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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | ▼ Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1463 | DVD | Video 383 | V-840-08 | The Work of Direktor Stéphane Sednaoui | Tricky, Björk, R:E.M., Red Hot Chili Peppers, Alanis Morissette, Mirwais, u.a. | Stéphane Sednaoui | Palm | DIRDVD7 | 2005 | Pop/Rock, Dance | Video | Tolles Booklet | 2011-01-27 13:30:27 | |||||||||
| 1464 | DVD | Video 388 | V-840-09 | The Work of Direktor Jonathan Glazer | Radiohead, Massive Attack, Jamiroquai, u.a. | Johnathan Glazer | Palm | DIRDVD5 | 2005 | Pop/Rock | Video | Tolles Booklet | 2011-01-27 13:33:24 | |||||||||
| 1549 | Textbeitrag | T-870-19 | "So slide over here". The aesthetics of masculinity in late twentieth-century Australian pop music | Young, Greg | Popular Music | 23/2 | 2004 | Pop/Rock | Australien, Soziologie, Aesthetik | 2011-07-07 11:10:32 | ||||||||||||
| 1550 | Textbeitrag | T-820-15 | What is music worth? Some reflections on the Scottish experience | Cloonan, Martin Williamson, John Frith, Simon | Popular Music | 23/2 | 2004 | Pop/Rock | Musikmarkt, Tonträger, Wirtschaft | 2011-07-07 11:14:43 | ||||||||||||
| 1577 | Textbeitrag | T-850-13 | Marsalis and Baraka: an essay in comparative cultural discourse | Brown, Lee B. | Popular Music | 23/3 | 2004 | Pop/Rock | Jazz, Politik, USA, Afrika, Musiker | 2011-11-17 13:37:52 | ||||||||||||
| 1578 | Textbeitrag | T-215-01 | Fixing a hole in the scale: suppressed notes in the Beatles' songs | Wagner, Naphtali | Popular Music | 23/3 | 2004 | Pop/Rock | Beat | Musiker, Werk, Analyse | 2011-11-17 13:54:11 | |||||||||||
| 1587 | Textbeitrag | T-820-16 | The promotional state of Canada's Juno Awards | Young, David | Popular Music | 23/3 | 2004 | Pop/Rock | Musikindustrie, Tonträger, Analyse, Entwicklung, Institution, Medien | 2012-02-02 11:50:07 | ||||||||||||
| 1589 | Textbeitrag | T-830-02 | Beyond the "high fidelity" stereotype: defining the (contemporary) record collector. | Shuker, Roy | Popular Music | 23/3 | 2004 | Pop/Rock | Tonträger, Publikum, Musikindustrie. Rezeption | 2012-02-02 11:59:14 | ||||||||||||
| 1590 | Textbeitrag | T-245-03 | Anti-Orpheus: narrating the dream brother | Lovesey, Oliver | Popular Music | 23/3 | 2004 | Pop/Rock | Alternative Rock | Musiker, Biographie | 2012-02-02 12:11:18 | |||||||||||
| 1613 | Textbeitrag | T-800-24 | "Some guys designed this room I'm standing in". Marking gender in press coverage of Ani DiFranco | Feigenbaum, Anna | Popular Music | 24/1 | 2005 | 245 | Pop/Rock | Alternative Rock, Singer/Songwriter | Rock, Kritik, Soziologie, Frau, Musiker | 2012-05-03 12:54:11 | ||||||||||
| 1614 | Textbeitrag | T-800-25 | "Simply Irresistible" Recurring accent patterns as hooks in mainstream 1980s music | Traut, Don | Popular Music | 24/1 | 2005 | Pop/Rock | Analyse, Stil | 2012-05-03 12:57:35 | ||||||||||||
| 1615 | Textbeitrag | T-850-14 | Jews, punk and the Holocaust. From the Velvet Underground to the Ramones - the Jewish-American story | Stratton, Jon | Popular Music | 24/1 | 2005 | Pop/Rock | Politik | 2012-05-03 13:02:26 | ||||||||||||
| 1628 | CD | C-770-10 | 7. pop! Songwriting Workshop | V.A. | projektpop | WS2012 | 2012 | 770 | Pop/Rock / Danc | Klassenleiter: Peter Roberts, Florian Cojocaru, Christina Zubrügg, Ernst Molden | 2012-05-31 13:21:39 | |||||||||||
| 1633 | Textbeitrag | T-221-04 | "Can You Still Keep Your Balance?" Keith Emnerson's anxiety of influence, style change, and the road to prog superstardom | Kawamoto, Akitsugu | Popular Music | 24/2 | 2005 | Pop/Rock | Prog Rock | Musiker, Stil, Entwicklung, Literatur | 2012-05-31 13:50:56 | |||||||||||
| 2068 | Noten | II-144655 | N-200-14 | 34 Scores for Piano, Organ, Harpsichord and Celeste || Björk | Björk | Wellhart Ltd/Kobalt Music Publishing | 2017 | 200 | pop | 2020-06-10 10:12:25 |