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ID | ▲ Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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935 | Noten | AII 54894 | N-440-02 | The Pink Panther | Henry Mancini | Jazz Combo Series | Kendor Music | New York | 440 | Jazz | Hardbop | 2007-05-11 11:13:40 | ||||||||||
936 | Noten | AII 54893 | N-420-05 | Tuxedo Junction | Hawkins / Feyne / Johnson / Dash | Jazz Combo Series | Kendor Music | New York | o.J. | 420 | Jazz | Swing | 2007-05-11 11:19:40 | |||||||||
937 | Noten | AII 54890 | N-420-06 | The Preacher | Horace Silver | Jazz Combo Series | Kendor Music | New York | o.J. | 420 | Jazz | Swing | 2007-05-11 11:21:41 | |||||||||
940 | Noten | AII 54889 | N-420-07 | Satin Doll | Billy Strayhorn / Johnny Mercer / Duke Ellington | Jazz Combo Series | Kendor Music | New York | o.J. | 420 | Jazz | Swing | 2007-05-11 11:38:49 | |||||||||
941 | Noten | AII 54885 | N-420-08 | Satin Dolll | Charlie Parker | Jazz Combo Series | Kendor Music | New York | o.J. | 420 | Jazz | Swing | 2007-05-11 11:39:52 | |||||||||
943 | Noten | AII 54892 | N-420-09 | Scrapple from the Apple | Charlie Parker | Jazz Combo Series | Kendor Music | New York | o.J. | 420 | Jazz | Swing | 2007-05-11 11:53:47 | |||||||||
1072 | Textbeitrag | T-800-16 | The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany | Robinson, J. Bradford | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Rezeption, Theorie, Soziologie, Deutschland, 1930er | S. 1-25 | 2009-07-02 12:17:01 | ||||||||||
1080 | Textbeitrag | T-800-02 | Caliban reheard: new voices on jazz and American consciousness | Peretti, Burton W. | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Forschung, Soziologie | S. 151-164 | 2009-03-26 11:34:06 | ||||||||||
1087 | Textbeitrag | T-870-05 | "Jazzing" and Australia's First Jazz Band | Whiteoak, John | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Australien | S. 279-296 | 2009-07-02 12:19:55 | ||||||||||
1207 | Textbeitrag | T-410-01 | Jim Crow laws of the 1890s and the origins of New Orleans jazz: correction of an error | Johnson, Jerah | Popular Music | 19/2 | 2000 | 410 | Jazz | New Orleans Jazz | 19. Jh., Jazz, Entwicklung, Politik, Forschung, Geschichte | S. 243-252 | 2009-10-15 11:43:25 | |||||||||
1220 | Textbeitrag | T-800-20 | Is there such a thing as the "blue note"? | Weisethaunet, Hans | Popular Music | 20/1 | 2001 | 000 | Jazz, Pop/Rock | Jazz, Blues, Soul, Rock | Analyse, Theorie | 2009-10-22 13:55:23 | ||||||||||
1000 | VHS | Video 167 | V-420-02 | Let's Get Lost | Jazz | Swing | 2007-07-20 11:49:05 | |||||||||||||||
1001 | VHS | Video 183 | V-420-03 | rhytm in harmony | The Jubilairs, The Deep River Boys, The Mills Brothers | Harlem Roots | 1 | MCEG Virgin | o.J. | 420 | Jazz | Swing | 2007-07-20 11:53:04 | |||||||||
1002 | VHS | Video 191 | V-420-04 | Die Benny Goodman Story | Steve Allen u.a. | Benny Goodman | Universal | 1983 | 420 | Jazz | Swing | 2007-07-20 11:54:47 | ||||||||||
793 | Zeitschrift | AI 69079/13 | Z-000-01 | Popular Music Vol. 13 | Cambridge University Press | 1994 | 000 | Pop/Rock, Jazz, | 2006-09-01 10:34:53 | |||||||||||||
794 | Zeitschrift | AI 69079/14 | Z-000-02 | Popular Music Vol. 14 | Cambridge University Press | 1995 | 000 | Pop/Rock, Jazz, | 2007-04-20 11:37:44 | |||||||||||||
795 | Zeitschrift | AI 69079/15 | Z-000-03 | Popular Music Vol. 15 | Cambridge University Press | 1996 | 000 | Pop/Rock, Jazz, | 2006-09-01 10:49:59 | |||||||||||||
796 | Zeitschrift | AI 96079/16 | Z-000-04 | Popular Music Vol. 16 | Cambridge University Press | 1997 | 000 | Pop/Rock, Jazz, | 2006-09-01 10:54:22 | |||||||||||||
814 | Zeitschrift | Z-000-10c | Popular Music Vol. 22/3 | Cambridge University Press | 2003 | 000 | Jazz, Pop/Rock | 2006-09-01 11:59:22 | ||||||||||||||
815 | Zeitschrift | Z-000-11c | Popular Music Vol. 23/3 | Cambridge University Press | 2004 | 000 | Jazz, Pop/Rock, | 2006-09-01 12:02:06 |