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| ID | ▼ Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1507 | Textbeitrag | T-500-03 | Is "world music" the "classical music" of our time? | Ling, Jan | Popular Music | 22/2 | 2003 | World music, Geschichte, Soziologie, Rezeption | 2011-03-17 13:25:48 | |||||||||||||
| 1431 | Textbeitrag | T-850-10 | Singing the pulse of the Egyptian-Arab street; Shaaban Abd al-Rahim and the geo-pop-politics of fast food | Gordon, Joel | Popular Music | 22/1 | 2003 | 500 | Politik, Afrika, Asien, Musiker | 2010-10-07 12:57:28 | ||||||||||||
| 1500 | Textbeitrag | T-850-11 | You can't get rid a song of its words. Notes on the hegemony of lyrics in Russian rock songs | Steinholt, Yngvar B. | Popular Music | 22/1 | 2003 | Musik, Text, Politik | 2011-03-17 12:06:08 | |||||||||||||
| 1501 | Textbeitrag | T-800-21 | Blurred affinities. Tracing the influence of North Indian classical music in Keith Jarrett's solo piano improvisations | Blume, Gernot | Popular Music | 22/2 | 2003 | Musiker, USA, Werk, Jazz, Klassik, Analyse | 2011-03-17 12:38:28 | |||||||||||||
| 1502 | Textbeitrag | T-870-15 | Between globalisation and localisation. A study of Hong Kong popular music | Ho, Wai-Chung | Popular Music | 22/2 | 2003 | Musik, Asien, Ethnologie, Soziologie | 2011-03-17 12:44:22 | |||||||||||||
| 1503 | Textbeitrag | T-800-22 | "Ces nymphes, je les veux perpétuer. The post-war pastoral in space-age bachelor-pad music | Leydon, Rebecca | Popular Music | 22/2 | 2003 | Musik, Europa, Religion, Analyse, 1950er | 2011-03-17 12:58:29 | |||||||||||||
| 1504 | Textbeitrag | T-820-12 | Selling an image. Girl groups of the 1960s | Cyrus, Cynthia | Popular Music | 22/2 | 2003 | Musik, USA, 1960er, Frau, Musikindutrie | 2011-03-17 13:15:47 | |||||||||||||
| 1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
| 1505 | Textbeitrag | T-870-16 | Gesturin elsewhere. The identity politics of the Balinese death/trash metal scene | Baulch, Emma | Popular Music | 22/2 | 2003 | Musik, Asien, Metal, Ethnologie | 2011-03-17 13:19:25 | |||||||||||||
| 1506 | Textbeitrag | T-870-17 | Limited pidgin-type patois? Policy, language, technologie, identity and the experience of Canto-pop in Singapore. | Khiun, Liew Kai | Popular Music | 22/2 | 2003 | Musik, Asien, Ethnologie, Politik | 2011-03-17 13:21:39 | |||||||||||||
| 1510 | Textbeitrag | T-233-04 | The Raincoats. Breaking down punk rock's masculinities | O'Meara, Caroline | Popular Music | 22/3 | 2003 | Punk, New Wave, Musiker, Frau, Soziologie | 2011-03-17 13:38:33 | |||||||||||||
| 1101 | Textbeitrag | T-800-10 | The Splintered art World of Contemporary Christian Music | Howard, Jay R. / Streck, John, M. | Popular Music | 15 | 1996 | Musik, Genre, Religion | S. 37-54 | 2009-04-23 13:21:04 | ||||||||||||
| 1100 | Textbeitrag | T-800-09 | Perspectives in popular musicology: music, Lennox and meaning in 1990s pop | Hawkins, Stan | Popular Music | 15 | 1996 | Pop/Rock | Musiker, Frau, Analyse, Wissenschaft, Forschung | S. 17-36 | 2009-04-23 13:18:43 | |||||||||||
| 1099 | Textbeitrag | T-530-01 | Tom Jobim and the Bossa Nova | Reiley, Suzel Ana | Popular Music | 15 | 1996 | 530 | Worldmusic | Bossa Nova | Musiker, Lateinamerika, Stil | S. 1-16 | 2009-04-23 13:15:06 | |||||||||
| 1098 | Textbeitrag | T-820-04 | "... into another kind of life in which anything might happen ..." Popular music and late modernity, 1910-1930 | Baxendale, John | Popular Music | 14 | 1995 | Kulturindustrie, Geschichte, Entwicklung, England | S. 137-154 | 2009-03-26 13:36:04 | ||||||||||||
| 1097 | Textbeitrag | T-800-08 | The future of rock:discourses that struggle to define a genre. | Fornäs, Johan | Popular Music | 14 | 1995 | Theorie, Wissenschaft, Stil, Entwicklung | S. 111-126 | 2009-03-26 13:25:34 | ||||||||||||
| 1096 | Textbeitrag | T-870-03 | The "East ist red" goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance | Lee, Gregory | Popular Music | 14 | 1995 | Ethnologie, Asien | S. 95-110 | 2009-03-26 13:19:09 | ||||||||||||
| 1095 | Textbeitrag | T-820-03 | Cycles in symbol production? a new model to explain concentration, diversity and innovation in the music industry | Christianen, Michael | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 55-94 | 2009-03-26 13:13:50 | ||||||||||||
| 1094 | Textbeitrag | T-820-02 | The record industry in Finnland, 1945-1960 | Gronow, Pekka | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie, Finnland, Entwicklung, Geschichte | S. 33-54 | 2009-03-26 13:11:55 | ||||||||||||
| 1093 | Textbeitrag | T-820-07 | Re-examining the concept of the "independent" record company: the case of Wax Trax! records | Lee, Stephen | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 13-32 | 2009-07-02 12:17:18 |