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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | ▲ Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1500 | Textbeitrag | T-850-11 | You can't get rid a song of its words. Notes on the hegemony of lyrics in Russian rock songs | Steinholt, Yngvar B. | Popular Music | 22/1 | 2003 | Musik, Text, Politik | 2011-03-17 12:06:08 | |||||||||||||
| 1501 | Textbeitrag | T-800-21 | Blurred affinities. Tracing the influence of North Indian classical music in Keith Jarrett's solo piano improvisations | Blume, Gernot | Popular Music | 22/2 | 2003 | Musiker, USA, Werk, Jazz, Klassik, Analyse | 2011-03-17 12:38:28 | |||||||||||||
| 1502 | Textbeitrag | T-870-15 | Between globalisation and localisation. A study of Hong Kong popular music | Ho, Wai-Chung | Popular Music | 22/2 | 2003 | Musik, Asien, Ethnologie, Soziologie | 2011-03-17 12:44:22 | |||||||||||||
| 1503 | Textbeitrag | T-800-22 | "Ces nymphes, je les veux perpétuer. The post-war pastoral in space-age bachelor-pad music | Leydon, Rebecca | Popular Music | 22/2 | 2003 | Musik, Europa, Religion, Analyse, 1950er | 2011-03-17 12:58:29 | |||||||||||||
| 1504 | Textbeitrag | T-820-12 | Selling an image. Girl groups of the 1960s | Cyrus, Cynthia | Popular Music | 22/2 | 2003 | Musik, USA, 1960er, Frau, Musikindutrie | 2011-03-17 13:15:47 | |||||||||||||
| 1505 | Textbeitrag | T-870-16 | Gesturin elsewhere. The identity politics of the Balinese death/trash metal scene | Baulch, Emma | Popular Music | 22/2 | 2003 | Musik, Asien, Metal, Ethnologie | 2011-03-17 13:19:25 | |||||||||||||
| 1506 | Textbeitrag | T-870-17 | Limited pidgin-type patois? Policy, language, technologie, identity and the experience of Canto-pop in Singapore. | Khiun, Liew Kai | Popular Music | 22/2 | 2003 | Musik, Asien, Ethnologie, Politik | 2011-03-17 13:21:39 | |||||||||||||
| 1507 | Textbeitrag | T-500-03 | Is "world music" the "classical music" of our time? | Ling, Jan | Popular Music | 22/2 | 2003 | World music, Geschichte, Soziologie, Rezeption | 2011-03-17 13:25:48 | |||||||||||||
| 1508 | Textbeitrag | T-410-02 | Just a closer walk with thee. New Orleans-style jazz and the Campaign for Nuclear Disarmament in 1950s Britain | McKay, George | Popular Music | 22/3 | 2003 | Jazz, Politik, Großbritannien, 1950er | 2011-03-17 13:33:39 | |||||||||||||
| 1509 | Textbeitrag | T-140-05 | Popular modernism? The "urban" style of interwar Tin Pan Alley | Lindberg, Ulf | Popular Music | 22/3 | 2003 | Tin Pan Alley, 1920er, 1930er, Analyse | 2011-03-17 13:36:23 | |||||||||||||
| 1510 | Textbeitrag | T-233-04 | The Raincoats. Breaking down punk rock's masculinities | O'Meara, Caroline | Popular Music | 22/3 | 2003 | Punk, New Wave, Musiker, Frau, Soziologie | 2011-03-17 13:38:33 | |||||||||||||
| 1511 | Textbeitrag | T-410-03 | A critical reassessment of the reception of early jazz in Britain | Parsonage, Catherine | Popular Music | 22/3 | 2003 | Jazz, Großbritannien, Rezeption, Soziologie, 1920er | 2011-03-17 13:41:52 | |||||||||||||
| 1512 | Textbeitrag | T-800-23 | Space oddities. Aliens, futurism and meaning in popular music | McLeod, Ken | Popular Music | 22/3 | 2003 | Musik, Text, Analyse | 2011-03-17 13:44:36 | |||||||||||||
| 1513 | Textbeitrag | T-233-05 | Known history! John Lydon, cultural capital and the prog/punk dialectic | Albiez, Sean | Popular Music | 22/3 | 2003 | Musiker, Grußbritannien, Punk, New Wave, Biographie, Soziologie | 2011-03-17 13:47:55 | |||||||||||||
| 1514 | Textbeitrag | T-224-01 | I Wanna Be Your Man. Suzi Quatro's musical androgyny | Auslander, Philip | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1970er, Glam Rock, Biographie, Soziologie | 2011-03-17 13:57:26 | |||||||||||||
| 1515 | Textbeitrag | T-840-19 | Drag, camp and gender subversion in the music and videos of Annie Lennox | Rodger, Gillian | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1980er, 1990er, Werk, Video, Soziologie | 2011-03-24 12:22:11 | |||||||||||||
| 1516 | Textbeitrag | T-840-20 | From "My Blue Heaven" to "Race with the Devil". Echo, Reverb and (dis)ordered space in early popular music recording. | Doyle, Peter | Popular Music | 23/1 | 2004 | Sound, Technologie, Produktion, Tonträger, 1930er, 1940er | 2011-03-24 12:25:12 | |||||||||||||
| 1517 | Textbeitrag | T-820-13 | "Sorry, can't hear you! I'm on a train" Ringing tones, meanings and the Finnish soundscape | Uimonen, Heikki | Popular Music | 23/1 | 2004 | Kommunikation, Musik, Sound, Technologie, Soziologie, 2000er | 2011-03-24 12:29:57 | |||||||||||||
| 1518 | Textbeitrag | T-850-12 | "Over to you". Can Europe restrain Microssoft's treat to freedom of musical expression in computer-mediated communication? | Wolfe, Arnold S. | Popular Music | 23/1 | 2004 | Kommunikation, Produktion, Recht, Politik, USA, Europa, 2000er | 2011-03-24 12:38:16 | |||||||||||||
| 1524 | Textbeitrag | T-820-14 | The music industry, technology and utopia. An exchange between Mracus Breen and Eamonn Forde | Breen, Marcus / Frode, Eamonn | Popular Music | 23/1 | 2004 | Musikindustrie, Tonträger, Technik, Politik | 2011-04-14 11:31:08 |