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| ID | Medium | SignUB | ▲ SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1591 | Textbeitrag | T-820-17 | Infrastructure for the Celestial Jukebox | Burkart, Patrick / McCourt, Tom | Popular Music | 23/3 | 2004 | Musikindustrie, Vermittlung, Publikum, Technik | 2012-02-02 12:20:59 | |||||||||||||
| 1130 | Textbeitrag | T-830-01 | The Göteborg connection: lessons in the history and politics of popular music education and research | Tagg, Philip | Popular Music | 17/2 | 1998 | 200 | Pop/Rock | Paedagogik, Forschung, Europa, Entwicklung, Politik | S. 219-242 | 2009-07-02 12:18:41 | ||||||||||
| 1589 | Textbeitrag | T-830-02 | Beyond the "high fidelity" stereotype: defining the (contemporary) record collector. | Shuker, Roy | Popular Music | 23/3 | 2004 | Pop/Rock | Tonträger, Publikum, Musikindustrie. Rezeption | 2012-02-02 11:59:14 | ||||||||||||
| 1117 | Textbeitrag | T-840-01 | Video in the machine: the incorporation of music video into the recording industry. | Banks, Jack | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop | Video, Kulturindustrie | S. 293-310 | 2009-04-30 12:40:39 | ||||||||||
| 1076 | Textbeitrag | T-840-02 | Structural relationships of music and images in music video | Björnberg, Alf | Popular Music | 13 | 1994 | Film, Video, Forschung, Aesthetik | S. 51-74 | 2009-03-26 11:09:15 | ||||||||||||
| 1089 | Textbeitrag | T-840-03 | Music video and the construction of gendered subjectivity (or how being a music video junkie turned me into a feminist) | Hurley, Jennifer M. | Popular Music | 13 | 1994 | Musik, Video, Frau, Rezeption | S. 327-338 | 2009-03-26 12:34:32 | ||||||||||||
| 1075 | Textbeitrag | T-840-04 | The flamenco body | Washabaugh, william | Popular Music | 13 | 1994 | 560 | Worldmusic | Flamenco | Film, Video, Frau, Forschung | S. 75-90 | 2009-07-02 12:18:56 | |||||||||
| 1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
| 1125 | Textbeitrag | T-840-06 | The aesthetics of music video: an analysis of Madonna's "Cherish" | Vernallis, Carol | Popular Music | 17/2 | 1998 | Pop/Rock | Video, Aesthetik, Musiker, Frau, 1980er | S. 153-186 | 2009-05-07 13:11:26 | |||||||||||
| 1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
| 1169 | Textbeitrag | T-840-08 | Popping the question: the function and effect of popular music in cinema | Lapedis, Hilary | Popular Music | 18/3 | 1999 | 000 | Sound, Video, Wirkung | S. 367-380 | 2009-07-02 12:32:18 | |||||||||||
| 1223 | Textbeitrag | T-840-09 | Bohemian rhapsodies: operatic influences on rock music | McLeod, Ken | Popular Music | 20/2 | 2001 | 224 | Pop/Rock, Klass | Glamrock, Prog Rock, New Wave | Stil, Pop/Rock, Klassik, Analyse | 2009-10-29 11:54:04 | ||||||||||
| 1405 | Textbeitrag | T-840-10 | Introduction to "Music and Television" | Negus, Keith / Street, John | Popular Music | 21/3 | 2002 | 000 | Theorie, Kommunikation, Film, Wirkung, Forschung | 2010-09-09 13:48:49 | ||||||||||||
| 1406 | Textbeitrag | T-840-11 | "One night on TV is worth weeks at the Paramount": musicians and oppurtunity in early telefision, 1948-55 | Forman, Murray | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung, USA, 1940er, 1950er | 2010-09-09 13:48:05 | ||||||||||||
| 1407 | Textbeitrag | T-840-12 | Look! Hear! The uneasy relationship of music and television | Frith, Simon | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung | 2010-09-09 13:50:27 | ||||||||||||
| 1408 | Textbeitrag | T-840-13 | Chewing gum for the ears: children's television and popular music | Lury, Karen | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung | 2010-09-09 13:51:59 | ||||||||||||
| 1409 | Textbeitrag | T-840-14 | Authentic boy bands on TV? Performers and impresarios in The Monkees and Making the Band | Stahl, Matthew | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Großbritannien 1960er | 2010-09-09 13:56:13 | ||||||||||||
| 1410 | Textbeitrag | T-840-15 | Tracking british television: pop music as stock soundtrack to the small screen | Donnelly, K.J. | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Großbritannien | 2010-09-09 13:57:47 | ||||||||||||
| 1411 | Textbeitrag | T-840-16 | From fanfare to funfair: the changing sound world of UK television idents | Brownrigg, Mark / Meech, Peter | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Werbung, Großbritannien | 2010-09-09 13:59:25 | ||||||||||||
| 1412 | Textbeitrag | T-840-17 | Sounds real: music and documentary | Corner, John | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung | 2010-09-09 14:00:23 |