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| ID | Medium | SignUB | ▲ SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1112 | Textbeitrag | T-100-02 | John Bull in blackface | Pickering, Michael | Popular Music | 16/2 | 1997 | Unterhaltungsmu | Minstrel | Großbritannien, Geschichte, Stil, 1950er, Soziologie | S. 181-202 | 2009-04-30 11:44:18 | ||||||||||
| 1135 | Textbeitrag | T-120-01 | "Was ist ause uns geworden ... - Ein Häufchen Sand am Meer ": emotions of post-war Germany as extracted from examples of popular song | Ritzel, Fred | Popular Music | 17/3 | 1998 | 120 | Unterhaltungsmu | Dt. Schlager seit 1900 | Deutschland, Schlager, Text, 1950er, Soziologie | S. 293-310 | 2009-06-04 12:04:10 | |||||||||
| 1187 | Textbeitrag | T-120-02 | A song goes "round the world": the German Schlager as an organ of experience | Currid, Brian | Popular Music | 19/2 | 2000 | 120 | Unterhaltungsmu | Dt. Schlager | Schlager, Analyse, Text, 1930er, Soziologie, Politik | S. 147-180 | 2009-08-27 12:10:17 | |||||||||
| 1079 | Textbeitrag | T-140-01 | Genre, performance and ideology in the early songs of Irving Berlin | Hamm, Charles | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Musiker, Werk, Analyse | S. 143-150 | 2009-03-26 11:30:09 | |||||||||
| 1081 | Textbeitrag | T-140-02 | From Catfish Row to Granby Street: contesting meaning in Porgy and Bess | Horn, David | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Analyse, Musical, Werk | S. 165-174 | 2009-03-26 11:36:21 | |||||||||
| 1127 | Textbeitrag | T-140-03 | Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical | Burston, Jonathan | Popular Music | 17/2 | 1998 | 140 | Unterhaltungsmu | Musical | Musical, Aufführung, Bühnenwerke, Technologie, Singen | S. 205-218 | 2009-06-04 11:15:30 | |||||||||
| 1170 | Textbeitrag | T-140-04 | Oklahoma!: ideology and politics in the vernacular tradition of the American musical | Filmer, Paul / Rimmer, Val / Walsh, Dave | Popular Music | 18/3 | 1999 | 140 | Unterhaltungsmu | Musical | Musical, USA, Politik | S. 381-396 | 2009-07-02 12:38:31 | |||||||||
| 1509 | Textbeitrag | T-140-05 | Popular modernism? The "urban" style of interwar Tin Pan Alley | Lindberg, Ulf | Popular Music | 22/3 | 2003 | Tin Pan Alley, 1920er, 1930er, Analyse | 2011-03-17 13:36:23 | |||||||||||||
| 1121 | Textbeitrag | T-203-01 | Robert Johnson's rhythms | Ford, Charles | Popular Music | 17/1 | 1998 | 203 | Pop/Rock | Blues | Musiker, Rhytmus, Werk, Analyse | S. 71-94 | 2009-05-07 11:51:40 | |||||||||
| 1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 | |||||||||
| 1397 | Textbeitrag | T-206-02 | "Redneck religion and shitkickin' saviours?": Gram Parsons, theology and country music | Grimshaw, Michael | Popular Music | 21/1 | 2002 | 206 | Pop/Rock | Country, Politik, Religion, Musiker, Text | 2010-09-09 12:35:46 | |||||||||||
| 1077 | Textbeitrag | T-212-01 | Into the mystic: the aural poetry ov Van Morrison | Mills, Peter | Popular Music | 13 | 1994 | Pop/Rock | Folk, Soul | Musiker, Text, Werk | S. 91-104 | 2009-03-26 11:12:29 | ||||||||||
| 1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
| 1578 | Textbeitrag | T-215-01 | Fixing a hole in the scale: suppressed notes in the Beatles' songs | Wagner, Naphtali | Popular Music | 23/3 | 2004 | Pop/Rock | Beat | Musiker, Werk, Analyse | 2011-11-17 13:54:11 | |||||||||||
| 1150 | Textbeitrag | T-218-01 | On the enduring popularity of Cream's "Sunshine of Your Love": sonic synecdoche of the "psychedelic 60s" | Wolfe, Arnold S. / Miller, Chuck / O'Donnell, Heather | Popular Music | 18/2 | 1999 | 218 | Pop/Rock | Blues-Rock | Rock, Blues, USA, Werk, Analyse | S. 259-276 | 2009-07-02 12:13:25 | |||||||||
| 1224 | Textbeitrag | T-218-02 | "Or any art at all?" Frank Zappa meets critical theory | Wragg, David | Popular Music | 20/2 | 2001 | 218 | Pop/Rock | Rock USA 1960er | Rock USA 1960er, Musiker, Kritik, Theorie, Soziologie | 2009-10-29 12:01:15 | ||||||||||
| 1148 | Textbeitrag | T-221-01 | Cathy's homecoming and the other world: Kate Bush's "Wuthering Heights" | Losseff, Nicky | Popular Music | 18/2 | 1999 | 221 | Pop/Rock | Art-Rock, Prog Rock, College Rock | Tonträger, Frau, Werk, Rock, Analyse | S. 227-240 | 2009-07-02 12:12:24 | |||||||||
| 1216 | Textbeitrag | T-221-02 | "Living in the Past"?: value discourses in progressive rock fanzines | Atton, Chris | Popular Music | 20/1 | 2001 | 221 | Pop/Rock | Progressive Rock | 2000er, Progressive Rock, Analyse, Medien, Kritik, Theorie | 2009-10-22 13:26:42 | ||||||||||
| 1226 | Textbeitrag | T-221-03 | Yes, "Awaken", and the progressive rock style | Palmer, John R. | Popular Music | 20/2 | 2001 | 221 | Pop/Rock | Prog Rock | Prog Rock, 1970er, Musiker, Werk, Analyse | 2009-10-29 12:17:00 | ||||||||||
| 1633 | Textbeitrag | T-221-04 | "Can You Still Keep Your Balance?" Keith Emnerson's anxiety of influence, style change, and the road to prog superstardom | Kawamoto, Akitsugu | Popular Music | 24/2 | 2005 | Pop/Rock | Prog Rock | Musiker, Stil, Entwicklung, Literatur | 2012-05-31 13:50:56 |