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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | ▼ Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1078 | Textbeitrag | T-800-01 | Music, culture and interdisciplinarity: reflections on relationships | Shepherd, John | Popular Music | 13 | 1994 | Forschung, Theorie | S. 127-142 | 2009-03-26 11:26:53 | ||||||||||||
| 1079 | Textbeitrag | T-140-01 | Genre, performance and ideology in the early songs of Irving Berlin | Hamm, Charles | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Musiker, Werk, Analyse | S. 143-150 | 2009-03-26 11:30:09 | |||||||||
| 1080 | Textbeitrag | T-800-02 | Caliban reheard: new voices on jazz and American consciousness | Peretti, Burton W. | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Forschung, Soziologie | S. 151-164 | 2009-03-26 11:34:06 | ||||||||||
| 1081 | Textbeitrag | T-140-02 | From Catfish Row to Granby Street: contesting meaning in Porgy and Bess | Horn, David | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Analyse, Musical, Werk | S. 165-174 | 2009-03-26 11:36:21 | |||||||||
| 1082 | Textbeitrag | T-800-03 | "Ethnic" music traditions in the USA (black music; country music; others; all) | Keil, Charles | Popular Music | 13 | 1994 | Analyse, Stil, USA, Geschichte | S. 175-178 | 2009-03-26 11:39:39 | ||||||||||||
| 1083 | Textbeitrag | T-800-04 | Scrutiny to subcultures: notes on literary criticism an popular music | Laing, Dave | Popular Music | 13 | 1994 | Kritik, Literatur, Wissenschaft | S. 179-190 | 2009-03-26 11:43:14 | ||||||||||||
| 1084 | Textbeitrag | T-800-05 | The singer, not the song: women singers as composer-poets | Potter, John | Popular Music | 13 | 1994 | Frau, Singen, Komponist | S. 191-200 | 2009-03-26 11:45:36 | ||||||||||||
| 1085 | Textbeitrag | T-550-01 | Yothu Yindi's "Treaty": ganma in music | Stubington, Jill / Dunbar-Hall, Peter | Popular Music | 13 | 1994 | 550 | Worldmusic | Worldmusic Australien | Musik, Stil, Australien | S. 243-260 | 2009-03-26 12:23:44 | |||||||||
| 1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
| 1087 | Textbeitrag | T-870-05 | "Jazzing" and Australia's First Jazz Band | Whiteoak, John | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Australien | S. 279-296 | 2009-07-02 12:19:55 | ||||||||||
| 1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 | |||||||||
| 1117 | Textbeitrag | T-840-01 | Video in the machine: the incorporation of music video into the recording industry. | Banks, Jack | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop | Video, Kulturindustrie | S. 293-310 | 2009-04-30 12:40:39 | ||||||||||
| 1113 | Textbeitrag | T-870-02 | Music and national identity in Scotland:a study of Jock Tamison's Bairns | Symon, Peter | Popular Music | 16/2 | 1997 | Worldmusic | Großbritannien, Geschichte, Ethnologie | S. 203-216 | 2009-04-30 11:48:28 | |||||||||||
| 1112 | Textbeitrag | T-100-02 | John Bull in blackface | Pickering, Michael | Popular Music | 16/2 | 1997 | Unterhaltungsmu | Minstrel | Großbritannien, Geschichte, Stil, 1950er, Soziologie | S. 181-202 | 2009-04-30 11:44:18 | ||||||||||
| 1111 | Textbeitrag | T-870-01 | Victorian bands and their dissemination in the colonies. | Herbert, Trevor / Sarkissian, Margaret | Popular Music | 16/2 | 1997 | Unterhaltungsmu | Blasmusik | Großbritannien, Ethnologie, Geschichte | S. 165-180 | 2009-04-30 11:41:38 | ||||||||||
| 1110 | Textbeitrag | T-100-01 | Provinces versus metropolis in the british brass band movement in the early twentieth century: the case of William Rimmer and his music | Bythell, Duncan | Popular Music | 16/2 | 1997 | Unterhaltungsmu | Blasmusik | Großbritannien, Stil, Geschichte, Musiker, Soziologie | S. 151-164 | 2009-04-30 11:36:36 | ||||||||||
| 1109 | Textbeitrag | T-800-13 | Home Sweet Home? The "culture of exile" in mid-Victorian popular song | Eva, Phil | Popular Music | 16/2 | 1997 | Unterhaltungsmu | Pub Rock | Großbritannien, Geschichte, Analyse | S. 131-150 | 2009-04-30 11:33:22 | ||||||||||
| 1108 | Textbeitrag | T-800-12 | "Going down the pub!": The pub rock scene as a resource for the consumption of popular music | Bennet, Andrew | Popular Music | 16/1 | 1997 | Pop/Rock | Pub Rock | Stil, Großbritannien, Soziologie | S. 97-108 | 2009-04-30 12:42:04 | ||||||||||
| 1107 | Textbeitrag | T-610-01 | Beating up the classics: aspects of a compact discourse. | Symes, Colin | Popular Music | 16/1 | 1997 | Kunstmusik | Klassik | Kulturindustrie, Tonträger, Entwicklung, Soziologie | S. 81-96 | 2009-04-30 12:41:50 | ||||||||||
| 1072 | Textbeitrag | T-800-16 | The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany | Robinson, J. Bradford | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Rezeption, Theorie, Soziologie, Deutschland, 1930er | S. 1-25 | 2009-07-02 12:17:01 |