Zurück zur Informationsseite der iPOP - Mediathek
| ID | Medium | SignUB | SignIB | Titel | Interpret | ▲ Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
| 1169 | Textbeitrag | T-840-08 | Popping the question: the function and effect of popular music in cinema | Lapedis, Hilary | Popular Music | 18/3 | 1999 | 000 | Sound, Video, Wirkung | S. 367-380 | 2009-07-02 12:32:18 | |||||||||||
| 1170 | Textbeitrag | T-140-04 | Oklahoma!: ideology and politics in the vernacular tradition of the American musical | Filmer, Paul / Rimmer, Val / Walsh, Dave | Popular Music | 18/3 | 1999 | 140 | Unterhaltungsmu | Musical | Musical, USA, Politik | S. 381-396 | 2009-07-02 12:38:31 | |||||||||
| 1171 | Textbeitrag | T-245-01 | Rules of rebellion: slamdancing, moshing, and the American altrnative scene | Tsitsos, William | Popular Music | 18/3 | 1999 | 245 | Pop/Rock | Alternative Rock, Punk | Alternative Rock, Punk, Tanzen, Publikum, Jugendkultur | S. 397-141 | 2009-07-02 12:45:05 | |||||||||
| 1172 | Textbeitrag | T-870-09 | Going down like a song: national identity, global commerce and the Great Canadian Party | Duffett, Mark | Popular Music | 19/1 | 2000 | 000 | Ethnologie, Nordamerika, Kulturindustrie, Wirtschaft | S. 1-12 | 2009-07-02 13:43:13 | |||||||||||
| 1173 | Textbeitrag | T-242-02 | Roots?: the relationship between the global and the local within the Extreme Metal scene | Harris, Keith | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Soziologie | S. 13-30 | 2009-07-02 13:48:56 | |||||||||
| 1174 | Textbeitrag | T-242-03 | Losing the local: Sydney and the Oz Rock tradition | Homan, Shane | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Australien, Soziologie | S. 31-50 | 2009-07-02 13:48:28 | |||||||||
| 1175 | Diplomarbeit | D-830-06 | Kinästhetisches Lernen in der Popularmusik | Wällstedt, Sven Lukas | iPop Wien | 2009 | 000 | Pädagogik, Psychologie, Instrument, Wissenschaft | 2009-07-09 11:48:37 | |||||||||||||
| 1176 | Diplomarbeit | D-740-07 | Faces & Places. Zur Musik des Jazzpianisten Joe Zawinul | Schennach, Sandra | iPop Wien | 2008 | 740 | Jazz | Fusion | Musiker, Jazz, Österreich, USA, Werk, Biographie, Analyse | 2009-07-09 11:54:33 | |||||||||||
| 1177 | Diplomarbeit | D-720-04 | Falco. Zwischen Mensch und Kunstfigur. | Reichel, Petra | iPop Wien | 2009 | 720 | Pop/Rock | Deutschrock, New Wave, Video Pop, HipHop | Musiker, Österreich, Biographie, Analyse, Sprache | 2009-07-09 11:59:35 | |||||||||||
| 1178 | Buch | AI 100.368 iPoP | B-400-16 | Jazz goes Pop goes Jazz. Der Jazz und sein gespaltenes Verhältnis zur Popularmusik | Knauer, Wolfram (Hg.) | Darmstädter Beiträge zur Jazzforschung | 9 | wolke | 3-936000-03-4 | Darmstadt | 2006 | 400 | Jazz, Pop/Rock | Jazz allgemein | Ästhetik, Analyse, Crossover, Fusion, Soziologie, Psychologie | 2009-07-09 12:08:41 | ||||||
| 1179 | Buch | AI 100.369 iPoP | B-233-01 | Rip it up and start again. Schmeiss alles hin und fang neu an. Postpunk 1978-1984 | Reynolds, Simon | hannibal | 978-3-85445-270-6 | Höfen | 2007 | 2005 | 233 | Pop/Rock | Postpunk, New Wave | Ästhetik, Analyse, Geschichte, Entwicklung, Musiker, Politik, Stil, 1970er, 1980er | 2009-07-09 12:14:11 | |||||||
| 1180 | Buch | AI 100.367 iPoP | B-300-01 | Elektroschock | Garnier, Laurent | hannibal | 978-3-85445-252-2 | Höfen | 2008 | 2003 | 233 | Dance | Techno, House, Drum & Bass | Geschichte, Entwicklung, Stil, Musiker, 1980er, 1990er, Tonträger, Werk, Jugendkultur, Europa, USA | 2009-07-09 12:18:29 | |||||||
| 1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 | ||||||||||
| 1182 | Diplomarbeit | D-239-06 | Bruce Springsteen. Eine Reise nach nirgendwo auf der Suche nach Erlösung. | Prinz, Peter | iPop Wien | 2009 | 239 | Pop/Rock | Mainstream-Rock, Americana | Musiker, Analyse, USA, Biographie, Werk | 2009-08-21 12:30:35 | |||||||||||
| 1183 | Textbeitrag | T-320-02 | "Represent": race, space and place in rap music. | Forman, Murray | Popular Music | 19/1 | 2000 | 320 | Dance | HipHop | HipHop, Entwicklung, 1970er, 1980er, 1990er, USA, Soziologie | S. 65-90 | 2009-08-27 11:20:17 | |||||||||
| 1184 | Textbeitrag | T-820-05 | Home on the page: a virtual place of music community | Kibby, Marjorie D. | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Singer/Songwriter | Kommunikation, Publikum, Wirkung, 1990er, USA, Medien | S. 91-100 | 2009-08-27 11:42:54 | |||||||||
| 1185 | Textbeitrag | T-560-03 | From Manchuria to the tradition village: on the construction of place via pelimanni music | Järviluoma, Helmi | Popular Music | 19/1 | 2000 | 560 | World Music | Pelimanni-Musik, Volksmusik, Worldmusic | Volksmusik, Europa, Ethnologie | S. 101-124 | 2009-08-27 11:50:15 | |||||||||
| 1186 | Textbeitrag | T-540-03 | Religion,gossip, narrative conventions and the construction of meaning in Hindi film songs | Booth, Gregory | Popular Music | 19/2 | 2000 | 540 | World Music | Hindi-Filmmusik | Worldmusic, Asien, Film, Text, Wirkung, Soziologie | S. 125-246 | 2009-08-27 12:03:17 | |||||||||
| 1187 | Textbeitrag | T-120-02 | A song goes "round the world": the German Schlager as an organ of experience | Currid, Brian | Popular Music | 19/2 | 2000 | 120 | Unterhaltungsmu | Dt. Schlager | Schlager, Analyse, Text, 1930er, Soziologie, Politik | S. 147-180 | 2009-08-27 12:10:17 |