Zurück zur Informationsseite der iPOP - Mediathek
| ID | ▲ Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1223 | Textbeitrag | T-840-09 | Bohemian rhapsodies: operatic influences on rock music | McLeod, Ken | Popular Music | 20/2 | 2001 | 224 | Pop/Rock, Klass | Glamrock, Prog Rock, New Wave | Stil, Pop/Rock, Klassik, Analyse | 2009-10-29 11:54:04 | ||||||||||
| 1224 | Textbeitrag | T-218-02 | "Or any art at all?" Frank Zappa meets critical theory | Wragg, David | Popular Music | 20/2 | 2001 | 218 | Pop/Rock | Rock USA 1960er | Rock USA 1960er, Musiker, Kritik, Theorie, Soziologie | 2009-10-29 12:01:15 | ||||||||||
| 1226 | Textbeitrag | T-221-03 | Yes, "Awaken", and the progressive rock style | Palmer, John R. | Popular Music | 20/2 | 2001 | 221 | Pop/Rock | Prog Rock | Prog Rock, 1970er, Musiker, Werk, Analyse | 2009-10-29 12:17:00 | ||||||||||
| 1393 | Textbeitrag | T-000-01 | National music to national redeemer: the consolidation of a "folk-song" construct in Edwardian England | Francmanis, John | Popular Music | 21/1 | 2002 | 000 | Pop/Rock | Frühe englische Volksmusik | Geschichte, Entwicklung, Europa, Stil | 2010-09-09 12:18:09 | ||||||||||
| 1394 | Textbeitrag | T-850-07 | Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression | Cloonan, Martin / Johnson, Bruce | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:22:00 | |||||||||||
| 1395 | Textbeitrag | T-850-08 | Voices of peace and the legacy of reconciliation: popular music, nationalism, and the quest for peace in the Middle East | Al-Taee, Nasser | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:24:09 | |||||||||||
| 1396 | Textbeitrag | T-860-03 | Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group. | Bradby, Barbara | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Analyse, Psychologie | 2010-09-09 12:28:43 | |||||||||||
| 1397 | Textbeitrag | T-206-02 | "Redneck religion and shitkickin' saviours?": Gram Parsons, theology and country music | Grimshaw, Michael | Popular Music | 21/1 | 2002 | 206 | Pop/Rock | Country, Politik, Religion, Musiker, Text | 2010-09-09 12:35:46 | |||||||||||
| 1398 | Textbeitrag | T-870-14 | Populr music, gender and high school pupils in Japan: personal music in school and leisure sites | Koizumi, Kyoko | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Soziologie, Asien, Ethnologie, Alltag, Jugend | 2010-09-09 12:39:04 | |||||||||||
| 1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
| 1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
| 1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 | |||||||||||
| 1404 | Textbeitrag | T-233-03 | Local scenes and dangerous crossroads: punk and theories of cultural hybridity | O'Connor, Alan | Popular Music | 21/2 | 2002 | 233 | Pop/Rock | Punk | Stil, Großbritannien, Entwicklung | 2010-09-09 13:32:32 | ||||||||||
| 1414 | Textbeitrag | T-239-04 | Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys | Butler, Mark | Popular Music | 22/1 | 2003 | 239 | Pop/Rock | Video Pop | Musiker, Werk, Text | 2010-09-16 13:50:31 | ||||||||||
| 5 | VHS | HH privat | V-221-02 | (Doku) | CAN | DoRo | DoRo | 221 | Pop/Rock | Prog Rock | Video, Art Rock, Deutschland, 1970er | 2006-07-07 12:30:42 | ||||||||||
| 26 | VHS | HH privat | V-042-03 | Across from Midnight Tour | Cocker, Joe | Egbert van Hees | Roger Davies | Eagle Rock | GEG 202 | 1997 | 42 | Pop/Rock | Rock, Blues | Video, Rock, 1990er, USA | Live at Waldbühne Berlin | 2003-05-14 13:33:51 | ||||||
| 175 | VHS | Video 334 | V-209-02 | Hail! Hail! Rock 'n' Roll | Berry, Chuck | Hackford, Taylor | Stephanie Bennet | CIC Video | 1988 | 1987 | 209 | Pop/Rock | Rock'n'Roll, Blues, Rock | 2007-03-09 12:20:58 | ||||||||
| 182 | VHS | HH privat | V-045-01 | HIStory, Video Greatest Hits | Jackson, Michael | Jackson, Temperton, Orff, ... | Jackson, Temperton, Bottrell, ... | Landis, Singleton, ... | MJJ Ventures Inc. | 1995 | 45 | Pop/Rock | Pop, Soul | 1O Video Hits | 2003-01-22 13:41:39 | |||||||
| 183 | VHS | HH privat | V-042-02 | Hometown | Take That | BMG | 74321284153 | 1995 | 42 | Pop/Rock | Pop | Live at Manchester | 2003-01-22 13:41:18 | |||||||||
| 220 | VHS | HH privat | V-042-01 | Live at Perkins Palace | Collins, Phil | Phil Collins | Ken Ehrlich | Hit & Run Music | MC2059 | 1997 | 1983 | 42 | Pop/Rock | Pop, Rock | 2003-01-22 14:08:35 |