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ID Medium SignUB SignIB Titel Interpret Komponist Autor Regisseur Reihe Band Produktion VertriebVerlag KatalogNr Ort ▼ Jahr Erstveröffentlichung StilkürzelNr Genre Stile Schlagworte Bemerkungen LastUpdate
1555 Diplomarbeit D-820-01 Die Quotenregelung im französischen Radio Withalm, Magdalena ipop Wien 2005 Musikindustrie, Analyse, Europa 2012-04-19 13:40:16
1567 CD C-740-16 1. Jazz Festival 2005 - Jazzstars Live in St. Pölten Verschiedene Marianne Mendt präsentiert: ORF NÖ 029 St. Pölten 2005 740 Jazz 2011-10-20 11:12:59
1568 CD C-740-17 1. Jazz Festival 2005 - Junge Talente Live in St. Pölten Verschiedene Marianne Mendt präsentiert: ORF NÖ 026 St. Pölten 2005 740 Jazz 2011-10-20 11:13:35
1601 Textbeitrag T-870-21 "Living underground is tough": authenticity and locality in the hip-hop community in Istanbul, Turkey Solomon, Thomas Popular Music 24/1 2005 Ethnologie, Soziologie, HipHop, Europa 2012-03-08 10:27:40
1602 Textbeitrag T-320-04 Pop goes the rapper: a close reading of Eminem's genderphobia Stephens, Vincent Popular Music 24/1 2005 2012-03-08 13:41:25
1613 Textbeitrag T-800-24 "Some guys designed this room I'm standing in". Marking gender in press coverage of Ani DiFranco Feigenbaum, Anna Popular Music 24/1 2005 245 Pop/Rock Alternative Rock, Singer/Songwriter Rock, Kritik, Soziologie, Frau, Musiker 2012-05-03 12:54:11
1614 Textbeitrag T-800-25 "Simply Irresistible" Recurring accent patterns as hooks in mainstream 1980s music Traut, Don Popular Music 24/1 2005 Pop/Rock Analyse, Stil 2012-05-03 12:57:35
1615 Textbeitrag T-850-14 Jews, punk and the Holocaust. From the Velvet Underground to the Ramones - the Jewish-American story Stratton, Jon Popular Music 24/1 2005 Pop/Rock Politik 2012-05-03 13:02:26
1616 Textbeitrag T-540-06 The rise and generic features of Shanghai popular songs in the 1930s and 1940s Chen, Szu-Wei Popular Music 24/1 2005 Worldmusic China-Pop Musik, Asien, 1930er, 1940er 2012-05-03 13:06:46
1617 Textbeitrag T-800-26 Can we get rid of the "popular" in popular music? A virtual symposium with contributions from the International Advisory Editors of Popular Music International Advisory Editors of Popular Music Popular Music 24/1 2005 Wissenschaft, international 2012-05-03 13:13:17
1629 Textbeitrag T-800-27 Dead Channel Surfing. The commonalities between cyberpunk literature and industrial music Collins, Karen Popular Music 24/2 2005 Literatur, Medien, Musik, Theorie 2012-05-31 13:29:19
1630 Textbeitrag T-800-28 Blues, criticism, and the signifying trickster Smith, Ayana Popular Music 24/2 2005 Blues, Text, Vermittlung 2012-05-31 13:37:16
1631 Textbeitrag T-800-29 From "Tomorrow's Eve" to "High Fidelity". Novel responses to the gramophone in twentieth century literature Symes, Colin Popular Music 24/2 2005 Literatur, Tonträger, Medien 2012-05-31 13:41:38
1632 Textbeitrag T-520-01 García Márquez, macondismo, and the soundscapes of vallenato Ochoa, Ana María Popular Music 24/2 2005 Worldmusic Vallenato Literatur, Stil, Vermittlung, Worldmusic, Lateinamerika 2012-05-31 13:46:11
1633 Textbeitrag T-221-04 "Can You Still Keep Your Balance?" Keith Emnerson's anxiety of influence, style change, and the road to prog superstardom Kawamoto, Akitsugu Popular Music 24/2 2005 Pop/Rock Prog Rock Musiker, Stil, Entwicklung, Literatur 2012-05-31 13:50:56
1733 CD 0-121096 C-770-11 This is the Slow Club Lang, Rabitsch, Schlögl 2005 770 Ab 2000 Hansi Lang 2014-05-30 12:51:14
1984 Buch III-137089 B-233-03 Punk! An A - Z Lazell, Barry 2005 1995 233 Punk Punk Punk, John Cale 2018-06-08 11:02:44
2102 Buch I-145076 B-227-04 Motown, music, money, sex, and power Posner, Gerald Random House Trade Paperbacks New York 2005 2020-09-16 14:24:15
2142 Buch 0-146520 B-800-48 Modernisierungstheorie Degele, Nina; Dries, Christian Wilhelm Fink Verlag München 2005 2021-01-26 15:07:57
2209 Buch I-146970 B-000-27 Irishfolk, trad & blues, a secret history Harper, Colin; Hodgett, Trevor The Collins Press London 2005 2021-10-11 13:45:17
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