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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | ▲ Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1136 | Textbeitrag | T-222-03 | Rock musicians in Germany and ideas for their promotion | Niketta, Reiner | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Musiker, Deutschrock | S. 311-326 | 2009-06-25 13:44:39 | |||||||||
| 917 | Buch | AI 70138/18 | B-800-10R | Mainstream, Underground, Avantgarde. Rockmusik und Publikumsverhalten | Rösing, Helmut / Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 18 | coda | 0943-9242 | Karben | 1996 | Pop/Rock | Rezeption, Publikum | steht bei den Reihen | 2008-06-13 12:25:55 | |||||||
| 1138 | Textbeitrag | T-800-14 | Syncopation in rock: a perceptual perspective | Temperley, David | Popular Music | 18/1 | 1999 | Pop/Rock | Analyse, Rhythmus | S. 19-42 | 2009-06-25 13:40:20 | |||||||||||
| 1141 | Textbeitrag | T-860-02 | Masculinity and skill acquisition in the adolescent rock band | Clawson, Mary Ann | Popular Music | 18/1 | 1999 | Pop/Rock | Ausbildung, Musikpädagogik, Spieltechnik | S. 99-114 | 2009-06-25 13:50:49 | |||||||||||
| 1143 | Textbeitrag | T-800-15 | An analysis of Neil Young's "Powderfinger" based on Mark Johnson's image schemata | Echard, William | Popular Music | 18/1 | 1999 | Pop/Rock | Country-Rock | Musiker, Stil, Spieltechnik, Analyse, Rock | S. 133-144 | 2009-06-25 13:40:36 | ||||||||||
| 1144 | Textbeitrag | T-242-01 | Death metal tonality and the act of listening | Berger, Harris M. | Popular Music | 18/2 | 1999 | Pop/Rock | Metal | Metal, Analyse, Hören | S. 161-178 | 2009-06-25 13:54:33 | ||||||||||
| 1148 | Textbeitrag | T-221-01 | Cathy's homecoming and the other world: Kate Bush's "Wuthering Heights" | Losseff, Nicky | Popular Music | 18/2 | 1999 | 221 | Pop/Rock | Art-Rock, Prog Rock, College Rock | Tonträger, Frau, Werk, Rock, Analyse | S. 227-240 | 2009-07-02 12:12:24 | |||||||||
| 1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 | ||||||||||
| 1150 | Textbeitrag | T-218-01 | On the enduring popularity of Cream's "Sunshine of Your Love": sonic synecdoche of the "psychedelic 60s" | Wolfe, Arnold S. / Miller, Chuck / O'Donnell, Heather | Popular Music | 18/2 | 1999 | 218 | Pop/Rock | Blues-Rock | Rock, Blues, USA, Werk, Analyse | S. 259-276 | 2009-07-02 12:13:25 | |||||||||
| 1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
| 1171 | Textbeitrag | T-245-01 | Rules of rebellion: slamdancing, moshing, and the American altrnative scene | Tsitsos, William | Popular Music | 18/3 | 1999 | 245 | Pop/Rock | Alternative Rock, Punk | Alternative Rock, Punk, Tanzen, Publikum, Jugendkultur | S. 397-141 | 2009-07-02 12:45:05 | |||||||||
| 1173 | Textbeitrag | T-242-02 | Roots?: the relationship between the global and the local within the Extreme Metal scene | Harris, Keith | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Soziologie | S. 13-30 | 2009-07-02 13:48:56 | |||||||||
| 1174 | Textbeitrag | T-242-03 | Losing the local: Sydney and the Oz Rock tradition | Homan, Shane | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Australien, Soziologie | S. 31-50 | 2009-07-02 13:48:28 | |||||||||
| 1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 | ||||||||||
| 1184 | Textbeitrag | T-820-05 | Home on the page: a virtual place of music community | Kibby, Marjorie D. | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Singer/Songwriter | Kommunikation, Publikum, Wirkung, 1990er, USA, Medien | S. 91-100 | 2009-08-27 11:42:54 | |||||||||
| 1188 | Textbeitrag | T-870-10 | Hybridity and national musics: the case of irish rock music | McLaughlin, Noel / McLoone, Martin | Popular Music | 19/2 | 2000 | 200 | Pop/Rock | Irische Rockmusik | Rockmusik, Europa, Analyse | S. 181-200 | 2009-08-27 12:13:58 | |||||||||
| 1189 | Textbeitrag | T-820-08 | String musicians in the recording studios of Memphis, Tennessee | Brewer, Roy | Popular Music | 19/2 | 2000 | 227 | Pop/Rock | Memphis Soul | Musiker, Instrument, Soul, Analyse, Tonträger, 1960er, USA | S. 201-216 | 2009-08-27 12:17:51 | |||||||||
| 1190 | Textbeitrag | T-820-09 | Music and the Internet | Jones, Steve | Popular Music | 19/2 | 2000 | 000 | Pop/Rock | 2000er, Alltag, Analyse, Internet, Medien, Musikindustrie, Tonträger, Vermittlung, Wirkung | S. 217-230 | 2009-09-03 12:50:42 | ||||||||||
| 1206 | Textbeitrag | T-880-01 | Sex, Pulp and critique | Clarke, Eric F. / Dibben, Nicola | Popular Music | 19/2 | 2000 | 245 | Pop/Rock | Britpop, Alternative Rock | 1990er, Aesthetik, Großbritannien, Kritik, Medien, Tonträger, Wirkung | S. 231-242 | 2009-10-15 11:32:57 | |||||||||
| 1209 | Textbeitrag | T-227-02 | "Funky Drummer": New Orleans, James Brown and the rhythmic transformation of American popular music | Stewart, Alexander | Popular Music | 19/3 | 2000 | 227 | Pop/Rock | Soul, Funk | 1960er, Analyse, Soul, Funk, Rhythmus, Musiker | S. 293-318 | 2009-10-15 12:38:41 |