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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | ▼ Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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745 | Buch | B-720-02 | Kritische Lieder und Politirock in Österreich. Eine analytische Studie. | Juhasz, Christiane | Vergleichende Musikwissenschaft | 1 | Peter Lang | 3-631-45015-X | Frankfurt | 1994 | 1990 | 720 | Pop / Rock | Österreich Rock | 1970er, 1980er, Analyse, Austropop, Bestandsaufnahme, empirisch, Kritik, Musiker, Musikwissenschaft, Oesterreich, PolitikSzene | Schenkung Harry Fuchs | 2005-12-16 15:55:16 | |||||
6 | CD | CD 3392 +1Beil. IMP | C-227-01 | Charles, Ray | diverse | diverse | The Entertainers | AAD | 203 | 1990 | 227 | Pop/Rock | Soul | Soul, USA, 1950er, 1960er | 2006-02-03 12:43:46 | |||||||
541 | CD | CD 5939 | C-206-07 | The Louisiana Recorings. Cajun & Creole Music. | Diverse | Diverse | Diverse | The Alan Lomax Collection | Barry Jean Ancelet | Rounder | 11661-1842-2 | 1999 | 206 | Pop/Rock | Country | 1930er, USA, Country | 2006-01-20 12:09:08 | |||||
826 | Zeitschrift | Z-200-01 | Helmut Utri: Pop Idole | Sterz - Zeitschrift für Literatur, Kunst und Kulturpolitik | 68 | Sterz | Graz | 200 | Pop/Rock | Stars, 1980er | Schenkung GW; Großformat | 2006-10-20 12:09:03 | ||||||||||
835 | Buch | B-215-03GF | Rolling Stones | Carter, David | Stars, Mythen & Legenden | Lechner | 3-850-49-405-5 | Limassol | 1992 | 215 | Pop/Rock | Beat | Musiker, Stars. Biographie | Großformat Schenkung GW | 2008-06-13 11:51:05 | |||||||
834 | Buch | B-218-03GF | Eric Clapton | Weiler, Fred | Stars, Mythen & Legenden | Lechner | 3-850-49-408-X | Limassol | o.J. | 218 | Pop/Rock | Rock USA 1960er, Blues | Blues, Rock, Musiker, Stars, Biographie | Großformat Schenkung GW | 2008-06-13 11:52:34 | |||||||
1122 | Textbeitrag | T-820-06 | Counting down to number one: the evolution of the meaning of popular music charts | Hakanaen, Ernest A. | Popular Music | 17/1 | 1998 | Pop/Rock | Kulturindustrie, Tonträger, Wirtschaft | S. 95-112 | 2009-05-07 11:54:28 | |||||||||||
1103 | Textbeitrag | T-800-11 | "Cookin' on the West Coast": a contribution from the Swedish West Coast to contemporary composition practice | Edström, Olle | Popular Music | 15 | 1996 | Worldmusic, Pop | Musik, Stil, Analyse | S. 83-104 | 2009-04-23 13:31:22 | |||||||||||
1117 | Textbeitrag | T-840-01 | Video in the machine: the incorporation of music video into the recording industry. | Banks, Jack | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop | Video, Kulturindustrie | S. 293-310 | 2009-04-30 12:40:39 | ||||||||||
1116 | Textbeitrag | T-239-01 | His name was Prince: a study of Diamonds and Pearls | Danielsen, Anne | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop, Funk | Musiker, Stil, Werk, Tonträger, Analyse | S. 275-292 | 2009-04-30 12:37:43 | ||||||||||
1108 | Textbeitrag | T-800-12 | "Going down the pub!": The pub rock scene as a resource for the consumption of popular music | Bennet, Andrew | Popular Music | 16/1 | 1997 | Pop/Rock | Pub Rock | Stil, Großbritannien, Soziologie | S. 97-108 | 2009-04-30 12:42:04 | ||||||||||
1114 | Textbeitrag | T-233-01 | Patti Smith's Gloria: intertextual play in a vocal performance | Daley, Mike | Popular Music | 16/3 | 1997 | Pop/Rock | Post-Punk | Musiker, Stil, Frau, Singen, Vermittlung, Analyse | S. 235-254 | 2009-04-30 12:35:35 | ||||||||||
1121 | Textbeitrag | T-203-01 | Robert Johnson's rhythms | Ford, Charles | Popular Music | 17/1 | 1998 | 203 | Pop/Rock | Blues | Musiker, Rhytmus, Werk, Analyse | S. 71-94 | 2009-05-07 11:51:40 | |||||||||
1115 | Textbeitrag | T-233-02 | Post-Punk's attempt to democratise the music industry: the success and failure of rough trade | Hesmondhalgh, David | Popular Music | 16/3 | 1997 | Pop/Rock | Post-Punk | Stil, 1980er, Kulturindustrie, Tonträger, Politik, Institution | S. 255-274 | 2009-04-30 12:34:25 | ||||||||||
1077 | Textbeitrag | T-212-01 | Into the mystic: the aural poetry ov Van Morrison | Mills, Peter | Popular Music | 13 | 1994 | Pop/Rock | Folk, Soul | Musiker, Text, Werk | S. 91-104 | 2009-03-26 11:12:29 | ||||||||||
1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 | |||||||||
1090 | Textbeitrag | T-800-07 | From refrain to rave: the decline of figure and the rise of ground | Tagg, Philip | Popular Music | 13 | 1994 | Pop/Rock, Dance | Techno, Rock | Stil, Analyse, Forschung, Wissenschaft | S. 209-221 | 2009-03-26 12:39:06 | ||||||||||
1092 | Textbeitrag | T-227-01 | Motown crossover hits 1963-1966 and the creative process | Fitzgerald, Jon | Popular Music | 14 | 1995 | Pop/Rock, | Soul/Funk | Musik, Werk, Tonträger, USA, 1960er | S. 1-12 | 2009-03-26 13:02:33 | ||||||||||
1100 | Textbeitrag | T-800-09 | Perspectives in popular musicology: music, Lennox and meaning in 1990s pop | Hawkins, Stan | Popular Music | 15 | 1996 | Pop/Rock | Musiker, Frau, Analyse, Wissenschaft, Forschung | S. 17-36 | 2009-04-23 13:18:43 |