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| ID | Medium | SignUB | SignIB | Titel | ▼ Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
| 1171 | Textbeitrag | T-245-01 | Rules of rebellion: slamdancing, moshing, and the American altrnative scene | Tsitsos, William | Popular Music | 18/3 | 1999 | 245 | Pop/Rock | Alternative Rock, Punk | Alternative Rock, Punk, Tanzen, Publikum, Jugendkultur | S. 397-141 | 2009-07-02 12:45:05 | |||||||||
| 1173 | Textbeitrag | T-242-02 | Roots?: the relationship between the global and the local within the Extreme Metal scene | Harris, Keith | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Soziologie | S. 13-30 | 2009-07-02 13:48:56 | |||||||||
| 1174 | Textbeitrag | T-242-03 | Losing the local: Sydney and the Oz Rock tradition | Homan, Shane | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Australien, Soziologie | S. 31-50 | 2009-07-02 13:48:28 | |||||||||
| 1177 | Diplomarbeit | D-720-04 | Falco. Zwischen Mensch und Kunstfigur. | Reichel, Petra | iPop Wien | 2009 | 720 | Pop/Rock | Deutschrock, New Wave, Video Pop, HipHop | Musiker, Österreich, Biographie, Analyse, Sprache | 2009-07-09 11:59:35 | |||||||||||
| 1178 | Buch | AI 100.368 iPoP | B-400-16 | Jazz goes Pop goes Jazz. Der Jazz und sein gespaltenes Verhältnis zur Popularmusik | Knauer, Wolfram (Hg.) | Darmstädter Beiträge zur Jazzforschung | 9 | wolke | 3-936000-03-4 | Darmstadt | 2006 | 400 | Jazz, Pop/Rock | Jazz allgemein | Ästhetik, Analyse, Crossover, Fusion, Soziologie, Psychologie | 2009-07-09 12:08:41 | ||||||
| 1179 | Buch | AI 100.369 iPoP | B-233-01 | Rip it up and start again. Schmeiss alles hin und fang neu an. Postpunk 1978-1984 | Reynolds, Simon | hannibal | 978-3-85445-270-6 | Höfen | 2007 | 2005 | 233 | Pop/Rock | Postpunk, New Wave | Ästhetik, Analyse, Geschichte, Entwicklung, Musiker, Politik, Stil, 1970er, 1980er | 2009-07-09 12:14:11 | |||||||
| 1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 | ||||||||||
| 1182 | Diplomarbeit | D-239-06 | Bruce Springsteen. Eine Reise nach nirgendwo auf der Suche nach Erlösung. | Prinz, Peter | iPop Wien | 2009 | 239 | Pop/Rock | Mainstream-Rock, Americana | Musiker, Analyse, USA, Biographie, Werk | 2009-08-21 12:30:35 | |||||||||||
| 1184 | Textbeitrag | T-820-05 | Home on the page: a virtual place of music community | Kibby, Marjorie D. | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Singer/Songwriter | Kommunikation, Publikum, Wirkung, 1990er, USA, Medien | S. 91-100 | 2009-08-27 11:42:54 | |||||||||
| 1188 | Textbeitrag | T-870-10 | Hybridity and national musics: the case of irish rock music | McLaughlin, Noel / McLoone, Martin | Popular Music | 19/2 | 2000 | 200 | Pop/Rock | Irische Rockmusik | Rockmusik, Europa, Analyse | S. 181-200 | 2009-08-27 12:13:58 | |||||||||
| 1189 | Textbeitrag | T-820-08 | String musicians in the recording studios of Memphis, Tennessee | Brewer, Roy | Popular Music | 19/2 | 2000 | 227 | Pop/Rock | Memphis Soul | Musiker, Instrument, Soul, Analyse, Tonträger, 1960er, USA | S. 201-216 | 2009-08-27 12:17:51 | |||||||||
| 1190 | Textbeitrag | T-820-09 | Music and the Internet | Jones, Steve | Popular Music | 19/2 | 2000 | 000 | Pop/Rock | 2000er, Alltag, Analyse, Internet, Medien, Musikindustrie, Tonträger, Vermittlung, Wirkung | S. 217-230 | 2009-09-03 12:50:42 | ||||||||||
| 1192 | Buch | AI 100563 iPOP | B-810-04 | Bomp! Saving the World One Record at a Time | Farren, Mick (Hg.) | Ammo | 0-9786076-8-6 | 2007 | 200 | Pop/Rock | Rock'n'Roll, Psychedelic Rock, Punk Rock, New Wave | 1960er, 1970er, Alternative Rock, Aesthetik, Jugendkultur, Kritik, Medien, Punk, Szene, Text, USA | 2009-09-10 11:02:49 | |||||||||
| 1206 | Textbeitrag | T-880-01 | Sex, Pulp and critique | Clarke, Eric F. / Dibben, Nicola | Popular Music | 19/2 | 2000 | 245 | Pop/Rock | Britpop, Alternative Rock | 1990er, Aesthetik, Großbritannien, Kritik, Medien, Tonträger, Wirkung | S. 231-242 | 2009-10-15 11:32:57 | |||||||||
| 1209 | Textbeitrag | T-227-02 | "Funky Drummer": New Orleans, James Brown and the rhythmic transformation of American popular music | Stewart, Alexander | Popular Music | 19/3 | 2000 | 227 | Pop/Rock | Soul, Funk | 1960er, Analyse, Soul, Funk, Rhythmus, Musiker | S. 293-318 | 2009-10-15 12:38:41 | |||||||||
| 1212 | Textbeitrag | T-245-02 | Exploring modal subversions in the alternative music | McDonald, Chris | Popular Music | 19/3 | 2000 | 245 | Pop/Rock | Alternative Rock | 1990er, Alternative Rock, Analyse, Musikwissenschaft | 2009-10-15 13:28:49 | ||||||||||
| 1213 | Textbeitrag | T-850-06 | "I'd sell you suicide": pop music and moral panic in the age of Marilyn Manson | Wright, Robert | Popular Music | 19/3 | 2000 | 242 | Pop/Rock | Metal, Schock-Rock, Alternative Rock | Politik, Rezeption, Schock-Rock, Alternative Rock, Publikum, Soziologie | 2009-10-15 13:49:20 | ||||||||||
| 1214 | Textbeitrag | T-870-11 | Yaogun Yinyue: rethinking mainland Chinese rock'n'roll | Hao Huang | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Yaogun Yinyue (Rockmusik der Festland-Chinesen) | Politik, Stil, Ethnologie, Asien, 2000er, Entwicklung | 2009-10-22 13:02:10 | ||||||||||
| 1215 | Textbeitrag | T-870-12 | Music, radio and teh record business in Zimbabwe today | Scannell, Paddy | Popular Music | 20/1 | 2001 | 000 | Pop/Rock, World | 2000er, Afrika, Musikindustrie, Produktion, Tonträger | 2009-10-22 13:16:19 |