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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | ▲ Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 801 | Zeitschrift | Z-000-06b | Popular Music Vol. 18/2 | Cambridge University Press | 1999 | Pop/Rock, World | 2006-09-01 11:29:23 | |||||||||||||||
| 447 | Buch | AI 72818 | B-860-02 | Trance Dance: Der Tanz des Lebens. Geschichte, Rituale, Erfahrungen | Natale, Frank | Simon + Leutner | 3-922389-57-0 | Berlin | 1993 | Tanz, Geschichte, Entwicklung, empirisch, Musikethnologie | 2005-12-09 10:33:51 | |||||||||||
| 1755 | CD | 0-122711 | C-270-11 | Born this way (The Collection) | Lady Gaga | 2011 | 270 | Lady Gaga | 2014-09-05 11:52:24 | |||||||||||||
| 388 | CD | CD 5664 | C-440-08 | The Best Of | Blakey, Art | 440 | 2006-05-26 14:29:31 | |||||||||||||||
| 1525 | Textbeitrag | T-870-18 | Re-thinking "whiteness"? Identity, change and "white" popular music in post-apartheid South Africa | Ballatine, Christopher | Popular Music | 23/2 | 2004 | Politik, Afrika, Ethnologie, Soziologie | 2011-04-14 11:54:59 | |||||||||||||
| 1042 | Buch | B-000-09 | "Kampf der Kulturen". Der Eurovision Song contest als Mittel national-kultureller Repräsentation | Wolther, Irving | Königshausen & Neumann | 3-8260-3357-4 | Würzburg | 2006 | 000 | Europa, Institution, Aufführung, Entwicklung, Medien, Publikum, Vermittlung | 2008-04-18 11:38:01 | |||||||||||
| 1746 | Bak-Arbeit | BA-560-08 | Jazz-Flamenco | Reiermann, Beate | ipop Wien | 2014 | 560 | Worldmusic Europa, Jazz, Flamenco | 2014-07-04 11:26:31 | |||||||||||||
| 1631 | Textbeitrag | T-800-29 | From "Tomorrow's Eve" to "High Fidelity". Novel responses to the gramophone in twentieth century literature | Symes, Colin | Popular Music | 24/2 | 2005 | Literatur, Tonträger, Medien | 2012-05-31 13:41:38 | |||||||||||||
| 1057 | Buch | AII 96502 iPop | B-000-10 | Incredibly Strange Music | Vale, V. / Juno, Andrea | Re/Search Publications | 0-940642-22-0 | San Francisco | 1993 | 000 | Musiker, Werk, USA | 2008-09-12 11:47:47 | ||||||||||
| 1061 | Buch | AI 97092 | B-800-21 | No Time for Losers. Charts, Listen und andere Kanonisierungen in der populären Musik | Helms, Dietrich / Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 36 | transcript | 978-3-89942-983-1 | Bielefeld | 2008 | Theorie, Stil | 2008-10-10 12:16:36 | |||||||||
| 1754 | CD | 0-122712 | C-770-13 | Welcome to the Slow Club | Slow Club | 2004 | 770 | Slow Club, Hansi Lang, Österreich | 2014-09-05 11:42:05 | |||||||||||||
| 1515 | Textbeitrag | T-840-19 | Drag, camp and gender subversion in the music and videos of Annie Lennox | Rodger, Gillian | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1980er, 1990er, Werk, Video, Soziologie | 2011-03-24 12:22:11 | |||||||||||||
| 1101 | Textbeitrag | T-800-10 | The Splintered art World of Contemporary Christian Music | Howard, Jay R. / Streck, John, M. | Popular Music | 15 | 1996 | Musik, Genre, Religion | S. 37-54 | 2009-04-23 13:21:04 | ||||||||||||
| 1779 | Bak-Arbeit | BA-800-08 | Powerful Women - Frauen am Schlagzeug am Beispiel von Cora Coleman-Dunham & Terri Lyne Carrington | Brezovsky, Michaela | ipop Wien | 2013 | 800 | Musiker, Schlagzeug, Stil, Instrument | 2014-11-14 12:15:51 | |||||||||||||
| 1073 | Textbeitrag | T-860-01 | Music and meaning in the commercials | Cook, Nicholas | Popular Music | 13 | 1994 | Wirkung, Wirtschaft, | S. 27-40 | 2009-03-19 14:02:26 | ||||||||||||
| 1074 | Textbeitrag | T-850-01 | Did rock smash the wall? The role of rock in political transition | Pekacz, Jolanta | Popular Music | 13 | 1994 | Politik, Wirkung, Rock | S. 41-50 | 2009-03-26 10:59:38 | ||||||||||||
| 320 | Noten | 79195/1 | N-200-06/1 | Rock Piano 1 | Moser, Jürgen | Schott | ISBN 3-7957-5189-6 | 1982 | 200 | CD inkludiert | 2007-10-12 11:14:38 | |||||||||||
| 1514 | Textbeitrag | T-224-01 | I Wanna Be Your Man. Suzi Quatro's musical androgyny | Auslander, Philip | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1970er, Glam Rock, Biographie, Soziologie | 2011-03-17 13:57:26 | |||||||||||||
| 831 | Buch | AI 68346/4 | B-000-08d | The Guinness Encyclopedia of Popular Music. Vol. 4: Tillotson-Z.Z.Top | Larkin, Colin (Ed.) | Guinness | 0-85112-939-0 | Enfield | 1992 | 000 | Bestandsaufnahme, Biographie, Musiker, Geschichte, Entwicklung, Stil, Werk | Standort: Lexika | 2008-05-09 12:59:44 | |||||||||
| 1098 | Textbeitrag | T-820-04 | "... into another kind of life in which anything might happen ..." Popular music and late modernity, 1910-1930 | Baxendale, John | Popular Music | 14 | 1995 | Kulturindustrie, Geschichte, Entwicklung, England | S. 137-154 | 2009-03-26 13:36:04 |