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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | ▼ Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1518 | Textbeitrag | T-850-12 | "Over to you". Can Europe restrain Microssoft's treat to freedom of musical expression in computer-mediated communication? | Wolfe, Arnold S. | Popular Music | 23/1 | 2004 | Kommunikation, Produktion, Recht, Politik, USA, Europa, 2000er | 2011-03-24 12:38:16 | |||||||||||||
| 1524 | Textbeitrag | T-820-14 | The music industry, technology and utopia. An exchange between Mracus Breen and Eamonn Forde | Breen, Marcus / Frode, Eamonn | Popular Music | 23/1 | 2004 | Musikindustrie, Tonträger, Technik, Politik | 2011-04-14 11:31:08 | |||||||||||||
| 1525 | Textbeitrag | T-870-18 | Re-thinking "whiteness"? Identity, change and "white" popular music in post-apartheid South Africa | Ballatine, Christopher | Popular Music | 23/2 | 2004 | Politik, Afrika, Ethnologie, Soziologie | 2011-04-14 11:54:59 | |||||||||||||
| 1526 | Textbeitrag | T-000-02 | Living troubadours and other recent uses for medieval music | Haines, John | Popular Music | 23/2 | 2004 | Geschichte, Musiker, Singen | 2011-04-14 11:58:42 | |||||||||||||
| 1527 | Textbeitrag | T-400-01 | (Re)voicing tradition. Improvising aesthetics and identity on local jazz scenes. | Hollerbach, Peter | Popular Music | 23/2 | 2004 | Jazz, Entwicklung, Improvisation | 2011-04-14 12:05:28 | |||||||||||||
| 1530 | Bak-Arbeit | BA-870-06 | Charakteristika und Tendenz der okinawanischen Populärmusik in der Gegenwart | Shinjo, Yuki | ipop Wien | 2011 | Ethnologie, Asien, Musik | 2011-05-19 13:27:05 | ||||||||||||||
| 1531 | Bak-Arbeit | BA-840-08 | Filmmusik am Beispiel von "My Blueberry Nights" | Xiao, Yichen | ipop Wien | 2011 | Film, Werk, Musiker, Jazz, Analyse | 2011-05-19 13:29:28 | ||||||||||||||
| 1537 | Buch | AI 105.938 | B-800-23R | Thema Nr. 1. Sex und populäre Musik | Helms, Dietrich / Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 37 | transcript | 978-3-89942-796-7 | Bielefeld | 2011 | Soziologie, Theorie, Rezeption | steht bei den Reihen | 2011-05-26 12:31:13 | ||||||||
| 1555 | Diplomarbeit | D-820-01 | Die Quotenregelung im französischen Radio | Withalm, Magdalena | ipop Wien | 2005 | Musikindustrie, Analyse, Europa | 2012-04-19 13:40:16 | ||||||||||||||
| 1580 | Masterarbeit | D-830-01 | Moderne Computertechnologien im Musikunterricht | Holter, Martin | ipop Wien | 2011 | Paedagogik, Technologie, Didaktik | 2012-04-19 13:37:59 | ||||||||||||||
| 1591 | Textbeitrag | T-820-17 | Infrastructure for the Celestial Jukebox | Burkart, Patrick / McCourt, Tom | Popular Music | 23/3 | 2004 | Musikindustrie, Vermittlung, Publikum, Technik | 2012-02-02 12:20:59 | |||||||||||||
| 1600 | CD | C-700-06 | austrian music box 12 | Verschiedene | AMAN | Wien | 2009 | 700 | Alternative, Electronic, Pop/Rock, Schlager, Volkstümliche Musik, Jazz, Worldmusic, Klassik, Zeitgenössische E-Musik | Tonträger, Oesterreich, 2000er, Bestandsaufnahme, Musiker, Werk | 5CD-Box | 2012-03-01 11:15:24 | ||||||||||
| 1601 | Textbeitrag | T-870-21 | "Living underground is tough": authenticity and locality in the hip-hop community in Istanbul, Turkey | Solomon, Thomas | Popular Music | 24/1 | 2005 | Ethnologie, Soziologie, HipHop, Europa | 2012-03-08 10:27:40 | |||||||||||||
| 1602 | Textbeitrag | T-320-04 | Pop goes the rapper: a close reading of Eminem's genderphobia | Stephens, Vincent | Popular Music | 24/1 | 2005 | 2012-03-08 13:41:25 | ||||||||||||||
| 1617 | Textbeitrag | T-800-26 | Can we get rid of the "popular" in popular music? A virtual symposium with contributions from the International Advisory Editors of Popular Music | International Advisory Editors of Popular Music | Popular Music | 24/1 | 2005 | Wissenschaft, international | 2012-05-03 13:13:17 | |||||||||||||
| 1629 | Textbeitrag | T-800-27 | Dead Channel Surfing. The commonalities between cyberpunk literature and industrial music | Collins, Karen | Popular Music | 24/2 | 2005 | Literatur, Medien, Musik, Theorie | 2012-05-31 13:29:19 | |||||||||||||
| 1630 | Textbeitrag | T-800-28 | Blues, criticism, and the signifying trickster | Smith, Ayana | Popular Music | 24/2 | 2005 | Blues, Text, Vermittlung | 2012-05-31 13:37:16 | |||||||||||||
| 1631 | Textbeitrag | T-800-29 | From "Tomorrow's Eve" to "High Fidelity". Novel responses to the gramophone in twentieth century literature | Symes, Colin | Popular Music | 24/2 | 2005 | Literatur, Tonträger, Medien | 2012-05-31 13:41:38 | |||||||||||||
| 1644 | Dissertation | D-830-08 | Rhythm Coaching. Aspekte, Methoden, Vergleich. | Filz, Richard | ipop Wien | 2012 | Paedagogik, Stil | 2012-11-22 13:45:58 | ||||||||||||||
| 1651 | Bak-Arbeit | BA-800-03 | yoga und Thai Yoga Massage in Verbindung mit Gesang | Braith, Nina-Katharina | ipop Wien | 2012 | 800 | Gesang und Körperarbeit | Singen | Betreut von Philipp Sageder | 2013-02-21 13:15:31 |