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| ID | ▲ Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1411 | Textbeitrag | T-840-16 | From fanfare to funfair: the changing sound world of UK television idents | Brownrigg, Mark / Meech, Peter | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Werbung, Großbritannien | 2010-09-09 13:59:25 | ||||||||||||
| 1412 | Textbeitrag | T-840-17 | Sounds real: music and documentary | Corner, John | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung | 2010-09-09 14:00:23 | ||||||||||||
| 1413 | Textbeitrag | T-840-18 | Television's problem with (classical) music | Chanan, Michael | Popular Music | 21/3 | 2002 | 600 | Kunstmusik | Klassik | Stil, Kommunikation, Film, Wirkung | 2010-09-09 14:02:14 | ||||||||||
| 1414 | Textbeitrag | T-239-04 | Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys | Butler, Mark | Popular Music | 22/1 | 2003 | 239 | Pop/Rock | Video Pop | Musiker, Werk, Text | 2010-09-16 13:50:31 | ||||||||||
| 1415 | Textbeitrag | T-540-05 | World music or Japanese - the gagaku of Togi Hideki | Lancashire, Terence | Popular Music | 22/1 | 2003 | 540 | Worldmusic | Japanische Hofmusik | Musiker, Werk, Asien | 2010-09-16 13:54:07 | ||||||||||
| 1416 | Textbeitrag | T-320-03 | Sampling the 1970s in hip-hop | Demeers, Joanna | Popular Music | 22/1 | 2003 | 320 | Dance | HipHop | Stil, Analyse | 2010-09-16 13:55:58 | ||||||||||
| 1417 | Textbeitrag | T-820-11 | For and against the record industry: an introduction to bootleg collectors and tape traders | Marshall, Lee | Popular Music | 22/1 | 2003 | 000 | Tonträger, Kulturindustrie, Wirtschaft, Soziologie | 2010-09-16 13:59:13 | ||||||||||||
| 1431 | Textbeitrag | T-850-10 | Singing the pulse of the Egyptian-Arab street; Shaaban Abd al-Rahim and the geo-pop-politics of fast food | Gordon, Joel | Popular Music | 22/1 | 2003 | 500 | Politik, Afrika, Asien, Musiker | 2010-10-07 12:57:28 | ||||||||||||
| 1500 | Textbeitrag | T-850-11 | You can't get rid a song of its words. Notes on the hegemony of lyrics in Russian rock songs | Steinholt, Yngvar B. | Popular Music | 22/1 | 2003 | Musik, Text, Politik | 2011-03-17 12:06:08 | |||||||||||||
| 1501 | Textbeitrag | T-800-21 | Blurred affinities. Tracing the influence of North Indian classical music in Keith Jarrett's solo piano improvisations | Blume, Gernot | Popular Music | 22/2 | 2003 | Musiker, USA, Werk, Jazz, Klassik, Analyse | 2011-03-17 12:38:28 | |||||||||||||
| 1502 | Textbeitrag | T-870-15 | Between globalisation and localisation. A study of Hong Kong popular music | Ho, Wai-Chung | Popular Music | 22/2 | 2003 | Musik, Asien, Ethnologie, Soziologie | 2011-03-17 12:44:22 | |||||||||||||
| 1503 | Textbeitrag | T-800-22 | "Ces nymphes, je les veux perpétuer. The post-war pastoral in space-age bachelor-pad music | Leydon, Rebecca | Popular Music | 22/2 | 2003 | Musik, Europa, Religion, Analyse, 1950er | 2011-03-17 12:58:29 | |||||||||||||
| 1504 | Textbeitrag | T-820-12 | Selling an image. Girl groups of the 1960s | Cyrus, Cynthia | Popular Music | 22/2 | 2003 | Musik, USA, 1960er, Frau, Musikindutrie | 2011-03-17 13:15:47 | |||||||||||||
| 1505 | Textbeitrag | T-870-16 | Gesturin elsewhere. The identity politics of the Balinese death/trash metal scene | Baulch, Emma | Popular Music | 22/2 | 2003 | Musik, Asien, Metal, Ethnologie | 2011-03-17 13:19:25 | |||||||||||||
| 1506 | Textbeitrag | T-870-17 | Limited pidgin-type patois? Policy, language, technologie, identity and the experience of Canto-pop in Singapore. | Khiun, Liew Kai | Popular Music | 22/2 | 2003 | Musik, Asien, Ethnologie, Politik | 2011-03-17 13:21:39 | |||||||||||||
| 1507 | Textbeitrag | T-500-03 | Is "world music" the "classical music" of our time? | Ling, Jan | Popular Music | 22/2 | 2003 | World music, Geschichte, Soziologie, Rezeption | 2011-03-17 13:25:48 | |||||||||||||
| 1508 | Textbeitrag | T-410-02 | Just a closer walk with thee. New Orleans-style jazz and the Campaign for Nuclear Disarmament in 1950s Britain | McKay, George | Popular Music | 22/3 | 2003 | Jazz, Politik, Großbritannien, 1950er | 2011-03-17 13:33:39 | |||||||||||||
| 1509 | Textbeitrag | T-140-05 | Popular modernism? The "urban" style of interwar Tin Pan Alley | Lindberg, Ulf | Popular Music | 22/3 | 2003 | Tin Pan Alley, 1920er, 1930er, Analyse | 2011-03-17 13:36:23 | |||||||||||||
| 1510 | Textbeitrag | T-233-04 | The Raincoats. Breaking down punk rock's masculinities | O'Meara, Caroline | Popular Music | 22/3 | 2003 | Punk, New Wave, Musiker, Frau, Soziologie | 2011-03-17 13:38:33 | |||||||||||||
| 1511 | Textbeitrag | T-410-03 | A critical reassessment of the reception of early jazz in Britain | Parsonage, Catherine | Popular Music | 22/3 | 2003 | Jazz, Großbritannien, Rezeption, Soziologie, 1920er | 2011-03-17 13:41:52 |