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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | ▲ Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1059 | Zeitschrift | Z-000-15a | Popular Music Vol. 27/1 | Vol. 27/1 | Cambridge University Press | 2008 | 000 | Pop/Rock | Beat, Heavy Metal, Alternative Rock | Japan, England, Aesthetik, Singen, Stars | 2008-09-19 10:53:55 | |||||||||||
| 1577 | Textbeitrag | T-850-13 | Marsalis and Baraka: an essay in comparative cultural discourse | Brown, Lee B. | Popular Music | 23/3 | 2004 | Pop/Rock | Jazz, Politik, USA, Afrika, Musiker | 2011-11-17 13:37:52 | ||||||||||||
| 480 | Buch | AI 72821 | B-810-03 | Wir sind die, vor denen uns unsere Eltern gewarnt haben. Szenen und Personen aus den amerikanischen Sechzigern | Schiffkowitz | Nausner & Röhrling | 3-900779-00-7 | Graz | 1990 | Pop/Rock | Rock, Folk, Beat | Jugendkultur, USA, Rezeption, Vermittlung, Politik, Avantgarde, Kritik, 1960er | 2005-11-18 15:29:54 | |||||||||
| 1184 | Textbeitrag | T-820-05 | Home on the page: a virtual place of music community | Kibby, Marjorie D. | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Singer/Songwriter | Kommunikation, Publikum, Wirkung, 1990er, USA, Medien | S. 91-100 | 2009-08-27 11:42:54 | |||||||||
| 1438 | Buch | AI 104768 | B-820-18 | Die Fabrikation globaler Vielfalt. Struktur und Logik der transnationalen Popmusikindustrie. | Gebesmair, Andreas | transcript | Bielefeld | 2007 | 200 | Pop/Rock | Kulturindustrie, Entwicklung, international, Soziologie, Musikmarkt, Tonträger | 2010-12-02 11:06:58 | ||||||||||
| 1122 | Textbeitrag | T-820-06 | Counting down to number one: the evolution of the meaning of popular music charts | Hakanaen, Ernest A. | Popular Music | 17/1 | 1998 | Pop/Rock | Kulturindustrie, Tonträger, Wirtschaft | S. 95-112 | 2009-05-07 11:54:28 | |||||||||||
| 1697 | Bak-Arbeit | BA-239-06 | Michael Jackson - Der Künstler | Zeillinger, Raphael | ipop Wien | 2013 | 239 | Video Pop / Mai | Künstler, Biographie, Tanz, Video, Mainstream | 2013-10-04 12:33:05 | ||||||||||||
| 506 | Diplomarbeit | D-245-02 | Musik und Literatur. Am Beispiel von vier Rock-Bands der Neunziger Jahre. | Pauleschitz, Hannes | IMP Wien | 2001 | Pop/Rock | Alternative Rock | Literatur, Text, Alternative Rock, Musiker, Kritik, Vermittlung | DA im FB Popularmusik | 2009-11-26 12:41:15 | |||||||||||
| 36 | CD | CD 5694 | C-239-20 | All that she wants | Ace Of Base | Metronome | 861 271-2 | 1992 | 239 | Pop/Rock | Video Pop | Mainstream Pop, Europa, 1990er | 2006-03-03 12:37:58 | |||||||||
| 551 | CD | CD 5941 | C-239-22 | Hot Shot | Shaggy | diverse | diverse | Robert Livingston | MCA | 112 565-2 | 2001 | 239 | Pop/Rock | Mainstream | Mainstream Pop, USA, 2000er | 2006-03-03 12:41:12 | ||||||
| 557 | CD | CD 5916 | C-239-23 | Simply The Best | Turner, Tina | diverse | diverse | Roger Davies | Capitol | 79 6630 2 | 1991 | 239 | Pop/Rock | Mainstream | Mainstream-Pop, USA, 1980er | 2006-03-03 12:42:19 | ||||||
| 1217 | Textbeitrag | T-800-19 | "* 1/2: a critique of rock criticism in North America | McLeod, Kembrew | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Medien, Kritik, Tonträger, Theorie | 2009-10-22 13:44:10 | |||||||||||
| 916 | Buch | B-820-15aR | Step Across The Border. Neue musikalische Trends - neue massenmediale Kontexte | Rösing, Helmut / Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 21+22 | coda | 0943-9242 | Karben | 1998 | Pop/Rock | Medien, World Music, Soziologie, Video | Steht bei den Reihen | 2008-09-19 10:36:45 | ||||||||
| 1144 | Textbeitrag | T-242-01 | Death metal tonality and the act of listening | Berger, Harris M. | Popular Music | 18/2 | 1999 | Pop/Rock | Metal | Metal, Analyse, Hören | S. 161-178 | 2009-06-25 13:54:33 | ||||||||||
| 21 | CD | CD 5550 +1Textb. IMP | C-242-05 | Aégis | Theatre of Tragedy | Massacre / EMI | 159 | 1998 | 242 | Pop/Rock | Metal | Metal, USA, 1990er | 2006-03-10 11:18:06 | |||||||||
| 564 | CD | CD 5450 | C-242-07 | The Best Of | Testament | Atlantic | 7567-80652-2 | 1996 | 242 | Pop/Rock | Hardrock | Metal, USA, 1990er | 2006-03-10 11:21:33 | |||||||||
| 13 | CD | CD 3333 +1Beil. IMP | C-236-01 | 1n C | Riley, Terry | Terry Riley | David Mingyue Liang | Celestial Harmonies | 13026-2 | 1989 | 236 | Pop/Rock | Minimal Music | Minimal Music, Avantgarde | 2006-03-03 12:05:03 | |||||||
| 1103 | Textbeitrag | T-800-11 | "Cookin' on the West Coast": a contribution from the Swedish West Coast to contemporary composition practice | Edström, Olle | Popular Music | 15 | 1996 | Worldmusic, Pop | Musik, Stil, Analyse | S. 83-104 | 2009-04-23 13:31:22 | |||||||||||
| 1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
| 1092 | Textbeitrag | T-227-01 | Motown crossover hits 1963-1966 and the creative process | Fitzgerald, Jon | Popular Music | 14 | 1995 | Pop/Rock, | Soul/Funk | Musik, Werk, Tonträger, USA, 1960er | S. 1-12 | 2009-03-26 13:02:33 |