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| ID | Medium | ▲ SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2065 | Buch | I-143225 | B-200-30 | Ashes To Ashes - The Songs Of David Bowie 1976-2016 | O'Leary, Chris | Repeater | London | 2019 | 200 | Pop | Songbook, History | 2020-06-10 09:51:02 | ||||||||||
| 2075 | Buch | I-143343 | B-320-07 | Listening To Rap; An Introduction | Berry, Michael | Routledge | New York, London | 2018 | 320 | Rap | Historische Kontexte, Kulturelle Einflüsse, Charakteristik | 2020-06-10 10:41:41 | ||||||||||
| 2060 | Buch | I-143906 | B-320-06 | Könnt ihr uns hören? Eine Oral History des deutschen Rap | Wehn, Jan; Bortot, Davide | Ullstein | Berlin | 2019 | 320 | HipHop | Rap, HipHop, deutscher HipHop, Sido, Beginner, Kool Savas, Samy Deluxe | 2020-06-09 13:03:38 | ||||||||||
| 2059 | Buch | I-144085 | B-800-32 | On Popular Music and Its Unruly Entanglements | Braae, Nick; Hansen, Kai Arne(Hrsg.) | palgrave macmillan | Cham | 2019 | 800 | Theorie | Pop Music, Culture and Identity, Sammelband, Essays, Musicology | 2020-06-09 12:44:27 | ||||||||||
| 2057 | Buch | I-144398 | B-209-03 | A Social History of Early Rock 'N' Roll in Germany, Hamburg from Burlesque to the Beatles, 1956-69 | Sneeringer, Julia | London | 2018 | 209 | Rock 'N' Roll | Deutschlang, Popgeschichte, Rock 'n' Roll | 2020-03-06 11:42:15 | |||||||||||
| 2099 | Buch | I-144561 | B-203-05 | The New Blue Music; Changes in Rhythm & Blues, 1950-1999 | Ripani, Richard J. | University Press of Mississippi | Jackson | 2006 | 2020-09-16 13:32:01 | |||||||||||||
| 2061 | Buch | I-144564 | B-227-02 | Soulsville USA, Story of STAX RECORDS | Bowman, Rob | Schirmer Trade Books | New York | 2003 | 1997 | 227 | Soul | Soul, Geschichte, Musicology | 2020-06-10 09:20:35 | |||||||||
| 2100 | Buch | I-144567 | B-800-35 | Queer Phenomenology, orientations, objects, others | Ahmed, Sara | Duke University Press | Durham | 2006 | 2020-09-16 14:07:53 | |||||||||||||
| 2098 | Buch | I-144932 | B-800-34 | Music Theory for Electronic Music Producers - The producer's guide to harmony, chord progressions, and song structure in the MIDI grid | Allen, Anthony J. | Slam Academy | Minneapolis | 2018 | 800 | Theorie | 2020-09-16 13:23:36 | |||||||||||
| 2102 | Buch | I-145076 | B-227-04 | Motown, music, money, sex, and power | Posner, Gerald | Random House Trade Paperbacks | New York | 2005 | 2020-09-16 14:24:15 | |||||||||||||
| 2106 | Buch | I-145098 | B-227-06 | The Rise and Fall of the Motown Sound, Where Did Our Love Go? | George, Nelson | University of Illinoise Press | Urbana, Chicago | 2007 | 2020-09-16 14:40:27 | |||||||||||||
| 2105 | Buch | I-145174 | B-227-05 | The Story of Motown | Benjaminson, Peter | Barnacle Book | Los Angeles | 2018 | 2020-09-16 14:36:22 | |||||||||||||
| 2300 | Buch | I-145176 | B-880-08 | Bad Music. The Music We Love To Hate | Washbourne, Christopher J.; Derno, Maiken (Hrsg.) | Routledge | New York | 2004 | 2022-03-28 16:14:25 | |||||||||||||
| 2242 | Buch | I-145883 | B-800-62 | Dancing with Mr. D, Tod in Popmusik und Kunst | Vögele, Jörg; Schiller, Anna; Rittershaus, Luisa; Waap, Kelly Gisela (Hrsg.) | Wienand | Köln | 2019 | 2022-01-20 09:38:04 | |||||||||||||
| 2236 | Buch | I-145890 | B-890-11 | Die Praxis der Popmusik | Daniel, Anna; Hillebrandt, Frank (Hrsg.) | Springer | Wiesbaden | 2019 | 2021-12-02 10:09:27 | |||||||||||||
| 2243 | Buch | I-145913 | B-800-63 | "Sounds like a real man to me" - Populäre Kultur, Musik und Männlichkeit | Fleischer, Laura Patrizia; Heesch, Florian (Hrsg.) | SpringerVS | Wiesbaden | 2019 | 2022-01-20 09:40:28 | |||||||||||||
| 2241 | Buch | I-145930 | B-800-61 | Social-Pop-Media, Zur Mediatisierung von Popmusik und digitaler Musikpraxis in sozialen Medien | Anastasiadis, Mario | SpringerVS | Wiesbaden | 2019 | 2022-01-20 09:30:03 | |||||||||||||
| 2135 | Buch | I-145936 | B-800-45 | Crossover als Inszenierungsstrategie, Doing Pop, Doing Classical Music, Doing Mixed Genres | Petry, Clara-Franziska | transcript | Bielefeld | 2020 | 2021-01-26 14:52:37 | |||||||||||||
| 2113 | Buch | I-146026 | B-200-31 | Beggars Banquet and the Rolling Stones' Rock and Roll Revolution, "They Call My Name Disturbance" | Russel Reising (Hrsg.) | New York | 2020 | 2020-12-10 11:26:56 | ||||||||||||||
| 2112 | Buch | I-146027 | B-300-02 | The Second Summer Of Love, How Dance Music Took Over The World | Shulman, Alon | London | 2019 | 2020-12-10 11:17:31 |