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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | ▲ Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1060 | Zeitschrift | Z-200-10 | !ntro | Intro | Köln | 200 | Pop/Rock | 2008-09-19 12:19:29 | ||||||||||||||
| 1061 | Buch | AI 97092 | B-800-21 | No Time for Losers. Charts, Listen und andere Kanonisierungen in der populären Musik | Helms, Dietrich / Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 36 | transcript | 978-3-89942-983-1 | Bielefeld | 2008 | Theorie, Stil | 2008-10-10 12:16:36 | |||||||||
| 1062 | CD | C-770-08 | 5. pop! Songwriting Workshop | V.A. | projektpop | WS2008 | 2008 | 770 | Pop/Rock / Danc | 2008-10-17 12:36:28 | ||||||||||||
| 1063 | CD | C-540-05 | Busy man | An object what can burned | 540 | Worldmusic | Worldmusic China | 2008-10-17 12:39:21 | ||||||||||||||
| 1064 | CD | C-540-06 | National Beauty | V.A. | Realm Music | 2005 | 540 | Wolrdmusic | Worldmusic China | 2008-10-17 12:42:02 | ||||||||||||
| 1065 | CD | C-540-07 | Intoxicated in pure singing | 2006 | 540 | Worldmusic | Worldmusic China | 2008-10-17 12:44:51 | ||||||||||||||
| 1066 | CD | C-540-08 | Master of Chinese Percussion | Yim Hok-Man | HNH Intrnational | 1998 | 540 | Wolrdmusic | Worldmusic China | 2008-10-17 12:50:05 | ||||||||||||
| 1067 | CD | C-540-09 | Shining Energy | 12 Girls Band | Push Sound Music | 2004 | 540 | Worldmusic | Worldmusic China | 2008-10-17 12:54:16 | ||||||||||||
| 1068 | CD | C-540-10 | The Night of Suman | StarSing | 2006 | 540 | Worldmusic | Worldmusic China | 2008-10-17 12:55:51 | |||||||||||||
| 1069 | Diplomarbeit | D-630-01 | Messiaens Modi und deren Verwendung in der improvisierten Musik | Mayrbäurl, Matthias | iPop Wien | 2008 | 630 | Kunstmusik | Zeitgenössische Kunstmusik | 2008-11-14 11:07:16 | ||||||||||||
| 1070 | Diplomarbeit | D-440-04 | Gil Evans als Arrangeur und Komponist. Eine Stilanalyse ausgesählte Stücke des Gil Evans Orchestra | Hassfurther, Sophie | iPop Wien | 2008 | Jazz | Hard Bop | 2008-11-14 12:03:12 | |||||||||||||
| 1071 | Diplomarbeit | D-222-02 | Tangerine Dream. Dokumentation der Bandgeschichte. | Spazierer, Gerlinde | iPop Wien | 2008 | 222 | Pop/Rock, Elect | Prog-Rock, Ambient, Space-Rock, Art-Rock | 2008-11-28 12:47:32 | ||||||||||||
| 1072 | Textbeitrag | T-800-16 | The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany | Robinson, J. Bradford | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Rezeption, Theorie, Soziologie, Deutschland, 1930er | S. 1-25 | 2009-07-02 12:17:01 | ||||||||||
| 1073 | Textbeitrag | T-860-01 | Music and meaning in the commercials | Cook, Nicholas | Popular Music | 13 | 1994 | Wirkung, Wirtschaft, | S. 27-40 | 2009-03-19 14:02:26 | ||||||||||||
| 1074 | Textbeitrag | T-850-01 | Did rock smash the wall? The role of rock in political transition | Pekacz, Jolanta | Popular Music | 13 | 1994 | Politik, Wirkung, Rock | S. 41-50 | 2009-03-26 10:59:38 | ||||||||||||
| 1075 | Textbeitrag | T-840-04 | The flamenco body | Washabaugh, william | Popular Music | 13 | 1994 | 560 | Worldmusic | Flamenco | Film, Video, Frau, Forschung | S. 75-90 | 2009-07-02 12:18:56 | |||||||||
| 1076 | Textbeitrag | T-840-02 | Structural relationships of music and images in music video | Björnberg, Alf | Popular Music | 13 | 1994 | Film, Video, Forschung, Aesthetik | S. 51-74 | 2009-03-26 11:09:15 | ||||||||||||
| 1077 | Textbeitrag | T-212-01 | Into the mystic: the aural poetry ov Van Morrison | Mills, Peter | Popular Music | 13 | 1994 | Pop/Rock | Folk, Soul | Musiker, Text, Werk | S. 91-104 | 2009-03-26 11:12:29 | ||||||||||
| 1078 | Textbeitrag | T-800-01 | Music, culture and interdisciplinarity: reflections on relationships | Shepherd, John | Popular Music | 13 | 1994 | Forschung, Theorie | S. 127-142 | 2009-03-26 11:26:53 | ||||||||||||
| 1079 | Textbeitrag | T-140-01 | Genre, performance and ideology in the early songs of Irving Berlin | Hamm, Charles | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Musiker, Werk, Analyse | S. 143-150 | 2009-03-26 11:30:09 |