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| ID | ▼ Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1630 | Textbeitrag | T-800-28 | Blues, criticism, and the signifying trickster | Smith, Ayana | Popular Music | 24/2 | 2005 | Blues, Text, Vermittlung | 2012-05-31 13:37:16 | |||||||||||||
| 1631 | Textbeitrag | T-800-29 | From "Tomorrow's Eve" to "High Fidelity". Novel responses to the gramophone in twentieth century literature | Symes, Colin | Popular Music | 24/2 | 2005 | Literatur, Tonträger, Medien | 2012-05-31 13:41:38 | |||||||||||||
| 1632 | Textbeitrag | T-520-01 | García Márquez, macondismo, and the soundscapes of vallenato | Ochoa, Ana María | Popular Music | 24/2 | 2005 | Worldmusic | Vallenato | Literatur, Stil, Vermittlung, Worldmusic, Lateinamerika | 2012-05-31 13:46:11 | |||||||||||
| 1095 | Textbeitrag | T-820-03 | Cycles in symbol production? a new model to explain concentration, diversity and innovation in the music industry | Christianen, Michael | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 55-94 | 2009-03-26 13:13:50 | ||||||||||||
| 1633 | Textbeitrag | T-221-04 | "Can You Still Keep Your Balance?" Keith Emnerson's anxiety of influence, style change, and the road to prog superstardom | Kawamoto, Akitsugu | Popular Music | 24/2 | 2005 | Pop/Rock | Prog Rock | Musiker, Stil, Entwicklung, Literatur | 2012-05-31 13:50:56 | |||||||||||
| 1075 | Textbeitrag | T-840-04 | The flamenco body | Washabaugh, william | Popular Music | 13 | 1994 | 560 | Worldmusic | Flamenco | Film, Video, Frau, Forschung | S. 75-90 | 2009-07-02 12:18:56 | |||||||||
| 1092 | Textbeitrag | T-227-01 | Motown crossover hits 1963-1966 and the creative process | Fitzgerald, Jon | Popular Music | 14 | 1995 | Pop/Rock, | Soul/Funk | Musik, Werk, Tonträger, USA, 1960er | S. 1-12 | 2009-03-26 13:02:33 | ||||||||||
| 1074 | Textbeitrag | T-850-01 | Did rock smash the wall? The role of rock in political transition | Pekacz, Jolanta | Popular Music | 13 | 1994 | Politik, Wirkung, Rock | S. 41-50 | 2009-03-26 10:59:38 | ||||||||||||
| 1094 | Textbeitrag | T-820-02 | The record industry in Finnland, 1945-1960 | Gronow, Pekka | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie, Finnland, Entwicklung, Geschichte | S. 33-54 | 2009-03-26 13:11:55 | ||||||||||||
| 1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
| 1073 | Textbeitrag | T-860-01 | Music and meaning in the commercials | Cook, Nicholas | Popular Music | 13 | 1994 | Wirkung, Wirtschaft, | S. 27-40 | 2009-03-19 14:02:26 | ||||||||||||
| 1093 | Textbeitrag | T-820-07 | Re-examining the concept of the "independent" record company: the case of Wax Trax! records | Lee, Stephen | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 13-32 | 2009-07-02 12:17:18 | ||||||||||||
| 1072 | Textbeitrag | T-800-16 | The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany | Robinson, J. Bradford | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Rezeption, Theorie, Soziologie, Deutschland, 1930er | S. 1-25 | 2009-07-02 12:17:01 | ||||||||||
| 46 | Noten | AII 70851 | N-531-04 | Antonio Carlos Jobim - Anthology. Piano, Vocal, Gouitar | Hal Leonard | 0-7935-1677-3 | 1994 | 531 | Worldmusik Late | Salsa | Salsa, Lateinamerika, Komponist | 2007-10-12 11:20:01 | ||||||||||
| 428 | Noten | HH privat | N-410-02 | The Ragtime Songbook | Charters, Ann (Ed.) | Oak Publ. | 0-8256-0086-3 | New York, London, Sidney | o.J. | 410 | Jazz | Traditional Jazz | 2007-10-12 11:30:34 | |||||||||
| 251 | Noten | HH privat | N-410-03 | Negro-Folksong-Büchlein. Die schönsten Negro-Folksongs für Singstimme, Melodieinstrumente (Blockflöte) und Gitarrenbegleitung | Klaus Buhé (Hg.) | Heinrichshoven`s | 1460 | Wilhemshaven | 1977 | 410 | Jazz | Traditional Jazz | 2007-10-12 11:31:27 | |||||||||
| 635 | Noten | AII 82865/1 | N-200-06/1 | The New Real Book, Vol. 1 | Diverse | Diverse | Sher | 0-9614701-4-3 | Petaluma | 1988 | 200 | Pop/Rock | HAPP Aichinger | 2007-10-12 11:32:53 | ||||||||
| 634 | Noten | AII 82866 iPOP | N-200-09 | The Ultimate Pop/Rock Fake Book. | Diverse | Diverse | Hal Leonard | 0-7935-7000-X | Milwaukee | 200 | Pop/Rock | HAPP Aichinger | 2007-10-19 10:43:17 | |||||||||
| 319 | Noten | 79195/2 | N-200-06/2 | Rock Piano 2 | Moser, Jürgen | Schott | ISBN 3-7957-0310-7 | 1985 | 200 | Pop/Rock | CD inkludiert | 2007-10-12 11:16:14 | ||||||||||
| 320 | Noten | 79195/1 | N-200-06/1 | Rock Piano 1 | Moser, Jürgen | Schott | ISBN 3-7957-5189-6 | 1982 | 200 | CD inkludiert | 2007-10-12 11:14:38 |