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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▼ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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724 | CD | CD 6406 | C-770-03 | Wo die Nacht erzählt vom Tag | Garish | Garish | Thomas Jarmer | Pate | 08 | 2002 | 770 | Pop/Rock | Österreich Rock | 2005-10-21 11:49:31 | ||||||||
989 | DVD | Video 316 | V-245-03 | Under Blackpool Lights | White Stripes | XL | 2002 | 245 | Pop/Rock | Alternative Rock | 2007-07-13 12:14:47 | |||||||||||
991 | DVD | Video 306 | V-245-06 | The Best Of 1990-2000 | U2 | Universal | 063510-9 | 2002 | 245 | Pop/Rock | Alternative Rock | 2007-07-13 12:20:26 | ||||||||||
1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 | |||||||||||
1395 | Textbeitrag | T-850-08 | Voices of peace and the legacy of reconciliation: popular music, nationalism, and the quest for peace in the Middle East | Al-Taee, Nasser | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:24:09 | |||||||||||
1404 | Textbeitrag | T-233-03 | Local scenes and dangerous crossroads: punk and theories of cultural hybridity | O'Connor, Alan | Popular Music | 21/2 | 2002 | 233 | Pop/Rock | Punk | Stil, Großbritannien, Entwicklung | 2010-09-09 13:32:32 | ||||||||||
1396 | Textbeitrag | T-860-03 | Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group. | Bradby, Barbara | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Analyse, Psychologie | 2010-09-09 12:28:43 | |||||||||||
1398 | Textbeitrag | T-870-14 | Populr music, gender and high school pupils in Japan: personal music in school and leisure sites | Koizumi, Kyoko | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Soziologie, Asien, Ethnologie, Alltag, Jugend | 2010-09-09 12:39:04 | |||||||||||
809 | Zeitschrift | I 69079 | Z-000-09a | Popular Music Vol. 21/1 | Cambridge University Press | 2002 | 000 | Worldmusic, Pop | 2006-09-01 11:48:54 | |||||||||||||
1393 | Textbeitrag | T-000-01 | National music to national redeemer: the consolidation of a "folk-song" construct in Edwardian England | Francmanis, John | Popular Music | 21/1 | 2002 | 000 | Pop/Rock | Frühe englische Volksmusik | Geschichte, Entwicklung, Europa, Stil | 2010-09-09 12:18:09 | ||||||||||
740 | CD | CD 6415 | C-270-05 | heathen | Bowie, David | ISO | 508222 2 | 2002 | 270 | Pop/Rock | Alternative Rock, ab 2000 | 2006-03-17 14:13:50 | ||||||||||
810 | Zeitschrift | I 69079/21 | Z-000-09b | Popular Music Vol. 21/2 | Cambridge University Press | 2002 | 000 | Worldmusic, Pop | 2006-09-01 11:50:47 | |||||||||||||
1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
1394 | Textbeitrag | T-850-07 | Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression | Cloonan, Martin / Johnson, Bruce | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:22:00 | |||||||||||
1397 | Textbeitrag | T-206-02 | "Redneck religion and shitkickin' saviours?": Gram Parsons, theology and country music | Grimshaw, Michael | Popular Music | 21/1 | 2002 | 206 | Pop/Rock | Country, Politik, Religion, Musiker, Text | 2010-09-09 12:35:46 | |||||||||||
811 | Zeitschrift | I 69079 | Z-000-09c | Popular Music Vol. 21/3 | Cambridge University Press | 2002 | 000 | Pop/Rock | Schwerpunktheft "Music and Television" | 2006-09-01 11:52:55 | ||||||||||||
1055 | Buch | B-860-04 | "Profane Leidenschaft". Explorative Studie zur Soziologie des Sammelns am Beispiel von plattensammlern in Wien | Brunner, Philipp | extempore | 3 | Institut für Musiksoziologie | 3-9501301-2-8 | Wien | 2002 | Pop/Rock, Jazz, | Soziologie, Tonträger, Wien | 2008-09-12 11:31:34 | |||||||||
912 | DVD | Video 304 | V-245-04 | Greatest Hits | Björk | Polydor | 065471-9 | 2002 | 245 | Pop/Rock, Dance | Alternative Rock | 2007-07-13 11:46:57 | ||||||||||
502 | Diplomarbeit | D-203-01 | Vom Blues zum Rock'n'Roll | Heybal, Christine | ipop Wien | 2002 | 203 | Pop/Rock | Blues, Rock'n'Roll | Geschichte, Entwicklung, Musiker, Stil, Afrika, USA | 2009-11-26 12:39:06 |