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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | ▲ StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1191 | Buch | AI 100507 iPOP | B-820-17 | Playback. From the Victrola to MP3, 100 Years of Music, Machines, and Money. | Coleman, Mark | Da Capo Press | 10-0-306-81390-4 | Cambridge | 2005 | 2003 | 000 | Tonträger, Entwicklung, Geschichte, Soziologie, Technologie, Internet, Musikmarkt, Medien, Musikindustrie | 2009-09-10 10:37:57 | |||||||||
| 1193 | Textbeitrag | II-100535 iPop (mit Mappe) | T-800-18 | "Von der Begeisterung zur Ignoranz" - Schreiben über Pop. Ein Symposium zum Wandel und Selbstverständnis des Pop-Musikjournalismus | Micafocus | 9 | mica | Wien | 2005 | 000 | Beruf, Deutschland, Oesterreich, Kommunikation, Kritik, Medien, Rezeption, Sprache, Text, Wirkung | Kam als Website-Ausdruck und ungeheftet! | 2009-10-01 13:11:55 | |||||||||
| 1211 | Textbeitrag | T-850-05 | The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the Peaple's Republic of China since the 1980s | Ho, Wai-Chung | Popular Music | 19/3 | 2000 | 000 | Asien, Politik, 1980er, 1990er, 2000er | 2009-10-15 13:13:18 | ||||||||||||
| 1215 | Textbeitrag | T-870-12 | Music, radio and teh record business in Zimbabwe today | Scannell, Paddy | Popular Music | 20/1 | 2001 | 000 | Pop/Rock, World | 2000er, Afrika, Musikindustrie, Produktion, Tonträger | 2009-10-22 13:16:19 | |||||||||||
| 1220 | Textbeitrag | T-800-20 | Is there such a thing as the "blue note"? | Weisethaunet, Hans | Popular Music | 20/1 | 2001 | 000 | Jazz, Pop/Rock | Jazz, Blues, Soul, Rock | Analyse, Theorie | 2009-10-22 13:55:23 | ||||||||||
| 1393 | Textbeitrag | T-000-01 | National music to national redeemer: the consolidation of a "folk-song" construct in Edwardian England | Francmanis, John | Popular Music | 21/1 | 2002 | 000 | Pop/Rock | Frühe englische Volksmusik | Geschichte, Entwicklung, Europa, Stil | 2010-09-09 12:18:09 | ||||||||||
| 1400 | Textbeitrag | T-850-09 | The racial politics of hybridity and "neo-electism" contemporary popular music | Middleton, Jason / Beebe, Roger | Popular Music | 21/2 | 2002 | 000 | Politik | 2010-09-09 13:17:02 | ||||||||||||
| 1405 | Textbeitrag | T-840-10 | Introduction to "Music and Television" | Negus, Keith / Street, John | Popular Music | 21/3 | 2002 | 000 | Theorie, Kommunikation, Film, Wirkung, Forschung | 2010-09-09 13:48:49 | ||||||||||||
| 1406 | Textbeitrag | T-840-11 | "One night on TV is worth weeks at the Paramount": musicians and oppurtunity in early telefision, 1948-55 | Forman, Murray | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung, USA, 1940er, 1950er | 2010-09-09 13:48:05 | ||||||||||||
| 1407 | Textbeitrag | T-840-12 | Look! Hear! The uneasy relationship of music and television | Frith, Simon | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung | 2010-09-09 13:50:27 | ||||||||||||
| 1408 | Textbeitrag | T-840-13 | Chewing gum for the ears: children's television and popular music | Lury, Karen | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung | 2010-09-09 13:51:59 | ||||||||||||
| 1409 | Textbeitrag | T-840-14 | Authentic boy bands on TV? Performers and impresarios in The Monkees and Making the Band | Stahl, Matthew | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Großbritannien 1960er | 2010-09-09 13:56:13 | ||||||||||||
| 1410 | Textbeitrag | T-840-15 | Tracking british television: pop music as stock soundtrack to the small screen | Donnelly, K.J. | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Großbritannien | 2010-09-09 13:57:47 | ||||||||||||
| 1411 | Textbeitrag | T-840-16 | From fanfare to funfair: the changing sound world of UK television idents | Brownrigg, Mark / Meech, Peter | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Werbung, Großbritannien | 2010-09-09 13:59:25 | ||||||||||||
| 1412 | Textbeitrag | T-840-17 | Sounds real: music and documentary | Corner, John | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung | 2010-09-09 14:00:23 | ||||||||||||
| 1417 | Textbeitrag | T-820-11 | For and against the record industry: an introduction to bootleg collectors and tape traders | Marshall, Lee | Popular Music | 22/1 | 2003 | 000 | Tonträger, Kulturindustrie, Wirtschaft, Soziologie | 2010-09-16 13:59:13 | ||||||||||||
| 1977 | Buch | 0-136705 | B-000-12 | Rock und Pop - Von Elvis Presley bis Lady Gaga | Wicke, Peter | 2017 | 2011 | 000 | Popgeschichte, Pop | 2018-05-11 11:11:42 | ||||||||||||
| 2064 | Buch | I-143188 | B-000-13 | Rock: The Primary Text; Developing a musicology of Rock | Moore, Allan F.; Remy, Martin | Ashgate Popular and Folk Music Series | 3 | Routledge | Abingdon, New York | 2019 | 000 | Rock | Musicology | 2020-06-10 09:43:36 | ||||||||
| 198 | Buch | AI 72817 | B-400-05 | Jazz in Europa | Bausch, Armando | éditions phi | 3-88865-043-7 | Echternach | 1985 | 03x | Jazz | Jazz, Europa, Musiker, empirisch | 2005-09-30 15:08:39 | |||||||||
| 471 | Diplomarbeit | D-230-04 | Wenn Rockmusik Kunst wird. Das musikalische Werk Tony Banks` | Moser, Christof | IMP Wien | 1993 | 10 | Musiker, Werk, Entwicklung, Rock, USA, Avantgarde | Diplomarbeit im FBPM | 2009-11-26 12:40:17 |