 | |||||||||||
| 1396 | Textbeitrag | T-860-03 | Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group. | Bradby, Barbara | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Analyse, Psychologie | 2010-09-09 12:28:43 | |||||||||||
| 1397 | Textbeitrag | T-206-02 | "Redneck religion and shitkickin' saviours?": Gram Parsons, theology and country music | Grimshaw, Michael | Popular Music | 21/1 | 2002 | 206 | Pop/Rock | Country, Politik, Religion, Musiker, Text | 2010-09-09 12:35:46 | |||||||||||
| 1398 | Textbeitrag | T-870-14 | Populr music, gender and high school pupils in Japan: personal music in school and leisure sites | Koizumi, Kyoko | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Soziologie, Asien, Ethnologie, Alltag, Jugend | 2010-09-09 12:39:04 | |||||||||||
| 1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
| 1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 | |||||||||||
| 1419 | Bakk-Arbeit | BA-200-04 | Auf Spurensuche: Die Blockflöte in der Popularmusik | Racz, Sabine | iPOP Wien | 2010 | 200 | Pop/Rock | Instrument, Geschichte, Tonträger | 2010-09-23 13:18:32 | ||||||||||||
| 1425 | Bakk-Arbeit | BA-830-06 | Anfängerschulen für Akustikgitarre in der Popularmusik. Bestandsaufnahme und Kritik ausgewählter Werke. | Martinek, Thomas | iPOP Wien | 2010 | 200 | Pop/Rock | Instrument, Didaktik, Pädagogik, Analyse, Kritik | BETREUT VON MARTIN KELNER | 2011-03-24 11:46:55 | |||||||||||
| 1426 | CD | C-770-09 | 6. pop! Songwriting Workshop | V.A. | projektpop | WS200 | 2009 | 770 | Pop/Rock / Danc | Klassenleiter: Maya Singh, Willi Resetarits, Hanneliese Kreissel-Wurth, Marwan Abado | 2010-09-30 11:23:50 | |||||||||||
| 1432 | Diplomarbeit | D-840-06 | Die Stimmfunktionen. Strategien des Umgangs in Klassik und Popularmusik | Simmer, Helmut | iPOP Wien | 2010 | 200, 600 | Pop/Rock, Klass | Singen, Forschung, Instrument, Stil, Wirkung | 2010-10-14 11:28:40 | ||||||||||||
| 1438 | Buch | AI 104768 | B-820-18 | Die Fabrikation globaler Vielfalt. Struktur und Logik der transnationalen Popmusikindustrie. | Gebesmair, Andreas | transcript | Bielefeld | 2007 | 200 | Pop/Rock | Kulturindustrie, Entwicklung, international, Soziologie, Musikmarkt, Tonträger | 2010-12-02 11:06:58 | ||||||||||
| 1461 | DVD | Video 384 | V-820-01 | I Need That Record. The death (or possible survival) of the independent record store | Brendan Toller | MVD Visual | 5020D | 2009 | Pop/Rock | Musikindustrie, Tonträger, Musikmarkt, Wirtschaft, 2000er | 2011-01-27 13:22:22 | |||||||||||
| 1462 | DVD | Video 388 | V-840-07 | The Work of Direktor Anton Corbijn | Depeche Mode, U2, Metallica, Herbert Grönemeyer, uva. | Anton Corbijn | Palm | DIRDVD6 | 2005 | Pop/Rock | Video | Tolles Booklet | 2011-01-27 13:30:50 | |||||||||
| 1463 | DVD | Video 383 | V-840-08 | The Work of Direktor Stéphane Sednaoui | Tricky, Björk, R:E.M., Red Hot Chili Peppers, Alanis Morissette, Mirwais, u.a. | Stéphane Sednaoui | Palm | DIRDVD7 | 2005 | Pop/Rock, Dance | Video | Tolles Booklet | 2011-01-27 13:30:27 | |||||||||
| 1464 | DVD | Video 388 | V-840-09 | The Work of Direktor Jonathan Glazer | Radiohead, Massive Attack, Jamiroquai, u.a. | Johnathan Glazer | Palm | DIRDVD5 | 2005 | Pop/Rock | Video | Tolles Booklet | 2011-01-27 13:33:24 | |||||||||
| 1549 | Textbeitrag | T-870-19 | "So slide over here". The aesthetics of masculinity in late twentieth-century Australian pop music | Young, Greg | Popular Music | 23/2 | 2004 | Pop/Rock | Australien, Soziologie, Aesthetik | 2011-07-07 11:10:32 | ||||||||||||
| 1550 | Textbeitrag | T-820-15 | What is music worth? Some reflections on the Scottish experience | Cloonan, Martin Williamson, John Frith, Simon | Popular Music | 23/2 | 2004 | Pop/Rock | Musikmarkt, Tonträger, Wirtschaft | 2011-07-07 11:14:43 | ||||||||||||
| 1564 | Bak-Arbeit | BA-840-09 | Fender. Einzigartig und doch Millionen mal kopiert. | Paulitsch, Stephan | ipop Wien | 2011 | Pop/Rock, Jazz | Instrument, Musiker, Geschichte | Betreut von Willi Langer | 2011-10-06 13:36:36 |