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| ID | Medium | SignUB | ▲ SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1590 | Textbeitrag | T-245-03 | Anti-Orpheus: narrating the dream brother | Lovesey, Oliver | Popular Music | 23/3 | 2004 | Pop/Rock | Alternative Rock | Musiker, Biographie | 2012-02-02 12:11:18 | |||||||||||
| 1131 | Textbeitrag | T-320-01 | Some aspects of Hip-Hop history in Germany | Elflein, Dietmar | Popular Music | 17/3 | 1998 | 320 | Dance | HipHop | HipHop, Geschichte, Deutschland | S. 255-266 | 2009-06-25 13:44:25 | |||||||||
| 1183 | Textbeitrag | T-320-02 | "Represent": race, space and place in rap music. | Forman, Murray | Popular Music | 19/1 | 2000 | 320 | Dance | HipHop | HipHop, Entwicklung, 1970er, 1980er, 1990er, USA, Soziologie | S. 65-90 | 2009-08-27 11:20:17 | |||||||||
| 1416 | Textbeitrag | T-320-03 | Sampling the 1970s in hip-hop | Demeers, Joanna | Popular Music | 22/1 | 2003 | 320 | Dance | HipHop | Stil, Analyse | 2010-09-16 13:55:58 | ||||||||||
| 1602 | Textbeitrag | T-320-04 | Pop goes the rapper: a close reading of Eminem's genderphobia | Stephens, Vincent | Popular Music | 24/1 | 2005 | 2012-03-08 13:41:25 | ||||||||||||||
| 1527 | Textbeitrag | T-400-01 | (Re)voicing tradition. Improvising aesthetics and identity on local jazz scenes. | Hollerbach, Peter | Popular Music | 23/2 | 2004 | Jazz, Entwicklung, Improvisation | 2011-04-14 12:05:28 | |||||||||||||
| 1207 | Textbeitrag | T-410-01 | Jim Crow laws of the 1890s and the origins of New Orleans jazz: correction of an error | Johnson, Jerah | Popular Music | 19/2 | 2000 | 410 | Jazz | New Orleans Jazz | 19. Jh., Jazz, Entwicklung, Politik, Forschung, Geschichte | S. 243-252 | 2009-10-15 11:43:25 | |||||||||
| 1508 | Textbeitrag | T-410-02 | Just a closer walk with thee. New Orleans-style jazz and the Campaign for Nuclear Disarmament in 1950s Britain | McKay, George | Popular Music | 22/3 | 2003 | Jazz, Politik, Großbritannien, 1950er | 2011-03-17 13:33:39 | |||||||||||||
| 1511 | Textbeitrag | T-410-03 | A critical reassessment of the reception of early jazz in Britain | Parsonage, Catherine | Popular Music | 22/3 | 2003 | Jazz, Großbritannien, Rezeption, Soziologie, 1920er | 2011-03-17 13:41:52 | |||||||||||||
| 1105 | Textbeitrag | T-500-01 | Interpreting world music: a challence in theory and practice | Guilbault, Jocelyne | Popular Music | 16/1 | 1997 | Worldmusic | Musik, Stil, Analyse, Wissenschaft | S. 31-44 | 2009-04-30 12:41:22 | |||||||||||
| 1120 | Textbeitrag | T-500-02 | Sitars and bossas: World music influences | Van der Lee, Pedro | Popular Music | 17/1 | 1998 | 500 | World music | World music | S. 45-70 | 2009-05-07 11:48:33 | ||||||||||
| 1507 | Textbeitrag | T-500-03 | Is "world music" the "classical music" of our time? | Ling, Jan | Popular Music | 22/2 | 2003 | World music, Geschichte, Soziologie, Rezeption | 2011-03-17 13:25:48 | |||||||||||||
| 1137 | Textbeitrag | T-510-01 | Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s | Ballantine, Christopher | Popular Music | 18/1 | 1999 | 510 | Worldmusic | Worldmusic Afrika | Worldmusic Afrika, Singen, 1940er, 1950er, Stil | S. 1-18 | 2009-06-25 13:39:37 | |||||||||
| 1632 | Textbeitrag | T-520-01 | García Márquez, macondismo, and the soundscapes of vallenato | Ochoa, Ana María | Popular Music | 24/2 | 2005 | Worldmusic | Vallenato | Literatur, Stil, Vermittlung, Worldmusic, Lateinamerika | 2012-05-31 13:46:11 | |||||||||||
| 1099 | Textbeitrag | T-530-01 | Tom Jobim and the Bossa Nova | Reiley, Suzel Ana | Popular Music | 15 | 1996 | 530 | Worldmusic | Bossa Nova | Musiker, Lateinamerika, Stil | S. 1-16 | 2009-04-23 13:15:06 | |||||||||
| 1102 | Textbeitrag | T-530-02 | Wit and popular music: the calypso and the blues | Mahabir, Cynthia | Popular Music | 15 | 1996 | Worldmusic | Calypso | Musik, Stil, Analyse | S. 55-82 | 2009-04-23 13:25:53 | ||||||||||
| 1104 | Textbeitrag | T-530-03 | Guns and Roses: bossa nova and Brazil's music of popular protest, 1958-68 | Treece, David | Popular Music | 16/1 | 1997 | Worldmusic | Bossa Nova | Musik, Stil, Politik, 1950er, 1960er | S. 1-30 | 2009-04-30 12:41:07 | ||||||||||
| 1152 | Textbeitrag | T-530-04 | Adoptin imports: new images and alliances in Brazilian popular music of the 1990s | Magaldi, Cristina | Popular Music | 18/3 | 1999 | 530 | Worldmusic | Worldmusic Lateinamerika | Worldmuaic Lateinamerika, Stil, Entwicklung, 1990er | S. 309-330 | 2009-07-02 12:15:02 | |||||||||
| 1218 | Textbeitrag | T-530-05 | Record grooves and salsa dance moves: the viejoteca phenomenon in Cali, Colombia | Waxer, Lise | Popular Music | 20/1 | 2001 | 530 | Worldmusic | Viejoteca | Worldmusic, Lateinamerica, 2000er, Szene, Rezeption, Stil, Soziologie, Ethnologie | 2009-10-22 13:49:19 | ||||||||||
| 1142 | Textbeitrag | T-531-01 | The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity | Román-Velázquez, Patria | Popular Music | 18/1 | 1999 | Worldmusic | Salsa | Salsa, Stil, Entwicklung, Spieltechnik, Instrument, Analyse | S. 115-132 | 2009-06-25 13:52:55 |