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| ID | Medium | SignUB | ▲ SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1630 | Textbeitrag | T-800-28 | Blues, criticism, and the signifying trickster | Smith, Ayana | Popular Music | 24/2 | 2005 | Blues, Text, Vermittlung | 2012-05-31 13:37:16 | |||||||||||||
| 1631 | Textbeitrag | T-800-29 | From "Tomorrow's Eve" to "High Fidelity". Novel responses to the gramophone in twentieth century literature | Symes, Colin | Popular Music | 24/2 | 2005 | Literatur, Tonträger, Medien | 2012-05-31 13:41:38 | |||||||||||||
| 1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 | ||||||||||
| 1225 | Textbeitrag | T-810-02 | Does it really matter? Young people and popular music. | Williams, Christina | Popular Music | 20/2 | 2001 | Jugendkultur, Freizeit, 2000er, Rezeption, Soziologie | 2009-10-29 12:12:55 | |||||||||||||
| 1106 | Textbeitrag | T-820-01 | The wonderful world of IFPI: music industry rhetoric, the crisis and the classical marxist critique | Harker, Dave | Popular Music | 16/1 | 1997 | Institution, Kulturindustrie, Tonträger, Kritik | S. 45-80 | 2009-04-30 12:41:36 | ||||||||||||
| 1094 | Textbeitrag | T-820-02 | The record industry in Finnland, 1945-1960 | Gronow, Pekka | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie, Finnland, Entwicklung, Geschichte | S. 33-54 | 2009-03-26 13:11:55 | ||||||||||||
| 1095 | Textbeitrag | T-820-03 | Cycles in symbol production? a new model to explain concentration, diversity and innovation in the music industry | Christianen, Michael | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 55-94 | 2009-03-26 13:13:50 | ||||||||||||
| 1098 | Textbeitrag | T-820-04 | "... into another kind of life in which anything might happen ..." Popular music and late modernity, 1910-1930 | Baxendale, John | Popular Music | 14 | 1995 | Kulturindustrie, Geschichte, Entwicklung, England | S. 137-154 | 2009-03-26 13:36:04 | ||||||||||||
| 1184 | Textbeitrag | T-820-05 | Home on the page: a virtual place of music community | Kibby, Marjorie D. | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Singer/Songwriter | Kommunikation, Publikum, Wirkung, 1990er, USA, Medien | S. 91-100 | 2009-08-27 11:42:54 | |||||||||
| 1122 | Textbeitrag | T-820-06 | Counting down to number one: the evolution of the meaning of popular music charts | Hakanaen, Ernest A. | Popular Music | 17/1 | 1998 | Pop/Rock | Kulturindustrie, Tonträger, Wirtschaft | S. 95-112 | 2009-05-07 11:54:28 | |||||||||||
| 1093 | Textbeitrag | T-820-07 | Re-examining the concept of the "independent" record company: the case of Wax Trax! records | Lee, Stephen | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 13-32 | 2009-07-02 12:17:18 | ||||||||||||
| 1189 | Textbeitrag | T-820-08 | String musicians in the recording studios of Memphis, Tennessee | Brewer, Roy | Popular Music | 19/2 | 2000 | 227 | Pop/Rock | Memphis Soul | Musiker, Instrument, Soul, Analyse, Tonträger, 1960er, USA | S. 201-216 | 2009-08-27 12:17:51 | |||||||||
| 1190 | Textbeitrag | T-820-09 | Music and the Internet | Jones, Steve | Popular Music | 19/2 | 2000 | 000 | Pop/Rock | 2000er, Alltag, Analyse, Internet, Medien, Musikindustrie, Tonträger, Vermittlung, Wirkung | S. 217-230 | 2009-09-03 12:50:42 | ||||||||||
| 1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
| 1417 | Textbeitrag | T-820-11 | For and against the record industry: an introduction to bootleg collectors and tape traders | Marshall, Lee | Popular Music | 22/1 | 2003 | 000 | Tonträger, Kulturindustrie, Wirtschaft, Soziologie | 2010-09-16 13:59:13 | ||||||||||||
| 1504 | Textbeitrag | T-820-12 | Selling an image. Girl groups of the 1960s | Cyrus, Cynthia | Popular Music | 22/2 | 2003 | Musik, USA, 1960er, Frau, Musikindutrie | 2011-03-17 13:15:47 | |||||||||||||
| 1517 | Textbeitrag | T-820-13 | "Sorry, can't hear you! I'm on a train" Ringing tones, meanings and the Finnish soundscape | Uimonen, Heikki | Popular Music | 23/1 | 2004 | Kommunikation, Musik, Sound, Technologie, Soziologie, 2000er | 2011-03-24 12:29:57 | |||||||||||||
| 1524 | Textbeitrag | T-820-14 | The music industry, technology and utopia. An exchange between Mracus Breen and Eamonn Forde | Breen, Marcus / Frode, Eamonn | Popular Music | 23/1 | 2004 | Musikindustrie, Tonträger, Technik, Politik | 2011-04-14 11:31:08 | |||||||||||||
| 1550 | Textbeitrag | T-820-15 | What is music worth? Some reflections on the Scottish experience | Cloonan, Martin Williamson, John Frith, Simon | Popular Music | 23/2 | 2004 | Pop/Rock | Musikmarkt, Tonträger, Wirtschaft | 2011-07-07 11:14:43 | ||||||||||||
| 1587 | Textbeitrag | T-820-16 | The promotional state of Canada's Juno Awards | Young, David | Popular Music | 23/3 | 2004 | Pop/Rock | Musikindustrie, Tonträger, Analyse, Entwicklung, Institution, Medien | 2012-02-02 11:50:07 |